Some lunch sketches.

I had some lunch at a small restaurant close by and sketched my lunch of a vegetable soup, coffee and the surrounding salt and pepper set.

…vegetable soup and bread

pencil, pen and watercolor in Daler rowney sketchbook

The coffee sketch was my first and when I tell you that I had a very upsetting experience just before I arrived at the restaurant, you’ll understand why the lines are so dark and the whole sketch is sombre and almost violent. I’m always amazed by the strong influence emotion has on art.

The salt and pepper set was the last sketch and you can see that my emotion has settled a bit by that time. It did my a world of good to do these drawings…therapeutic.

…vegetable soup…

pencil, pen and watercolor in Daler rowney sketchbook

…coffee and water with cpeculoos biscuit…

pencil, pen and watercolor in Daler rowney sketchbook

Sketches of cute sheep.

A sheep and lamb or two from our neighbors camp. If all goes well and I can convince my husband with my sweet puppy eyes, I might just have my own cute lambs this spring!

…Sheep and lambs 1…

pencil, pen and watercolor in Daler  Rowney sketchbook CP, 254x178cm

…Sheep and lambs 2..

pencil, pen and watercolor in Daler  Rowney sketchbook CP, 254x178cm

Joyeuses fêtes!

Have a wonderful season!!

à la prochaine!

Ronelle

Abstract efforts in inks.

I’m not a natural in doing abstracts, but I can appreciate abstract art work. And I mean real good abstract art, not bad art which hides under the cover of “abstract art”. What I’ve done here didn’t exactly end up  being  totally abstract, but I enjoyed the line work and the ink marks. In fact, it is probably still only more of my exercises in line and mark making, and not real abstract efforts..

…the blues…

..J Herbin inks with feather quill on Arches aquarelle paper rough,18x26cm..

…the Reds…

…Sennelier inks with feather quill on Arches aquarelle paper rough,18x26cm..

…The Blacks…

…Black Winsor et Newton Indian inks with feather quill on Arches aquarelle paper rough,18x26cm..

Still life with copper pots.

With this second attempt at an aquarelle still life, I didn’t  to set it up the still life. I only painted what was in front of me, which was my copper pots filled with brushes and other art stuff. I moved the objects a little to avoid “kissing” and to bring them a little closer. the apple that rolled to the side, was left as it found its place and I was very chuffed with it!It might be overcrowded for some, but I rather like the idea…in any case  more than a composed and deliberate still life. Maybe it is a mirror of my life…anything BUT composed and deliberate!

… stil life with copper pots…

..in watercolor and graphite on Fabriano paper  CP 30.5×45.5cm…

…and a close up of my strokes and layers. I still feel I overworked it and could’ve let go of the brush much sooner..

Still life with quince.

I have moved on from autumn colours to  still lifes, done in the atelier. Working in thin washes, laying wet washes over dry ones. not my usual way of working, but I am quite chuffed and will do a series of these watercolors.

I need to bring in a bit darker values and I want to have more informal compositions. I think my inspiration comes here from Cézanne, whose watercolours I love. There is currently an exhibit of Cézanne in the Musee de Luxembourg in Paris until 26 February 2012, for those who want to jump in their private jets for a visit…and a lunch afterwards, maybe at the Mini palais restaurant?

…Still life with quince…

watercolor and pencil on Fabriano artistico CP, 30,5×45,5cm

I’m posting a close up to show the layering of thin washes.

…close up…

Until the next post where I’ll be back with another still life…hopefully a better one with darker values, more expressive compositions…and one where my patience has reigned!