A handpainted aquarelle sketch and provencal pots.

When you forget a paintbrush at home, you use what you have available. In this case, it was my hands. And for this occasion it worked fine, although it will definitely not become my preferred way of working. I will in tie or glue my brush to my bag so I’ll never forget it again.

…interior of  “la panettiére” in Toulouse

pen and watercolorin watercolor sketchbook, 18x24cm..

The next  sketch was done in the barn one evening.. and I only noticed the slant during the daytime the next day..the light in the barn at night is just not good enough for any art making, but I quite like the quirky feel to these pots. They are two of my very old terracotta pots from Provence and I adore them! I’ve started doing an oil panting with these pots..a canvas that  has already been standing a few weeks  on the easel…and now I’m subjecting  my name to scandal by admitting it here..

…two provencal pots…

..pen and watercolour on Arches watercolor paper, CP, 18x26cm..

Two and a half pomegranates in oil.

Now that I have the gallery, I have to do more studio painting, since I can’t lock up every day and go painting plein air. I’m having a hard time though, adapting to studio work  “in public”. I’ve always preferred working privately in my atelier at home. Now I’m very self conscious and I worry about every stroke when there are eyes on me. I get distracted easily by what is going on outside and by people wandering in and out. I initially thought it wouldn’t bother me too much, but it does. Maybe down the road it will change.

…Two and half pomegranates…

oil on board, 40x40cm (15.7×15.7)

I’ve fallen into the habit of starting something in the atelier/gallery and then get completely distracted,  leave it, bring it home and finish it here at night. Like this painting. And it results in not being me. I  find the light very different, the atmosphere is different and even my mood is different. Working on the same still life in two different places just doesn’t sit right with me.

This is a very careful little painting, with no interest. If I look at it, I see a painting done by someone who was afraid to PAINT! Which was exactly the case. There is still this fear and uncertainty that has crept into my oil painting, as I’ve mentioned before.

I was never very fascinated by still life before and I still don’t get very excited about it. But there is a certain kind of meditation that creeps into doing a still life. I experienced it here in the barn at night, when I’m alone and painting on the still life…I sort of like the quietude that a still life conveys. Being someone who doesn’t have a “calm” personalty, I discovered that doing a still life is quite therapeutic for me. I think that is what will make a still life work for me…reaching that moment when I can feel my painting’s quietness, but without having it look and feel static. I will post some more still lifes later.

Afternoon doing drawing

I had a great drawing afternoon with Casey yesterday. It was the first drawing I’ve done in a very long time and Casey said the same for her. As you’ll see over at Casey’s, her drawing is beautiful, as usual.  She has always been so good at drawing. Our first afternoon of drawing years ago was a bowl of eggs in her dining room…maybe we should dig those up one day…

Because she is so quick at drawing and sketching, I set up two subjects to keep her busy for the afternoon, but helas, Casey enjoys talking just as much as drawing…, so you’ll see my attempt here and hers will be the other set up.

…effort number 1…


The first drawing is the one I did yesterday afternoon and I really struggled. The minute I take a drawing tool like a pencil or charcoal in my hand, I tighten up and it turns out a compact, heavy little business. So last night I attempted another one, number two. Unfortunately we’ve had the figs for dinner, so the set up is a little different and my angle changed a little too. This drawing is probably messy and sloppy and quirky, but I’m much happier. Still not what I’m after, but at least it has less “rendering” and more movement and energy. (And yes, the trophy at the back is quite skew, it is bent at the bottom)

…effort number 2…


Both drawings done on in charcoal on drawing block, 50x35cm(19,6×13.7″)

*I’ve once realized how important it is to draw regularly and how different drawing actually is from sketching. Or maybe it isn’t so different after all. If I have to sketch this same scene, it probably wouldn’t look that different!

I’ve also realized the importance of knowing the tools you’re using. I felt very insecure with this charcoal in my hand yesterday, didn’t know where to start, finally started off way too dark, worked with a tight little wrist, smearing all over until everything was one grey value. So, “draw Ronell, draw!”

