Garden sketches from February

February was a busy month and I didsn’t get around to doing much art. I did succeed on doing a garden sketch and a drawing of Tartelette ad Omelette,  on a reasonably nice February afternoon.

I feel happy with the drawing, which was first done as a sketch and then developed further into a drawing. The cloches were done afterwards, rather lazily and not much effort or desire went into this sketch.

…Tartelette et Omelette…

…sanguine and charcoal drawing on paper, 24×20 cm…

..Two garden cloches…

…charcoal sketch on paper, 24x20cm…

Koi studies and painting in oil.

I finally completed one koi painting in oil. But before that, I did some more studies in different mediums. I didn’t really enjoy these koi studies as I should have. I felt a bit like ” eating strawberries in the mid winter” and so I feel out of season with the koi paintings and it influenced the “taste”. But I’m happy that I stuck to it and completed at least one painting. I definitely plan to go to the koi farm in summer, where I can seat myself for a day and really get to work on some series.

..koi, oil on linen, 61x37cm

In  step 1, using terpentineI put down thin washes of burnt sienna for the fish shapes and a thin wash of paynes gray and french ultramarine for the background/water.

.…step 1…


In step 2 I added some colour to the fish, cadmium red and yellow to the fish in the foreground and prussian blue to the back fish, to form the shadows. I started using liquin as a medium to have the oi dry quicker, but still have  an oil shine.

…step 2…

In step 3 I darkened the water with a mixture of paynes gray and french ultramarine and softened the shadow marks I made on the yellow fish. this was my first mistake, because I made mud. I left it to dry completely, so I could rework it…the oil was still thin enough to redo without removing the paint.

…step 3…

the last stages was all about adding colour and depth to the fish bodies and depth to the water , while using the same colours I’ve used in the previous steps, with the addition of ochre, raw umber and white.

…koi completed…

When doing the studies for this koi project, I worked mostly from photographs, using about 20 different photos, building my own scenes. I really found it difficult to render the koi in an interesting way. I feel I can do better, which is why I will patiently wait for the koi season to open and I can go and study them in real life.

I also felt that they ask for something a little more abstract or expressive than mere realistic rendering. In the following studies I tried to present them on the page in a little more interesting way. I found it quite exciting and I think I can even push the envelope even further in the expressive domain, which makes me more excited about the series of koi than I was when I started out.

In the meantime, I have a lobster and crab and mussels and oysters and several other shellfish in my freezer, waiting to be sketched and painted and studied. Maybe a new series of sea creatures? So hang around if you’re interested in seeing what will surface – it will be a surprise for me too.

…koi study in charcoal on paper, 22x15cm…


…koi study in graphite on paper, 22x15cm…

…koi study in oil pastel on paper, 22x15cm…

Also posted on Watermarks.

..à bientôt…

Ronelle

Drawing faces in contour.

I am itching to move outdoors and go paint, sketch, draw. Why? Simple. Because I feel inspired. I can only be on the couch in front of the fireplace for so long and then I tire of having it good. I need some difficulty, like going out and sticking it out in the cold, feeling my fingers go numb, but persevering in finishing a painting or sketch. When surroundings and circumstances are too easy, life becomes difficult too. Luxuries and comfort numbs us – we don’t feel the pulse of life and we don’t hear opportunities knock on our doors.

So. No, not any cold outdoor sketches yet, only some faces done in the comfort of a heated indoor living room! contour drawing is one of my favourite styles of drawing…there are artists out there doing amazing work in contour drawing. I cheated a bit on mine…I lifted my hand now and then and added some more lines, which I probably shouldn’t…the charm of a contour drawing is actually the scarcity in line work. I’m looking forward to so some life drawings in contour.

…drawing faces in contour..

..pen on Canson drawing paper, 13.5 x21 cm..


Sketch of Beaulieu centre ville

I had a few things to do in Beaulieu centre ville and after walking up and down in the sun and heat, I sat down at Les Voyageurs for a coffee and cool glass of water and made a quick sketch of the center of town. I will probably sketch much better if I sketch slower and pay more attention, but I can’t sketch slow. I get bored too quick and want to move on.  So my sketches will always be quirky. But now I am off for my painting “sur le motif“, as plein air painting is called  here in France.

I used pencil, after fumbling through my whole bag for a pen and only found pencil after pencil. I prefer doing architectural sketches with pen.

…Beaulieu Centre ville…

Sketch done in pencil and wash in watercolor sketchbook, 25×15,3cm.

Sketching chickens and cows

W are living a whole saga of chickens, running for a few months now, but that is a story for some other day. For now, here are Tartelette and Omelette, the latest addition to the chicken chronicles. They are two Bantam de Pèkin, porcelain chickens, and SOOO cute! Now being fully adapted and taken ino the Van Wyk household, they reign alongside the cats. In our home, the humans take second spot in the limelight. Here they are just lazing in the barn by my feet. It was raining outside. They don’t like to get wet. And the barn is comfortable.

Th cows roaming the hills have a beauty all of their own. With their velvety brown eyes and long lashes, they love attention and eagerly respond to “vient, vient!” hoping for a delicacy, which is quite often the case…a branch of poplars held out to them, or soft green grass.

The bottom sketch is done on a different day, in a different sketchbook where the paper has more texture. Some of the cows look rather like dogs…or bulls…or even rabbits? Let’s just say I’m out of practice(sic)…

All sketches done with rotring pen and watercolor in CP watercolour sketchbooks(400g/m²), 26x18cm and 25×15.3cm.

until next time..!

Ronelle.

Sketches of a future kitchen window an an apple tree.

Work is still continuing here at Coin Perdu. I made a sketch of my future kitchen window from the outside in. It will be one of my most favorite places in our mountain home, that is for sure. From the inside it has the most stunning view and I can already imagine the inspiration on my cooking!

On a  late afternoon, while the fire was crackling for our dinner, I stood at a little table with watercolor, black Indian ink and a charcoal stick and just scribbled down an apple tree down below. The paper was far too small for such an exercise but it was the only ones I have here. I’d like to do this again, but with large pieces of paper. the exercise was good though, bringing a bit of freedom to a stiff wrist.


The bottom sketch (to the right, apple tree 2) is upside down. I put down the tree trunk in ink with a big brush, left it to dry, took off to see to the salad and when I came back, the wind took it from the table. I picked it up and watercolored int he foliage, only to realize after a while I did it upside down. Well, it still served the purpose, not needing to be good art.

All sketches done in Indian ink with Japanese brushes, watercolor and charcoal sticks on CP watercolor paper, 29,7x42cm (11 3/4″x16 1/2″)