Sketching with greens

A post for Sketchercise:

This morning’s walk provided me with greens.I have to admit that I don’t enjoy drawing/painting/rendering leaves. Maybe it is the greens in them I shy away from. I find green a difficult colour to paint in watercolour as well as oil, or any other medium. Beautiful in nautre, difficult to render. Too much green can make me feel quite ill. The wrong greens can look very artificial. Green can easily look flat and lifeless. Like white, green isn’t just ..green. It absorbs and reflects its environment and by looking closer you’ll see browns and reds, yellows and blues…a whole spectrum of colour. And then we get transparent greens and saturated greens, which you can’t paint with only green from a tube or pan. Even oils are difficult and mix differently than watercolour, for one – we have a white which can be added to green in oils, then making it less transparent of course.  Which explains why I rarely paint with green, but prefer mixing a green. And I love to mix it directly it on my paper or canvas to have the colours flow into one another, giving dimension and vibrancy and life, even if the green isn’t the “perfect” green. I sometimes add olive green(Schmincke) and the very different olive green(W&N).

Please do tell how you paint greens?!

…apple branch…

branch with apples

In these three sketches, I have used more or less the same palette:

Cobalt yellow pale(W&N), cobalt yellow deep(W&N), yellow ochre light(Schmincke), lemon yellow(W&N),french ultramarine(Sennelier), cobalt blue(Sennelier), Prussian blue(Sennelier), Cerulean blue(W&N), Paynes gray(W&N), burnt sienna(W&N), raw umber(Sennelier), olive green(Scmincke).

…walnut branch…

branch with walnut

…acorn branch…

branch with acorns

All sketchesdone with  rotring pen and watercolour in watercolour moleskine

Walk and sketch 1

A post for Sketchercise.

With a little bit of time on my hands I put on my heavy hiking boots..urgh.. and took off for a walk. All the flowers on shrubs have made room for berries of all colours. Since I am in the process of noting all the fauna and flora in this area, I dragged along my  sketching palette, which is boringly still the same as you’ll see in this link, except that my sketchbook might be the small moleskine or the normal one…watercolour of course. I like the paper of the watercolour moleskine.

Tokala and Aiyani tailed along, until they realized to their horror that we were going further than normal. That had them plonk down under the apple tree, all the while complaining about my imbecility. On my promise to give them joghurt back home, they sulkily agreed to wait under the apple tree. I kept my promise.

…prunellier and aubepine…

berries 1

…bramble, stinging nettle and dock leaves…

berries 2

All sketches done in rotring pen and watercolour in watercolour moleskine.

Le Boss is in Paris – sketches

le Boss is away!!

le boss is away 1le boss is away!

It has been quite a while that I held a sketch pen and book in my hand, but now that le Boss is in Paris for the week and I am alone at Coin Perdu, I took my chance to go from …

…this…

wheelbarrow

…and this…

cement mixer

…to this…

thistle and rosehipsAll sketches in rotring pen and watercolour in moleskine.

Sketches on a perfect Friday.

Today was a productive Friday, artwise. Early this morning I took off to paint the poppies plein air. Took the car to Midas for serice.  While Hartman saw to the oiling and fixing, I had 2 hours on my hand, so I walked to the art store to buy Liquin.

They weren’t open yet, so I continued walking to Biocoop, where I always buy my turps – pressed from orange peel. On my way there, I passed by a farm with some geese and remembered that this WALK could serve as my “Sketchercise” contribution  for this Friday.

…attitude…

geese

I usually carry a rotring pen and moleskine in my bag, as well as my compact watercolour palette and brush.

So. Took out the molekine and pen and asked the geese to hold still. They refused and left. Now my sketches look odd.

Sulking, I continued on to the Biocoop, just to find they were not open yet. Everything closes up between noon and 14:00 and sometimes even up until 14:30. The further south you go, the later the reopening in the afternoon…maybe 15:00, but most likely 16:00.

Anyway! I turned on my heels and walked all the way back to  the art store, passing the geese again. Being a bit more sensitive in my approach, I managed to squiggle a few lines before they noticed me and swaggled off.  I shrugged my houlders and turned to a wild rose/prickly rose.

…a second try…

geese2

With my art and bio stuff heavy on my arm and my feet burning from wearing light sandals not fit for walking, I limped off to the nearest bistro for a coffee and water. After a walk up en down of roughly 4 km, I met up with Hartman, plonked in the car, stopped off at the boucherie for a medium rare steak over hot coals for dinner tonight, and kicked off the sandals to let my sorry blisters breathe.

The sun was still invitingly high in the sky. Along with Hartman on our bikes, we set off in  search of a plein air painting spot by the Loire for tomorrow morning, since the sun had promised to be present this weekend. I stole a quick sketch of a fisherman with his back to me. He smiled at me, thinking I was sketching the Loire.

…an unsuspecting fisherman…

fisherman by Loire

I found my painting spot for tomorrow, we enjoyed our peach and Coke, I gave Liandri a lift home on my bike, we lit up the fire, opened a red wine and scorched our steak. A perfect day.

Promenade a Vernou

In April we joined a promenade with friends in Vernou, a quaint little town across the river. It was all about music and poetry and wine. An enthusiastic french crowd showed up – the French love their music and poetry, not to mention their wine;  poems and chorals were orchestrated by our own Mozart on corners of streets, a court jester with his wonky wheelbarrow made fools of life and himself all afternoon, we learnt about bio winemaking in the vineyards, and ended the day with food and wine… how else.

With us leaving for Coin Perdu soon after this promenade, I didn’t have time to post it. Now is as good a time as any.

I’m contributing it to Sketchercise… A Ning group started by Katherine, dedicated to walking/running/cycling, rowing outdoors and sketching!

I can now file this post for futur generations under “A memory of Gramma sketching and walking herself fit…ah, don’t forget the red wine !”

sketches done in moleskine with pen and wash

…le bouffon

vernou-ballade11

…on y va…

vernou-ballade2

…notre propre Mozart…

vernou-ballade3

…dans les vignobles…

vernou-ballade4

Shadows

A recent conversation:

“…I live in the shadows. Or so it feels. A few years back I was blooming in the sun. So it felt. Now I’m living my life in the shadows. Of my computer. Emails. SMS. MSN. Facebook. Twitter. Blogs. Websites. I am now recognized through the style of my writing and not by my voice. Sadness is felt  by the stucture of my phrases and not seen in my tears. Happiness is seen in my exclamation marks and not heard in my laugh. The truth is guessed by my vocabulary and not heard in the seriousness of my voice.  I have become deletable. I am speaking less and writing more. I am hearing less and wondering more. My voice is growing softer and the shadows wider…”

Sketch in moleskine with rotring pen and watercolour.

…deep talk...

tea