Life drawing in pastel pencil

In the life drawing class a while ago, we had one long pose and used pastel pencils in black, white and sanguine. I’ve never used pastel pencils before. The closest I came to do something recognizable with pastels, is a little still life I did a few years ago. I dug it out to compare. It was done with soft pastel sticks.

…five a day…

I had a hard time with these pencils. They are harder than the sticks and I kept on coloring in instead of putting in mass. Or maybe it is all the sketching and ink line work I’m doing currently and very little painting. And I didn’t want to smudge the pastel, glazing it, smooth it over. I wanted texture and expressive strokes. But it seems I’ve left her out in the sun for too long…I loved the pose, so maybe I’ll redo this later and try and come up with something more painterly and eye pleasing. Any advice from the pastellists out there?

…fire, fire!…

 

Copper and quince to feed the soul

I haven’t been doing much of anything lately. Here are two somewhat messy paintings. But that’s OK. Life does get a little messy sometimes. Out of that will come the order.

Copper pots and some quinces. There is one lost pomegranate which doesn’t really look like one. It is. I only treated it badly. 

The rest of the quinces are waiting to be cleaned and sliced and slowly baked in a little water and sugar until beautiful dark red with a lovely thick syrup. Then put into sterilized can fruit bottles and savoured as accompaniments to meat or on their own with a dollop of crème fraîche. That(the cream version) will typically happen on days like I’m experiencing lately; feed my soul some goodness and lots of it…open up a jar of dark, red quinces in a comforting red sweet juice, bring out the crème fraîche, a spoon, get in front of the tv with the cats, lots of throws and a few very soppy, teary dvd’s….”Message in a bottle”…or the likes; I will definitely want to cry. Then I’ll just succumb and dig in.

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WC on Fabriano HP and some pen lines on the bowl with fruit. (30,5 x 23cm)

Urns and tennis

I have a passion for urns…Medici, cast iron, soapstone, old stone…I love their shape and touch and smell, their poise and nobility. While I watched the tennis today, my hands looked for something to do. Since I’ve been longing to do a few urns for some time now, I thought I should start right away with the first one, an old French cast iron urn. The first painting is oil on linen which I did a few years ago.It is close to my heart.

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This next one is one of three watercolors I did while watching the ladies final at Roland Garos this afternoon. I wanted to go for the same composition as the oil just for comparison. This was the last of my attempts and probably the one closest to what I intended. Maybe because by this time the tennis result was a clear cut thing, no doubt who the winner would be, so my attention was mostly on the paper.The shape is awkward though, but that doesn’t bother me too much. I’m never too fixed on realism. My watercolors are a bit sloppy lately, but my goal is to bring more expressionism into them, to accentuate color more and the big one …to fiddle less

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This sketch comes in second. I’m not happy with it, although there is something that makes me look at it again. It is very wild and uncontrolled, dark a with lot of confusing leaves….that actually sounds very much like my mind…. or it could be the tennis. By this stage in the match, it was a very one-sided gameAnd finally, my first attempt right at the beginning of the match, when I still thought it was going to be a tough battle and my attention was eagerly turned more to the game.

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There is really no interest in this one, very flat and floating with no excitement. After these attempts I had enough of this urn, however much I love it. I’ll try some others for next time

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22 comments:

