I have done just some sketches. Nothing in particular. Just taking out a pen and small watercolor tin and putting something on paper.
…two plants on a coffeetable of a shop…
…a third potplant on another coffee table…
…a branch of berries picked on one of my walks…
All sketches done in pen and watercolor wash on Arches paper, 18x26cm
I took today off…apart from making my bed, I decide I am doing nothing else today. In terms of working that is. So I dressed myself pretty, put on some make up, which I haven’t done in ages. A dash of perfume…well OK, that I do every day, even when feeding the horses. But you know what I mean. A day where I ignore all kinds of “must do” lists and let the day run free. Yes, I know, I’m fortunate to be able to do it.
…market day in Beaulieu sur Dordogne…
pen and watercolor on Fabriano watercolor paper, HP, 18x24cm
So I took off to Beaulieu, not to open my gallery, on the contrary, I hung a notice…”gone painting” on the door. which is of course not the truth. I had many coffees, chatted with friend and foe, shopped at the market, ate a delicious “flamiche au saumon”, I paged through the cote Sud and cote Est and Cote Ouest, found inspiration and new ideas, and yes. I caught a sketch. Of the market. While sipping my third coffee.
Our July here in France was spent under umbrellas. Rain. Morning, noon and night. Not enough to lift the drought but enough to deprive us of of summer. No, I don’t complain. I’m fully aware that if I were in charge, the apocalypse would be immediate.
But there is still a way to enjoy summer. Of course! Sunflowers!
…envelope…
…front page of card to vivien…
…inside page of card to Vivien…
I have been working a bit more in gouache and oil in the fields…doing the few hay balls still lying around in the fields here and there. The following pieces are only exercises done on site in plein air. I’m working hard at just interpreting, not rendering the reality, but only the essentials.
…close-up 1
Close-up two was done using only fench ultramarine, white an a touch of black. I’m quite happy with this one…
…close-up 2…
I am finding that I enjoy gouache more and more. I like the touch of it on the paper’s surface and it is creamy enough for me and I can work thick with it or thin in washes. I also particularly like its “flat” two dimensional appearance, which looks very “painterly” to me.
…Bales of hay in gouache…
These two gouaches were done on a large sheet of light grey laminated paper/carton paper (65x50cm..25.6×19.7″)
I did a small oil as well.. I have to regain my confidence in oil as I lost it completely during an experience a few weeks ago. I’m hesitant, I don’t really know what to do and where to go to on the canvas. But maybe it is a good thing too…maybe something new can be born from this. I hope so.
…bales of hay in oil…
oil on linen, 33×24.5cm (13×9.7″)
The months are flying by rapidly and we’ve already sent off 6 postcards of 13, almost halfway through. For this card to Martin, I decided on the vineyards here in Correze…our specialty wines, Vin paillé, meaning straw wine. The grapes are semi dried on straw beds and then pressed.
…on his envelope…
gouache on brown paper envelope
…and the post card… vin paillé of Correze
pen and watercolor on watercolor paper
Our first outing was to this lovely spot and we planned on all doing gouache. Except for me – I had a real bad hair day and nothing worked that day…Robyn gave me such encouragement and comfort that day…she’s very special. The gouache you see here, was done here in Correze from the little watercolor I did on the spot. It isn’t quite what would normally make me jump in the air from joy, but seeing that it came from an already hesitant little watercolor, I think I will now yield and validate it as OK.
…vineyard and cherry orchard…
gouache on paper.
…the original watercolor sketch, vineyards and cherry orchard..
…pen and watercolor in sketchbook…
Our first outing all three together and we painted the same spot. Sarah hadn’t arrived yet, so you can see mine and Robyn’s at the bottom with Katherine’s to the right.(mine in watercolor and the other two in gouache…see them on ‘Four go painting in Provence.‘)
Sarah’s painting of the same spot a few days later is on her post Farm and cherry orchard afternoon.
This was very early…6:30 in the morning. Sunrise. But it actually works more as a sunset painting!
…sunrise, sunset…
watercolor on Fabriano watercolor paper
So I tried again here in my gallery to get a more early morning feel, which wasn’t a success either. But I learned in this process and that is important. I learned a LOT on this very short trip…maybe I will share it later…
...sunrise…
watercolor on Fabriano watercolor paper
And to finish off…a sketch of a terrace in the little village Bédoin, while having a diabolo cassis at the café opposite.
…a terrace in Bédoin…
pencil and watercolor in sketchbook
To follow: Oil and gouache studies.
Africantapestry 