Colors and foliage in November 4

In the woods I picked up 2 different ivy’s, some pine branches, mushrooms and cushions of yellow green moss. for the greens, my palette c0nsisted of pure olive green, prussian blue, cerulean, cadmium yellow and ochre. I added touches of burnt sienna and raw umber.

In the first sketch I did yesterday, I found the colour too uniform and without depth, too  uninspiring.

…greens..

pen and watercolor on Canson Montval watercolor paper CP, 29,7x42cm

…then I went back in this morning and darkened some values – in the mushrooms, the pine branches and I used a thicker .7 pen. I think it has now a bit more  more…oomph?

Colors and foliage of November 3.

I found some beautiful grays…some more bluish, others more yellowish and greenish and some just simply…gray.

…grays..

watercolor and J Herbin inks on Hahnemuhle paper CP 15,5x25cm

Doing the above sketch  was very quick and dare I say easy, without sounding obnoxious? I’ll tell and you can decide…

  1. With a goose quill and nib and “gris nuage” ink from J Herbin, I drew the outline of the twig/branch with contour lines.
  2. I added a wet was over the areas that I wanted to highlight as the greyish moss, in the process flooding some the water soluble ink lines.
  3. I dabbed in some light dabs of indigo, prussian blue, paynes gray, ochre and raw umber on the wet areas. To finish off the background, I dropped some paint , using the same colours,  from a loaded brush to loosely suggest random patches of moss.
  4. Lastly I finished off with some dark paynes gray(little water, lots of pigment, to give very dark values, suggesting the small dark corners between the moss.

..J Herbin inks and goose quill…

Colors and foliage of November 2

More experimenting with fall colors…which are quickly changing to grays and blacks and umbers. some of these experiments and playing with line and color simply turn out a mess…as can clearly be seen in “ochres and siennas”, but somehow I actually like this mess, since it is much more loose and spontaneous than the others, which are strict and too precise and stiff. the goal of this experimenting is, after all, not to render, but to interpret. In that sense, “ochres and siennas” are my best effort so far, the one I’m the happiest with.

..ochres and siennas..

watercolor and pen in sketchbook, 15,5x25cm

I used the messy sketch above to do a painting 0n larger scale and extra white abriano artistico  paper. I shgould’ve gone for a more yellow tinted paper. Much lighter hand, lighter in color and more diverse in nuances…but still not what I’m after. A lot more work to do. But for this Sunday, it will do. I’m going for  a walk in the woods now to find some grays.

..ochre fall branch..

watercolor on extra white Fabriano artistico paper HP,41,5x30cm

..crimsons..

watercolor and pen in sketchbook, 15,5x25cm

Colors and foliage of November 1

I’ve been neglecting my sketching and I can feel it clearly in my wrist. Stiff and uncomfortable. Unsure. Hesitant.

…colors and foliage of November – yellow greens…

..watercolor and pen in watercolor sketchbook, 15,5x25cm..

I’m back at Coin Perdu for a painting sabbatical. Only me, my art and my soul. I’m staying in the barn, made many changes and it is now more of an atelier than anything else. We surely won’t receive any visitors during winter, so I’m set with my easels and paints around a huge fireplace which burns day and night to provide me with heat. It is actually good to be a little on the cold side. It keeps my brain from being too comfortable and become lazy and my body needs to move and work constantly to keep my metabolism up. It helps with my neglected sketching, because my doodles are starting to turn into sketches. I will bounce back. I always do.

There is no better way to get back into sketching than using what is in abundance around us. Nature. and if it is too cold outside, we can even bring nature inside. Which is what I’ve done with the following three sketches. Going for walks and picking up.

…foliage and colors of November – burgundies…

..watercolor and pen in watercolor sketchbook, 15,5x25cm..

…colors and foliage of November – umbers…

..watercolor and pen in watercolor sketchbook, 15,5x25cm..

This will be my excercise for some time…trying to capture nature in its colors of Autumn and winter..with additions of whatever is moving and living during these months around Coin Perdu.

Until next time…keep warm in the Northern hemisphere and enjoy the summers seasons elsewhere!

Ronelle

Autumn sketches II..leaves and Marie-Christine’s cheetah.

Picking up leaves on my walk by the Loire resulted in autumn sketches number II during our art afternoon earlier today.  This is what I did, while Marie-Christine continued working on her cheetah.

All my sketches were done in pencil, pen and watercolor sketchbook, 19x20cm

…yellows in autumn…


…reds in autumn…


With her permission, I photographed Marie-Christine’s painting this afternoon, to show the stage where it is at now…far from finished of course. It is an old painting that she is reworking: keeping the cheetah, and started changing the background, wanting to work towards a warm African feel with heavy skies. Looks good to me already so far!

..Marie-christine’s cheetah in progress…

oil on canvas