Still life with copper pots.

With this second attempt at an aquarelle still life, I didn’t  to set it up the still life. I only painted what was in front of me, which was my copper pots filled with brushes and other art stuff. I moved the objects a little to avoid “kissing” and to bring them a little closer. the apple that rolled to the side, was left as it found its place and I was very chuffed with it!It might be overcrowded for some, but I rather like the idea…in any case  more than a composed and deliberate still life. Maybe it is a mirror of my life…anything BUT composed and deliberate!

… stil life with copper pots…

..in watercolor and graphite on Fabriano paper  CP 30.5×45.5cm…

…and a close up of my strokes and layers. I still feel I overworked it and could’ve let go of the brush much sooner..

Colors and foliage in November 4

In the woods I picked up 2 different ivy’s, some pine branches, mushrooms and cushions of yellow green moss. for the greens, my palette c0nsisted of pure olive green, prussian blue, cerulean, cadmium yellow and ochre. I added touches of burnt sienna and raw umber.

In the first sketch I did yesterday, I found the colour too uniform and without depth, too  uninspiring.

…greens..

pen and watercolor on Canson Montval watercolor paper CP, 29,7x42cm

…then I went back in this morning and darkened some values – in the mushrooms, the pine branches and I used a thicker .7 pen. I think it has now a bit more  more…oomph?

Colors and foliage of November 3.

I found some beautiful grays…some more bluish, others more yellowish and greenish and some just simply…gray.

…grays..

watercolor and J Herbin inks on Hahnemuhle paper CP 15,5x25cm

Doing the above sketch  was very quick and dare I say easy, without sounding obnoxious? I’ll tell and you can decide…

  1. With a goose quill and nib and “gris nuage” ink from J Herbin, I drew the outline of the twig/branch with contour lines.
  2. I added a wet was over the areas that I wanted to highlight as the greyish moss, in the process flooding some the water soluble ink lines.
  3. I dabbed in some light dabs of indigo, prussian blue, paynes gray, ochre and raw umber on the wet areas. To finish off the background, I dropped some paint , using the same colours,  from a loaded brush to loosely suggest random patches of moss.
  4. Lastly I finished off with some dark paynes gray(little water, lots of pigment, to give very dark values, suggesting the small dark corners between the moss.

..J Herbin inks and goose quill…

Just some sketches.

I have done just some sketches. Nothing in particular. Just taking out a pen and small watercolor tin and putting something on paper.

…two plants on a coffeetable of a shop…

…a third potplant on another coffee table…

…a branch of berries picked on one of my walks…

All sketches done in pen and watercolor wash on Arches paper, 18x26cm

Africantapestry is off to Provence for a crazy painting experience!

Yes, I’m off to Provence this coming weekend for a crazy painting time with 3 friends for one of three weeks in total.

...africantapestry is off to provence…

sketch in pen and watercolor

Katherine needs no introduction,; if you don’t know about the role she plays in the virtual art world, then shame on you…go and read about her!! And who doesn’t know Robyn and her biggest fan Dermott(or is he??)…? And about Sarah, well I don’t have to say another word, because a professional painter of her standard doesn’t need any introduction!

So there you are, four nutty women off to Provence to paint….mostly paint…and then also feast on Provencal foods…and wines….drive around….get lost….dance to wild music…chat, chat, and chat….laugh, laugh and laugh(we all four have an overly developed sense 0f humor)…swim….cycle… and eveything else one does in Provence?

We’ll be staying in the Vaucluse home of well known painter of Postcards from Provence, Julian Merrow Smith and his wife Ruth Philips, while they will be in England where Ruth will be playing cello at the Garsington festival.

We even have our own blog, Four go painting in Provence and you’re invited to follow us every step of the way on this trip. and Sarah saw to us having our own logo, which you will see on television and on Oprah…oh no, sorry Oprah isn’t any more…oh, well, we’ll probably just get our own show…

four go painting in provence

…sketch done by Sarah…

Seriously though, we’re planning on doing a lot of painting…all of us will be doing aquarelle, some gouache, some will do oils(I’m one and I know for sure Sarah is another) and then there will be coloured pencils, charcoal, inks and pens. We will of course leave Provence with cases full of sketches, a lot of plein air paintings and drawings well do in the evenings after the dishes. We will also post regularly on Four go painting in Provence to pin down our daily experiences.

So please drop by and please join us and who knows, our fun might lead to you doing the same in Provence next year. I think we might be in Prague next year…or Sicilia…or Marocco…anyhow, we’ll be somewhere! But for now…move over Cezanne, here come the four mad hatters!

Garden sketches from February

February was a busy month and I didsn’t get around to doing much art. I did succeed on doing a garden sketch and a drawing of Tartelette ad Omelette,  on a reasonably nice February afternoon.

I feel happy with the drawing, which was first done as a sketch and then developed further into a drawing. The cloches were done afterwards, rather lazily and not much effort or desire went into this sketch.

…Tartelette et Omelette…

…sanguine and charcoal drawing on paper, 24×20 cm…

..Two garden cloches…

…charcoal sketch on paper, 24x20cm…