The nasturtiums are slow off the mark this year..our summer being cold and very wet and a nasturtium a lover of warmth. But they are getting there and the flowers as always, playful and gay!
..red nasturtium..
watercolor and pen in Le Coq watercolor sketchbook, 19x19cm
..yellow/apricot nasturtium..
watercolor and dipping pen with “Lie du thé” ink from J. Herbin in Le Coq watercolor sketchbook, 19x19cm
…à bientôt…
Ronelle
With this very first post of 2013, I wish you all a very good new year..may it be all you wish it to be!
I have gotten myself back to the easel and sketchbook..a great achievement here in January. For myself, I hope that 2013 will be a better year than the previous, especially on the art front. But of course, that only depends on one person..me.
Of all the sketches I did today, the following ones are the most successful. The three chickens kept still long enough with their backsides to me, so I could practice my observation skills which got lost during the past year.
..three chickens in a row..
done in watercolor on Aquarelle block, HP, 18x26cm
It is a different story with the birds. The mésanges(tits) are way too quick for me and I could only succeed in blobs of colour which looked more like flying saucers and even that would be an insult to the Martians. So I took closeups and put my own sketch together. According to my own rule, it is then not by definition a sketch, but more of a drawing, using sketching techniques. That is a mouthful! By my definition a sketch is only a sketch when done right in front of the live subject, “sur le motif”, we call it in French. when using the help of otter media..magazines, photos, it becomes drawing. The observation and rendering become totally different. By saying I used “some sketching technique”, I suggest that I used about 4 different photos, composed 2 birds on my paper, referred to the photo’s for colour and lastly added some branches and seeds from direct observation from the tree. So, finally, the whole sketch is my own composition with my branches and seed block being a true sketch with birds drawn onto it…
..Feeding two mésanges..
done in watercolor in Hahnemuhle watercolour sketchbook, 15.3x25cm.
This is my favorite time of sketching.. I love all the ochres and umbers. And on days when the weather is a bit chilly or wet, it is nice to bring in leaves and branches and whatever else I found on walk and fiddle in the studio. I don’t work in my atelier enough and I actually love my atelier! My table is in front of the fireplace, my coffee machine just a further to the left..in fact, the whole barn is my atelier and I am in it for another winter.
..fall leaves..
Both sketches done in pen and aquarelle in Hahnemule watercolor sketchbook, 19X20cm
Sketching a chestnut..not easy.
-pen and watercolor in watercolor sketchbook, 15x25cm-
à bientôt
Ronelle
My two geese Aglaé et Sidonie, provide me with hours of fun and pleasure..watching them is better than owning a home cinema! I sketched them this weekend, the first time since I got them earlier this year. I thought it was going to be easy..sketching them. I know them by heart, seeing them every day and watching them, feeding the, following them, being followed by them. When I close my eyes, I can so clearly see them and I can so easily tell them apart. But sitting with the pen in my hand, brought forward all kinds of problems. Even when after changing to a pencil, I couldn’t escape the problems.
..Two adorable geese, Aglaé et Sidonie..
(watercolour and pen in Hahnemuhle watercolor sketchbook, 19x20cm)
I jumped in and tried to capture them while they floated in their fountain(actually MY fountain they took over!). That’s when I realized how little I understood of their morphology! I had trouble sketching their wings and the build of their lower bodies, the length of their necks in relation to their bodies, their typical thoraxes…they are so different from ducks and mine looked like some mongrels of geesed ducks.. so much for thinking I know my geese! So it was back to doing some real studying.
..Two geese in (my) fountain..
(watercolour and pen in Hahnemuhle watercolor sketchbook, 26x18cm)
From a distance, it was fairly easy getting hold of just the shapes and suggesting their actions. They are ideal for studying, because they move slowly(and funny) and rhythmic, with an elegance that originate in their long necks and sideways glances.
..two geese from a distance..
(watercolour and pen in Hahnemuhle watercolor sketchbook, 26x18cm)
Their backsides are quite interesting with their wings crossing one over the other and lying on top of a cute, quirky fantail.
..Two geese’s cute swaying backsides..
(watercolour and pen in Hahnemuhle watercolor sketchbook, 19x20cm)
They have such beautiful character, aren’t mean at all. It seems they love company, so they love lying by my feet or anywhere close by our activities, and they love being by the horses. Only with the chickens do they have a love/hate relationship.
..Two geese watching me as intensely as I did them..
(watercolour and pen in Hahnemuhle watercolor sketchbook, 19x20cm)
The top sketches are the best of all those I did the weekend, trying to understand these two ladies. When I close my eyes now, I actually see them much better! so doing all of this work was really wroth it. Capturing animals is not only about the perfect technique, but also about their character, which to me is more important than the perfect rendition of their morphology. I a feel quite chuffed with the expression in Aglaé in the above sketch..the typical tilt of her head and watchful sideways glance she throws me. Man, I just adore these mesdemoiselles!
à bientôt
Ronelle
My very late postcard to Bridget consisted of geraniums, done way back when it was still summer.
..Summer geraniums..
-pen and watercolour on watercolour paper-
..summer geraniums in gouache and pen, on handmade paper..
Africantapestry 