A french market scene.

 

Everydbody in our exchange group had already seen this scene posted on our FPP blog, and I just wanted to add it here too.  It was my contribution in Vivien’s book a while back. She ended her drawing with a lovely, soft, perfectly drawn feather and I picked up the feather cue from her. See Lindsay‘s creative continuation from here, posted on FPP by Robyn, and unfortunately you’ll have to wait a while to see how Robyn continued…but pop in at our FPP blog – the books are getting LONG and EXCITING and VERY creative.

I have seen all of us getting looser and looser, more original, more creative, more daring, trying new materials and mediums, playing with collages, pasting and glueing, going for beautiful realisms to beautiful abstracts, pushing and challenging ourselves.

A sketchbook exchange is a wonderful way to move a bit away from what we do normally in our art, “our signature work” so to speak and try out something different, still putting our own “signature” on whatever we do…pushing the envelope. I think that when this sketchbook exchange project is done, we’ll all look back, and discover that apart from the fun we’ve had, we will have learnt new ways, techniques and  creative playing-around , grown in directions we wouldn’t otherwise have discovered…I know I will.

…a french market scene…

Posting the whole page.

In my previous post, José made the suggestion that I post the full page and not only detail. So I took him up on his suggestion to show my pages, because there may be others thinking that I post the detail and not the whole sketch. I took the last couple of sketches in my sketchbook. Unfortunately it doesn’t look more interesting and there isn’t actually a bigger picture! I think you could say I “zoom in and choose to sketch detail”. What fascinates me is a broken window shutter, the the moss on a fountain, the intricate woodwork on a wall, a dilapidated door, a doorknob, the corner of a cornice, a shadow on a table, one flower in a bouquet…. so that is what I zoom in to. My sketchbooks are 19×24 cm and I use up all the space when I sketch. I struggle to paint on small format.

When I post, I don’t use any enhancement in terms of contrast or colour correction or whatever, except for the crop tool and then only to “neaten up” the page. It can be seen in image 1 and 2, where in image 2, I only took out the background and excessive white paper. And then of course I only post one page, because I scan most of the time and the whole sketchbook is too big for my scanner. And I also get nice white paper with the scanner.

Maybe it is time I zoom out and see the big picture….perhaps life could be less stressful…philosophically speaking?

…image 1…

…image 2…

…moleskine people sketches…

Sketching moving people

I have started doing small, really quick capturing of people moving. Putting a pen to paper en sketching them on the move, not lifting the pen and only trying to capture the movement of the body, the suggestion of a movement, no details. I also choose people a little further away in distance, not close to me, so that I don’t get trapped in doing the details. Just by looking at the first and last image, you can already see the improvement – in the first, I still wanted to capture details and even if I couldn’t see it, I somehow sketched what I thought should be there, which turend it all into failures. In the last, I’ve more or less started succeeding in only going for suggestion, with some still not at all recognizable, but much better than the first images.

These sort of figures are very useful in paintings – adding some figures into a beach scene or a landscape, or a street scene. It gives movement and some personality and life to a painting. Not always, but I’ve seen street  and beach scenes come to life with just a few “idling figures” around.

It also helps a lot with concentration and focus and “connecting” the hand with the image you’re trying to capture. When looking at fast moving legs, it is hard to decide where to put which line and this is a great practice for that. I fist started looking at what the arms and shoulders do in movement and then move onwards to the hips and legs.The people sitting next to me on the sidewalk(having coffee) were very impressed by this kind of capturing and thought the little figures were trés mignon…very cute.

I so admire Gabi and José with their ability to quickly capture these little action figures in ink and they inspire me to keep working at these. I might just get better at it the more I do it. And besides, it is really fun!

They are done in moleskine with ink, and are really small and quick. Measure about 5-6 cm (1,9″-2,3″) for a little figure)…and look…NO WASHES!

Coffee shop sketches

When I said yesterday I have nothing to post, I lied. I forgot I had these four sketches, which I did in February, just after France became a smokefree public area country. We are  almost 5 months down the road(why does it feel like more?) and it is still going well and the law is pretty much respected by all. Only nick now is that all the smokers stand right outside the entrance and you thus enter through this haze of smoke, holding your breath, closing your eyes and keeping your hand out in front in good hope you’ll somewhere hit the entrance! Ohh, I’m joking, it’s not reallyh that bad…I’m just happy for having a smokefree interior! Which allowed me in February to enjoy coffee at lenght’s desire in my three favourite coffee spots at the time…it’s changed by now, since I can’t stick to one thing for too long.

 le-duclos1.jpg

…Le duclos…

le-pt-gilles.jpg

…le pt gilles…

le-steven1-03-jan-08-8-25-32-am.jpg

…le steven…

twomen.jpg

…les deux hommes, z

All sketches in moleskine, done with pen and monochrome wash.

Bill on a bicycle

I’m doing a portrait exchange with Bill. He’s been waiting very patiently for me. Thank you Bill! See how great he did my portraits here!! Not fair that he does so well and I am struggling!

As I say, I’ve been struggling. I started off today with just a contour drawing, which got filled up a bit more than just a simple contour. Then I did another one and another…and then jumped on my bicycle and went for a ride.

contour drawing, rotring pen on paper, 29,5×42 cm

I have new bike, a very cute one. Based on the old “Hollandais city” style. Up until now I’ve used an old bicycle which had me running just as I thought I was pedalling well away. Or I was on Liandri’s mountain bike, with my behind way up in the air and my head almost down between my knees. I sort of feel at this age, I would prefer my “derriere” closer to earth and my face “lifted”. So now I look very elegant, with my back straight and my hair in the wind.

…wizard of oz…

rotring pen and watercolour in Artistico sketchbook, CP, 18x26cm(7″x10″)

When I came back, my head felt clear enough to give Bill another go.  Put in some shadows this time. It doesn’t really look like him. And before I attempt a painting, I have to get the drawing right first. He has very intense eyes and I make him glare from the page. So, I have more work to do. More cycling to do.

inkdrawing, rotring pen on paper, 29.7x42cm(11.7×16.5″)

Sketches from Toulouse, France.

We are back from a wonderful time in Toulouse. Beautiful sunshine days and we were spoilt rotten by Marinell. It is so bad being back here and having no one to continue the spoiling!

In between all the coffees and lunches and soulful talks and laughter and movies and dinners and lots of walking and even rock concert by Maroon Five, I sqeezed in some drawings. I did the drawings on site and put the washes in when we took a break somewhere. Toulouse was swarming with people out on the streets, which made drawing extremely difficult. I didn’t even attempt painting.

Toulouse is known as La ville Rose (pink city), because of the amazing red brick used in its architecture. It is overwhelming and I felt totally incompetent, trying to capture some of it atmosphere.

The first three sketches were done in handmade sketchbook (22 x 25cm) in pen and pencil and watercolour.

…la ville rose…

…let in the sun…

…empty…

The next sketch of Pont neuf, crossing La Garonne, was done in handmade sketchbook, 22x15cm in rotring artist pen and wash.

..a wonky pont neuf…

A few people sketches  on Place de la Daurade and the ducks closing in to investigate. Rotring artpen and wash in handmade sketchbook, 22x15cm.

…so, who are the curious ones…

A while ago I came across a beautiful little handmade sketchbook, (30×12, which seems more like a marine sketch format) and this café scene was done in it with rotring art pen and wash. Unfortunately the paper doesn’t take wash well, so I’ll stick to pen drawings in the future.

…”une baguette, du vin, et du fromage si’l vous plait”…