Dave said…
Interesting exercise to paint the same thing three times. I like all of them, but I think I agree with your order of preference. The oil is outstanding!
June 9, 2007 7:43 PM  
Renate said…
I’m in love with the oil painting. There is something very intriguing in it. Maybe the way you get the light … Don’t know. But it’s great!
June 9, 2007 7:59 PM  
Sandy said…
Love the oil painting too and of the three, my favorite is the bottom one…just gorgeous. But…I’m still thinking about that outdoor kithen and alfresco cooking…yum…I’m hungry..
June 9, 2007 9:35 PM  
🙂 Silvia said…
All of the paintings are great, but the first one is really outstanding :)!! It’s understandable that you are very fond of it.
June 9, 2007 11:18 PM  
Robyn said…
The urn was the winner on the day. Beautiful all ways. I love the oil – awesome, but my favourite of your ‘tennis’ paintings is the first one. Smashing!
June 9, 2007 11:18 PM  
janey said…
Yes the oil is excellent but actually my favorite is the last one. I like the freedom and the colors.
June 10, 2007 12:43 AM  
Jenny said…
I like them all, and there’s no reason for me to pick one over the others. :)Sports on television cannot hold my attention and something else to do must me found. Needlework is my usual choice if it’s at an uncomplicated point.
June 10, 2007 2:07 AM  
caseytoussaint said…
Ronell, whenever I stop paying attention I miss another fabulous post! this is great, I’ve always loved that oil, and it looks wonderful here – I think my favorite of the watercolors is the last one – it looks like you’re sure of your subject and know where you wanted to go with it, maybe because the composition is a bit simpler. Delightful.
June 10, 2007 4:56 PM  
Lindsay said…
Wow! You have an amazing eye for detail! Great wc sketches too.
June 10, 2007 4:58 PM  
Jana Bouc said…
hese are all amazing and I’m so envious of your oil technique. I think my favorite images of the urn though are the first one (the oil) and the last one. The surface of the urn in the oil is perfect and it looks so weighty and substantial. The values in the last watercolor image are just right and it really stands out.
June 11, 2007 6:45 AM  
hfm said…
Love your persistency… and for me they are good and transparent as I like them.
June 11, 2007 10:40 AM  
Anita said…
Oh Ronell, we share a passion. I can’t pass an urn or a column or ballistrade without running my hands along it’s curves…Which can be rather embarassing for those who are with me at times. LOL!
Your paintings are beautiful. The oil is exceptional and the watercolours show your personality, knowledge of subject and love of colour.
Truly gorgeous!
June 11, 2007 12:40 PM  
Africantapestry said…
Thank you for your commenst…I rellay apprecieate it.
Ronell
June 11, 2007 4:09 PM  
Bonny said…
Fabulous, Ronell! To me, all the urn sketches are interesting for their own sake. I don’t think I’ve ever concentrated on drawing one thing several times to compare the results. Neat idea!
June 11, 2007 4:21 PM  
Laureline said…
Hey, I love that last one—so what am I, chopped liver?? The whole group is such fun to see and, as always, your narrative is charming and compelling, too.
June 11, 2007 8:10 PM  
Sandy said…
Each rendition is wonderful in it’s own – I cannot sit still to do the same subject repeatedly but this shows how much variety can be achieved – Great work as always.
June 11, 2007 8:17 PM  
wagonized said…
Such an intricate shape to draw / paint. The first one blows me away, quite simply. I think oil is very appropriate for the weight of the urn.
June 12, 2007 5:22 AM  
Carole said…
How do you find the patience to paint the same thing three times! You must learn a lot from doing so. I love the differences in these three paintings, and they all have characteristics that I like. I like the loose expressive style and think you’ve achieved it well. My favourite is, of course, the oil painting. It’s simply stunning.
June 12, 2007 6:31 PM  
Tonniece said…
As always lovely pieces. The oil painting is wonderful Ronell.
June 13, 2007 11:13 PM  
Andrew said…
wowoowwww these are just awesome…so did you watch much of the match:>
June 14, 2007 12:01 AM  
Serena said…
WOW! I’m flat out painting something once let alone four times. The oil is my absolute favourite but the other’s are vibrant with colour and flair. Well done, Ronell ~
June 20, 2007 6:20 AM  
platitudinal said…
I love how your paintings give us hints of your self, Ronell. Today we learn that you have a passion for urns and the reason behind it.Your talent never ceases to amaze me.