Sketching at the Plant festival

The traditional Fête des plantes is held at the château de la Bourdaisière here in Montlouis every year over the Easter weekend. We went on Sunday, I dragged my head cold body along, since I wanted to do drawing and didn’t want to wait another year.. As I was sketching some scenes, a man approached me and asked if he could have a look at my work. We started talking, and he turned out to be from France 3 television. So, on Sunday night “moi” appeared briefly on France 3 in a reportage about the festival, showing me sketching along…. the short time my sketching was being filmed, the thing I was worried about most, was whether I  had any stains on my sleeve!

All sketches in rotring pen(.35)  and watercolour in sketchbook 19x25cm.

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Scenes in Tours

From the garden of l’hotel Beaune-Semblancay in Tours…with the fountain dating from 1511, and the Renaissance chapel.

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….and the remaining  façade, dating from 1518. Most of these buildings were destroyed in 1940.

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Eglise St. Julien à Tours, built in the 13th century.

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Sketches were done in sketchbook, 19x25cm with pen/pencil and watercolour.

SA chronicles 4: Architecture

Some architecture…

A beach house in Vermont, Hermanus.

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Khyalitsha, township north of Cape town. I took photo’s and then composed this sketch afterwards from it.

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A historic house in Van Riebeeckstreet, Stellenbosch.

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Another beautiful oldie…

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Sunday, after church in Paarl, (the third oldest town in SA), when everybody else was enjoying tea, I sketched out in the heat, until I gave up and fled to the tea as well. So this sketch doesn’t show the lovely new gothic revival architecture of the church, which was built in 1842.

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The old Mother church(Moederkerk) in Stellenbosch, with it’s outer buildings with gables and thatched roofs, typical of Cape Dutch architecture. Since 1679, it has been part of the town, established by Simon van der Stel. arg6.jpg

Montlouis sketches

Sunny days are few and far inbetween here in Tours, but yesterday the sun was out and everybody was outside, soaking up all of the goodness and warmth and uplifting enegy it provided. I walked up to our little town of Montlouis sur Loire, following the sun everywhere it went. This is one of the oldest houses, situated next to the church, which is being restored at the moment and mostly hidden behind drapes and plastics, but it already looks so beautiful and I’ll definitely get it down in my sketchbook once it is done The men working on it, get such a great kick from being watched and they almost put up a show when you express your appreciation for the great job they do. They just bloom…and don’t we all, when what we do is just in a little way appreciated?

Watercolour in sketchbook, 19 x 25cm, Fabriano CP.

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The second sketch is the main street of the center of Montlouis sur Loire. We have a Boulangerie with a Charcuterie next to it, and the little yellow building is our Coiffeur. To the left we have our Fleuriste and when you continue the road to the right, you’ll reach our DVD-shop , which is owned by our Boucher. We order all our meat from him as well as our DVD’s. He is such a nice man, soft-spoken and really cares about quality service with a smile. He’ll explain the best method to cook a röti with the same dedication as showing you a clean DVD.

Watercolour in sketchbook, 19×25 cm, Fabriano CP

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Sketch book and palette

My palette has arrived, I have finished making my first sketchbook and I painted my “homepage”.

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The brass palette is handmade and engraved by Craig Young in England. Not cheap, so it meant saving seriously for a few months, which I did religiously. It folds open to hold 16 colours, with mixing pans on either side and at the bottom(not seen), is a ring to hook your thumb through. A brass container to hold water hooks onto the side.

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My colours I put in there for now are(from left to right) Naples yellow, Cadmium yellow, yellow ochre(apology, I painted raw umber instead of yellow ochre in the picture!),  raw umber, alizaron crimson, cadmium red, burnt sienna, burnt umber, olive green, hooker’s green, ceruleam blue, kobalt blue, french ultramarine, prussian blue, payne’s gray, ivory black. I do play with other colours which I’ll just drop onto the mixing pan. I don’t need a big mixing area, since I prefer mixing directly on paper.

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My sketchbook is 19x25cm, which I find ideal for me…big enough to do landscape and architectural sketches and I can do a few quick smaller sketches all on one page and it fits perfectly into my bag(see photo above). I also decided not to cut the paper, but to tear them(See photo below) – I like the ruffle edges they make, it  resembles watercolour sheets. I love the rustic, handmade look for a sketchbook.

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Along with my palette, I have in my sketchbag a pencil, a rotring pen(.25) a tiny spraybottle to wet the paint, and a travel petit gris brush, size 0. I also got a great idea from Mel Stabin(my favourite watercolour artist)..and started using an old kitchen spatula, with the handle broken off to lift out some whites, which works great, along with an exacto knife which does the same thing, just much sharper highlights.

 

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And here is my “homepage”. I covered my hard outcover on the inside with watercolour paper(Arches CP,185g) as well and painted my “homepage” over the whole of the two first pages. The scene is the back of our home and part of the neighbours, painted from the terrace. I thought it would be a fitting opening in my sketchbook. Now off to start making the rest of my books, with an alteration here and there…maybe embossing my name on the cover and adding an elastic that folds over from the back(like the moleskine)

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Stockholm sketches 2

After meeting Nina in Stockholm the Sunday evening, I took to the streets the next day. Unfortunately she couldn’t join me, since she had students waiting for her…why does work always interfere with pleasure? But she did give me directions to art stores which I had a ball visiting and buying some paints and “stuff”. I love small art shops, where you dig for everything. It is a little like treasure hunting. Because Nina’s work looks so beautiful with Schmincke and lately Laura and Bec had done marvelous work with them, I also wanted to try them. And so in this little treasure store I was given free reigns to the Schmincke drawers by the cute store owner. So cute that he even had me pay “old-method-swipe-credit-card-machine-way” because I didn’t have enough cash AND he even threw in a very nice colour catalogue.

Here are some architecture drawings of Stockholm, inspired by Nina’s love for her city. The day was too short to my liking and evening draped itself around me too suddenly but quite pleasantly, as is the case in Stockholm with all its tea lights and candles burning.

I gave these sketches watercolour washes back at the hotel, while waiting for Hartman to go out for dinner – a HIGHLIGHT every evening; I love having people serve me!

If ever I felt stupid in life, this would be one of those times; the first sketch is done in Schmincke and the other two in Winsor and Newton, which I mostly use in sketching. I have been comparing up and down, but don’t see (or feel) the difference between Schmincke and W&N. If anything, my first sketch looks messy and opaque(with Schmincke). Or maybe I was over zealous in playing around with it, which is probably closer to the truth. I’ll have to experiment a little more.

If you’re interested in knowing about these buildings and history and architecture and all things nice about Stockholm, you can google it. I am enjoying my glass of Bordeaux wine too much now to be accurate in factual recounting. What I can tell you, is that Stockholm is a magical city, I love it and my memories are magical.

All my sketches in Stockholm were done in my special WC sketchbook, with Fabriano WC paper; handmade by Marta. I am inspired to try my hand at making my own, I never knew working in a handmade book could give so much satisfation and delight, not to mention pride.

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See Nina’s very different approach to this second sketch.

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