I am in the mood to do landscape paintings in watercolour, which is a challenge for me, because I paint corners of landscapes, not full, wide scapes. so I set off this week with a collection of sketchbooks in different sizes and pages and a whole arm full of mediums and I went sketching. I just sketched. Again and again. Some little sketches are awful, others not too bad. I do find it difficult, so I still have a lot of sketching landscapes to do. So. Voiilà. A few of my landscape sketches. In a next post I will show some more and embroider with more détail on my experiences.
I did this sketch at the bottom, after I decided that I didn’t like the one I did above. Then I liked this one even less. but by this time I was fairly tired, so I think the mood and energy to do a decent little sketch, left me.
At home, I just scribbled a few things around me, while we were at the barbecue. they wer done in graphite and a little charcoal here abd tghere.
I had no idea what to draw or paint today. If I weren’t so committed to my September project, I would’ve been on the couch, watching a movie. It is raining, it is cold and it is Sunday. On the best of Sundays, I feel blue and foul mooded. Today was no exception. The drawing says it all.
graphite on drawing paper (49,7x42cm)
One of my demons in art, is the ellipse. I hate drawing ellipses. Maybe hate is a strong word..I really really dislike ellipses. So many objetcs have some sort of ellipse in it. And like with perspective, you can’t be an artist without coming across ellipses.
With a snowy and rainy weekend keeping us inside, I challenged that ellipse fear and went back to my spiral exercises(see bottom of page).
pen and watercolor in Arches aquarelle block, HP, 18x26cm
pen and watercolor in Arches watercolor block, CP, 18x26cm
I do these great spiral exercises to practice ellipses from the book “Sketchbook for artists”. S
- Start with drawing a circle and loosely let your hand move downwards in a spiral. It it best to not do it slowly, but at a natural, continuous speed, without stopping.
- You can enlarge and diminish to your own liking, creating different shapes and volumes.
- Practice placing one spiral into another.
- Vary the thickness of the lines. Don’t worry if it is all askew in the beginning..your hand will get steadier as you keep on doing these spring-like spirals.
..Spiral exercises four ellipses..
Bibliography: Sketchbook for the artist, Sarah Simblet..
With this second attempt at an aquarelle still life, I didn’t to set it up the still life. I only painted what was in front of me, which was my copper pots filled with brushes and other art stuff. I moved the objects a little to avoid “kissing” and to bring them a little closer. the apple that rolled to the side, was left as it found its place and I was very chuffed with it!It might be overcrowded for some, but I rather like the idea…in any case more than a composed and deliberate still life. Maybe it is a mirror of my life…anything BUT composed and deliberate!
… stil life with copper pots…
..in watercolor and graphite on Fabriano paper CP 30.5×45.5cm…
…and a close up of my strokes and layers. I still feel I overworked it and could’ve let go of the brush much sooner..
We were in Oslo last week. My first time. I mentioned how much I loved Helsinki, but I fell head over heels for Oslo! It is a lovely city, with beautiful architecture, a warm ambiance, wonderful views, great people…it is wonderful! I can’t wait to go back for a longer and a decent visit. My next stop will be Greenland!
Time was too pressed to do much, but at least I got to see “the scream” by Edvard Munch up and close, definitely not one of my favourite paintings. The secret to his work, I think, is that it should be viewed from a distance. His strokes are sometimes so messy and careless from close by that it bothers and disturbs the eye, but from far, his work has magic and I could even fall for “the vampire“, though I dislike all kinds of vampire pictures and tales. His dawings and sketches and lithographs also attract me far more than his paintings and there you can really see that he has a swift and sure hand. I especially enjoyed his “Towards the forest” drawings, his alpha and omega series, his “Starry night“, so different from Van gogh. I still can’t really make up my mind whether the art of Edvard Munch “speaks” to me…but Oslo certainly does!
Photos of Oslo can be seen on Salmon-with-a-creamy-herb-sauce-and-a-trip-to-Oslo at Myfrenchkitchen.
All sketches done in pencil and watercolor in watercolor sketchbook.
Drawing with graphite on paper. A fair exchange – an hour or so for a new jean.
Posted by Africantapestry at 11:19 AM
- Casey said…
- This is gorgeous! I love your blog, glad to see it up and running.