Posting the whole page.

In my previous post, José made the suggestion that I post the full page and not only detail. So I took him up on his suggestion to show my pages, because there may be others thinking that I post the detail and not the whole sketch. I took the last couple of sketches in my sketchbook. Unfortunately it doesn’t look more interesting and there isn’t actually a bigger picture! I think you could say I “zoom in and choose to sketch detail”. What fascinates me is a broken window shutter, the the moss on a fountain, the intricate woodwork on a wall, a dilapidated door, a doorknob, the corner of a cornice, a shadow on a table, one flower in a bouquet…. so that is what I zoom in to. My sketchbooks are 19×24 cm and I use up all the space when I sketch. I struggle to paint on small format.

When I post, I don’t use any enhancement in terms of contrast or colour correction or whatever, except for the crop tool and then only to “neaten up” the page. It can be seen in image 1 and 2, where in image 2, I only took out the background and excessive white paper. And then of course I only post one page, because I scan most of the time and the whole sketchbook is too big for my scanner. And I also get nice white paper with the scanner.

Maybe it is time I zoom out and see the big picture….perhaps life could be less stressful…philosophically speaking?

…image 1…

…image 2…

…moleskine people sketches…

Sketches of quartier Blanqui in Tours.

I went into Tours today with a very low level of energy, trying to snap out of it. I succeeded in getting four sketches done, albeit a bit crooked. Even made a mistake in the spelling of “boutique”, didn’t really finish sketching rue avisseau and abandonned the lovely old church halfway…next time.

Blanqui is a tiny quartier, very quant, with only a boulangerie and poissonerie, a small family restaurant, a bar for café et journal, a little bit of this, a little bit of that, a market and old houses, which are mostly now appartements.

…la boutique de mon pére..

…rue blanqui, 34 et 32…

…rue avisseau…

…la mére et l’enfant…

All sketches done in sketchbook with pencil, pen and watercolour.

Sketchbook exchange sketches

Now that our Flying Pictures Project is a little further down the road and everybody involved had already seen my first sketches posted on our blog FPP, AND since I don’t have much in the form of sketches to post here, AND I haven’t been around much, I thought it good to post my first sketches that were sent off in May. With my theme being “rainbow moments”, I took the first subjects that came into my view that gave me joy and this is what shaped the first two and half pages in my book that went off to Lindsay, and has just landed at Robyn.  So, four more stops, before it arrives back home.

Edited: To see Lindsay’s beautiful addition in oil pastel, see our Flying Pictures Project .

All sketches done in our handmade concertina sketchbooks with rotring pen, pencil and watercolour.

Sketches from Toulouse, France.

We are back from a wonderful time in Toulouse. Beautiful sunshine days and we were spoilt rotten by Marinell. It is so bad being back here and having no one to continue the spoiling!

In between all the coffees and lunches and soulful talks and laughter and movies and dinners and lots of walking and even rock concert by Maroon Five, I sqeezed in some drawings. I did the drawings on site and put the washes in when we took a break somewhere. Toulouse was swarming with people out on the streets, which made drawing extremely difficult. I didn’t even attempt painting.

Toulouse is known as La ville Rose (pink city), because of the amazing red brick used in its architecture. It is overwhelming and I felt totally incompetent, trying to capture some of it atmosphere.

The first three sketches were done in handmade sketchbook (22 x 25cm) in pen and pencil and watercolour.

…la ville rose…

…let in the sun…

…empty…

The next sketch of Pont neuf, crossing La Garonne, was done in handmade sketchbook, 22x15cm in rotring artist pen and wash.

..a wonky pont neuf…

A few people sketches  on Place de la Daurade and the ducks closing in to investigate. Rotring artpen and wash in handmade sketchbook, 22x15cm.

…so, who are the curious ones…

A while ago I came across a beautiful little handmade sketchbook, (30×12, which seems more like a marine sketch format) and this café scene was done in it with rotring art pen and wash. Unfortunately the paper doesn’t take wash well, so I’ll stick to pen drawings in the future.

…”une baguette, du vin, et du fromage si’l vous plait”…

To take a break or not…

I’ve been away from sketching and drawing and painting for almost 4 weeks. Our Flying Pictures Project got me back into it. And I struggled. My hand felt dumb, my mind was foggy, my imagination was glum and even my committment and desire were flimsy. And that brought the question to my mind: “Is it good to take a break?”

…digging deep…

Watercolour, pencil and rotring pen on Fabriano artistico  HP, 23×30,5 cm.

It will probably be different for everybody.

As for myself and some people I’ve spoken to lately: ….to take a break, is fine. To take a long break, is disasterous. Whether it is a break from art, or work, or excercise or singing, design, or studies, or whatever. Routine sounds like a dull, boring, unartistic word. But it is in fact routine that gets us to be committed and effective, creative and original, inspired and determined. To break the routine for a definite period, is good for the body and soul. It is replenishing. But taking a break for an indefintite period can be dangerous.

Being away from art for 4 weeks, had me shying away more and more from the paper and brush. It felt too hard find the committment, the inspiration and the creativity. My excuses showed up more frequently and they got more creative in fact! I would promise myself that I would sit down for some painting an afternoon, just to quickly find that my afternoon was taken up by “a-lot-of-other-things-that-need-to-be-done-first”. Or I would blame lack of inspiration. Or even the weather.

It got easier to replace the joy of painting with other things I do enjoy. Photography and cooking. And writing. I also love gardening and designing.  But then there is my conscience. I have a terrible conscience. One that keeps me from sleeping and drives me to eating. My conscience stirred my guilt. For neglecting something that I truly love and enjoy. 

I’ve come to the conclusion that to take a break is almost like planning a vaction:

  • There is a beginning and an end in taking a break, which has to be decided on in your planning beforehand.
  • There is a “destination”; where is this break taking me? Do I want to spend more time on excercising or do I want to spend time with my loved ones..
  • “Not feeling inspired” is one of the most futile reasons for taking a break, which was part of my reason.
  • There is also a “budget” that must be adhered to. What will this break cost me? Will I not lose the new techniques that I’ve just starting working with?
  • And then there is the decision to fully enjoy the short break, knowing well when you’ll be back so as to not have your conscience breathing down your neck the whole time.

I now have to work on reestablishing my commitment,(which needs time to settle in) digging deep for my creativity(which must be excercised to surface), practice the new techniques I left hanging loose, and just start doing again without thinking…art wise that is!

My sketchbook has taken to flight.

My sketchbook has taken off on its long journey to Lindsay in the US. This is how it looked just before I pushed it out of the nest to test its wings.

I baptised my little creation “Rainbow moments”, thinking that instead of chasing the “pot of gold” that is always somewhere else, we should look closer at home to find the beauty of the “small moments of rainbow”, right here in front of us and the bigger the mixture, the greater the beauty.

…cover…or wrapping…or dummy….or clue…?

This is my handmade sketchbook, going off to be something of a Phileas Fogg… which there are seven of involved in this voyage which we called the Flying Pictures Project; started off by Lindsay in the US, who acted on her wishful thinking and gathered us together from around the globe to act along with her. So, there is Robyn in Italy, Nina in Sweden, Vivien in the UK, and Glen in the UK and Caseyand I, in France. We decided to make our own books, accordion style, each one choosing what she wants to do with her book and starting off the journey with 2 and 1/2 pages of art. The person receiving it, will add her own paper and continue with her 2 and 1/2 pages of art. And so the journey continues until the books finally arrive back home after 6 stops. 

To be continued…