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Oil painting- sunflowers.

Sunflowers look so easy to paint, but it is everything but easy! One can either paint it too stiff and controlled, depleting it of all character, or it can be painted sloppy, in which case it looks as if you didn’t know what you were doing. I think I fall in the second category. But it sure is fun to paint! Robyn made the remark that sunflowers remind her of happy people. While  painting these, even when scraping off and starting over, even when throwing sunflowers 2 out the barn door and picked it up afterwards and finally completed it… I was happy. The colours, the shapes, the smell of the oils, the touch of the sunflowers, the buzzing bee around the paints and flowers, the leaves wilting and drying and taking on shapes of their own….I was happy. Still am.

…sunflowers 2…

oil on canvas, 41x33cm (16,1″x12,9″)

I did struggle a bit with sunflowers 1…he composition gave me trouble and I overworked it completely. It actually had a stage where it was perfect…sort of undone, half finished, a slight background with an attractive unfinished look. And I just had to add a touch here and there, which eventually turned into a completely different painting and I lost that “unfinished” stage forever. Fortunately , there is always the next one.

…sunflowers 1

oil on cotton, 38x46cm (14,9″x18,1″)

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Sketches of outside bread oven and green hills

Two sketches from today…Two scenes for plein air oil paintings.

In “green hills”  I didn’t do well on the dark shadowing under the trees…far too warm and not receding – because I once again didn’t stop when enough is enough and continued fiddling! Just hope I’ll do better in the uocoming oil painting!

…green hills..

…old breadoven…

both sketches in pen and watercolor in watercolor sketchbook, 19x20cm (7,5 “x7,9”)

…until next time…

Ronelle

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Sketch of Beaulieu centre ville

I had a few things to do in Beaulieu centre ville and after walking up and down in the sun and heat, I sat down at Les Voyageurs for a coffee and cool glass of water and made a quick sketch of the center of town. I will probably sketch much better if I sketch slower and pay more attention, but I can’t sketch slow. I get bored too quick and want to move on.  So my sketches will always be quirky. But now I am off for my painting “sur le motif“, as plein air painting is called  here in France.

I used pencil, after fumbling through my whole bag for a pen and only found pencil after pencil. I prefer doing architectural sketches with pen.

…Beaulieu Centre ville…

Sketch done in pencil and wash in watercolor sketchbook, 25×15,3cm.

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Tokala and Aiyani sketches

Taking over the Van Wyk bed..with some snacking in between.

…Tokala and Aiyani…

Sketch done in pencil, then pen and watercolor in watercolor sketchbook, 26x18cm (10,2″x 7,1″)

..until next time..

Ronelle

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Plein air painting at Coin Perdu

I picked up my plein air painting again and even though the wrist is stiff and unwilling to be free and spontaneous,  AND my eye is out, my perspective and composition is askew and the little apple tree stands right smack in the middle where the hill ends…a very bad meeting point and I might just go,out there and redo it tomorrow. But it is STILL wonderful! I realize again how much I love it…and how much I’ve neglected it.

The scene below is beautiful in real life, but doesn’t really work as a painting. As I’ve said before..sometimes a beautiful scene is there to enjoy with the eyes and sometimes an ordinary scene makes for a stunning painting. But it is worth it to go out and paint it all…it helps in deciding on a paintable scene, getting your eye focused for plein air. Painting plein air is SO different than painting from a photograph, in terms of “seeing. and of course, MUCH more gratifying, even if it doesn’t turn out the way one planned…which in fact it never does. Sometimes, the scene changes a bit too. like the scene below. In the painting it looks like there is a large hill to the right of the tree, which in fact, there isn’t. But it looks much better this way than it would without the “hill”. and I am not after realism, so seeing a hille on my painting which doesn’t exist in real life, gives me quite a kick. Makes me feel like I’m very original!

Our area is very green at the moment after the rains. The trees and forests are green, the fields and hills are beautifully green and lush, , there aren’t many colorful wildflowers around, so the world tends to be green, green green.  Having all this green in a painting can make one feel a little woozy…

Maybe I’ll do the same scene again, but in some different colors than that which I see in front of me..

…Apple tree…

Plein air painting in oil on linen, 41x33cm (16,10″x12, 10″)…

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Sketching chickens and cows

W are living a whole saga of chickens, running for a few months now, but that is a story for some other day. For now, here are Tartelette and Omelette, the latest addition to the chicken chronicles. They are two Bantam de Pèkin, porcelain chickens, and SOOO cute! Now being fully adapted and taken ino the Van Wyk household, they reign alongside the cats. In our home, the humans take second spot in the limelight. Here they are just lazing in the barn by my feet. It was raining outside. They don’t like to get wet. And the barn is comfortable.

Th cows roaming the hills have a beauty all of their own. With their velvety brown eyes and long lashes, they love attention and eagerly respond to “vient, vient!” hoping for a delicacy, which is quite often the case…a branch of poplars held out to them, or soft green grass.

The bottom sketch is done on a different day, in a different sketchbook where the paper has more texture. Some of the cows look rather like dogs…or bulls…or even rabbits? Let’s just say I’m out of practice(sic)…

All sketches done with rotring pen and watercolor in CP watercolour sketchbooks(400g/m²), 26x18cm and 25×15.3cm.

until next time..!

Ronelle.