Koi studies in watercolor

When we went to Hawaii last year, I took hundreds of photos of the koi ponds. It is one of the MOST relaxing pastimes…just sitting and watching those koi’s play. I did only one sketch of them in the time we were there, but I took  hundreds of photos and for the rest of the time, I just stared at them.

I’m on the “search” lately, not knowing exactly where I should go art wise. There so many different directions that give me joy and I’d like to continue doing them all, but I would also like to accelerate in a specific field…not be so all over the place as I am currently. As the weather is a bit bad lately and it is raining a lot, chances to go and do plein air are scarce.  I was looking through my Hawaii albummorning and came across these koi photos and the joy of sitting there and watching them(in the SUN!!) had me take them all to the atelier. This is my latest. I want to do some koi paintings, eventually in oil, but first some studies in watercolor, which to me is a far more difficult medium than oil.

Also posted on Watermarks.

All these studies done in pen and watercolor on Fabriano Artistico watercolor paper, CP, 18x26cm.

…koi study in watercolor 7…

A prerequisite for the koi paintings, is that I want movement in the paintings. So I tried in all of the watercolor studies to get movement. These studies are of course done from photographs, something I strurggle with doing, because I get caught up in a tight clenching mode and lose all spontaneity. So I decided to put my earphones on and I listened to Beethovens piano concerto nos 4 and 5 and Piano a la Roque d’Antheron with works by Lizt, Chopin Rachmaninoffto keep me “allegretto and crecsendo“. I think it did work, because looking at these studies, they almost come across as messy and I certainly hope not “tight”, except maybe for number three(koi watercolor 2) which was before I started listening to the music. You’ll clearly see that I still drew and painted “fishy by fishy”.  I did 7 studies, and like with everything else…I started getting better. but now I’m tired of watercolor and going to start doing the koi in oil…let’s say a little serie of koi in oils.

…koi study in watercolor 4…

…koi study in watercolor 2…

 

Now I also need to find a place where I can really study them…their movements( a year ago is too long to remember those kinds of details), their behavior, their mischief and play and capture that onto live sketches. then come back to the studio and NOT procrastinate again, like I’m SO famous for, but paint them immediately.

So, if you’re interested in seeing these koi develop..remember to stop by again!

..à bientôt..

Ronell

Sketching troglodytes along the Loire.

In winter the troglodytes all along the Loire are much more visible than in summer when they hide behind lush green vegetation.They are nestled in the cliffs high and low and some are still inhabited, although it is getting less frequent, as circumstances are changing and cliffs get unstable and dangerous.

I went down the road this morning and sketched two spots where the caves/troglodytes are still inhabited and a smoke trail is often seen escaping the hidden chimneys.

…troglodytes in Montlouis sur Loire…

..sketches done in sketchbook, 14 x19cm, pen and watercolor..

My contribution to Sketchercise, where sketching and exercising combine to keep us healthy and creative at the same time!

 

Drawing faces in contour.

I am itching to move outdoors and go paint, sketch, draw. Why? Simple. Because I feel inspired. I can only be on the couch in front of the fireplace for so long and then I tire of having it good. I need some difficulty, like going out and sticking it out in the cold, feeling my fingers go numb, but persevering in finishing a painting or sketch. When surroundings and circumstances are too easy, life becomes difficult too. Luxuries and comfort numbs us – we don’t feel the pulse of life and we don’t hear opportunities knock on our doors.

So. No, not any cold outdoor sketches yet, only some faces done in the comfort of a heated indoor living room! contour drawing is one of my favourite styles of drawing…there are artists out there doing amazing work in contour drawing. I cheated a bit on mine…I lifted my hand now and then and added some more lines, which I probably shouldn’t…the charm of a contour drawing is actually the scarcity in line work. I’m looking forward to so some life drawings in contour.

…drawing faces in contour..

..pen on Canson drawing paper, 13.5 x21 cm..


A few sketches in December

A few sketches of December…a leisurely walk by the Loire, some faces in a bar and a shed in a friends garden.

…a shed in a friend’s garden…

.. sketchbook 15,3×25 cm, watercolor and pen…

…bare tree at the loire…

..sketchbook 15,3×25 cm, watercolor and pen..

…faces in a bar…

..sketchbook 15.3 x25cm, watercolor and rotring pen..

Garden sketches in December 2010

I stuck my nose out in the cold today…just outside the atelier and sketched the Jack Frost plant, whitered from the frost and the dry iris sculptures and a tree and shrub, struggling to hold onto some last colour.

..whithering Jack Frost(Brunnera macrophylla)..
..Plum tree..

 

..Dry Siberian iris pods..

…à la prochaine…

Ronelle

Autumn sketches II..leaves and Marie-Christine’s cheetah.

Picking up leaves on my walk by the Loire resulted in autumn sketches number II during our art afternoon earlier today.  This is what I did, while Marie-Christine continued working on her cheetah.

All my sketches were done in pencil, pen and watercolor sketchbook, 19x20cm

…yellows in autumn…


…reds in autumn…


With her permission, I photographed Marie-Christine’s painting this afternoon, to show the stage where it is at now…far from finished of course. It is an old painting that she is reworking: keeping the cheetah, and started changing the background, wanting to work towards a warm African feel with heavy skies. Looks good to me already so far!

..Marie-christine’s cheetah in progress…

oil on canvas