Encouraged by Jana and Robyn, I took up the oil brush again. Not to do paintings, but oil sketches. Went to my cute little art store, solved the world’s problems along with the owner, got a lovely compliment from a french guy buying paper and walked out with more brushes and some oil paper in blocks, which I’ve never used before. They worked out perfectly for the oil sketches! Another alternative would be to prime drawing paper with acrylic paint as an undercoat. I prefer the blocked canvas paper which is sturdy. I really enjoyed getting back to oils… missed the smell and sensuality and drama of oil paint. Now that my tubes have been opened again, I hope to do much more oil work again, sketching as well as painting. I used clementines as subject for both watercolour and oil sketches.
The watercolour was done in molekine, using a .25 rotring(which I love for the brilliance of the ink and its fine point), watercolours and a petit gris brush, no 0.
For this oil sketch, I started by laying a thin wash(oil and turpentine) roughly over an area, let it dry and directly sketched the clementines with brush and oil and a drop of Venetian turpentine as medium.
I had some oil paint left on my palette and attempted a second clementine sketch, changed the composition and lay a contrasting colour background which is once again a thinned wash, using plenty of turpentine with a big brush.