Oil painting

A few days ago I painted this corner of the Loire in oil.  Unfortunately I fiddled with it afterwards while it was standing on the easel in the atelier to dry, resulting in losing some great first strokes and giving the water this almost “swimming pool” colour. Knowing well I have this addiction, I normally hang a painting immediately on the wall when done and then I don’t touch it…on the easel however, I always see something that needs fixing!

…ombre et lumiére..

ombre-et-lumiere1oil on canvas, 30×30 cm (11.8×11.8 in)

I am leaving for Coin Perdu in Correze for about three weeks, which will be sort of a solitary retreat. And since I’m leaning towards oil painting for now, I’ve decided to pack all my oil stuff for some plein air painting for which the opportunities and subjects there are boundless. So I had a stack of boards, in different sizes, cut at my hardware store, and prepared them at home with  first  a coat of acrylic primer, then a coat of mixed gesso and modeling paste and lastly a coat of gesso. (after the method by David Curtis).

Some years ago I played around with modeling paste on canvases and several other surfaces, as can be seen in the next two paintings. Given a coat of gesso or acrylic primer, it provides a nice textured surface for some expressive work in oil  and other mixed media.

…urn 1, mixed media on canvas…

urn1

…detail of texture(with modeling paste)..

detailurn1

…urn 2, mixed media on paper…

smallurn

…detail of texture(with modeling paste)

smallurn-detail-21

…pineapples…

pineapplesoil-12-13-2008-3-20-52-pm

oil on canvas, 30×30 cm.

…detail of texture(with modeling paste)…

pineapplesoildetail

Clowns

I sat around a coffee inTours the other day, then still the Old Year, waiting for our youngest who got her hair trimmed. All around me in the brasserie hung these clowns along with clown paintings. They made me giggle. A clown does that. And they make me sad. But these clowns can’t make me sad.  Because they aren’t real. And because it was the last day of the Old Year. I didn’t want to end the year sad and I want this year to be filled with much more laughter. I didn’t laugh enough in the previous one. And so the clowns worked their way into my moleskine.

May we all have a year overflowing with good, old fashioned,  unashamedly wild laughter and may we laugh the hardest at ourselves.

…haaa ha ha ha ha ha!…

clowns1

clowns2

Sketches in moleskine, pen and watercolour.

To a sparkling 2009!

bonneannee

Drawing in graphite

I haven’t had time to post my drawings from the afternoons with Casey the last two weeks, so here follows…

The first drawing was done at her house and she set up some beautiful statues. I had fun with this. I always have fun doing statues. I find they can hold long poses…

This drawing was done in graphite 9b, on drawing block, 50×35 cm.

…hold it, hold it..

This second drawing was last week and I set up some bottles, thinking I could at the same time play around with “different strokes”, which is the theme of Robyn’s book in our international sketchbook exhange. I enjoyed all the themes of the books and it revealed a little of each book’s owner, which made every book so unique. In this case, I can picture Robyn as someone with a whole variety of “different strokes”, making her interesting, lively with a great sense of humour and strong personality. So to come up with something for her book, “Different strokes”, I played around with this next drawing, which isn’t going into her book, but it did lead me down the path to the eventual pages I am busy adding to her book. And following the advice of her wise bee, I am also having fun doing it!

Drawing done in graphite, watercolour pencils, charcoal pencil, white conté, coffee, chocolate cake…ah…no, that was for eating..

…in search of different strokes…



I have also finally sent Lindsay’s canoe home, with a sniff and a blink… She’ll defintely post her whole book soon, but if you want to catch a glimpse of her canoe, see Captain’s log.

…Adieu..




Montgolfière en France

I’ve had the exciting opportunity recently to go hot air ballooning in Fontainebleau. We took off on the grounds of the chateau and landed some hours later in a farmer’s field. We were treated to champagne by candlelight after landing which couldn’t have been more perfect!

I did two sketches from photos afterwards. I didn’t even consider sketching there, I was too afraid of being left behind, because once the balloon was up and billowing, there was no time for fancy stuff. It was grab your legs and climb that basket. Besides it is far more exciting watching the balloon lift and blow and bulge.

If you’re interested in seeing some pictures you can go to Myfrenchkitchen, where I’ve put up some pics of the whole process and the trip, the amazing sunset, smooth landing and our great crew.

Both these sketches were done on Fabriano artistico block(30x23cm) with pen and watercolour.

…stretching the toile

…almost there…

Foire aux vins(Wine fair)

September/October is time for Foire aux vins in France. Time to refill those empty spaces in the wine cellar. Try out new wines, restock on old favourites. I enjoy a good red wine. But most of all, I enjoy the grapes. My favourites being Muscat(dark) and Chasselas(green). So I’ll have the grapes now and save the wine for later.

…let there be wine…

Sabre à champagne – a tradition dating from the Napolean empire. Coming back from a battle, the cavalry would pay tribute to victory, vigour, virility and of course…women, by opening up bottles of champagne with theatrical flaunt and flare. The cold bottle is held at the bottom and with a swift movement of the sable from bottom to the neck, the “cork is popped” right under the rim. A clean chop, leaving no shattered glass.

(Edit: I just realized how crooked this sword looks with the completely “off” shadow under the blade! Yes,  I confess. I held the sword in my hand and thus cheated on “seeing” the shadow on the surface…now that says a lot for competence…and I didn’t have a single sip!)

…”en garde!”..

Some fancy bottle openers are available today. The most efficient and quickest still remains the “couteau de sommelier“, which is the all-in-one every “garcon” (waiter) walks around with in his pocket.

And how about a decanter for aged wines to separate from their deposits, or a carafe for a young wine to “breathe”

…”1 2 3 breathe!, 1 2 3 breathe”…

I did intend to do more sketches showing the fun of the Foire aux vins, but laziness got the better of me. I think I’ll just stick to finishing the grapes I’ve sketched and open a Pomerol with dinner tonight.

Sketches done in pen and watercolour on Fabriano artistico block, 22×29, 5cm.