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Posts tagged “daler rowney

Different sketches of the same street.

Right opposite my physiotherapist are some interesting houses in Beaulieu sur dordogne. I arrived early for the previous sessions and did these 2 sketches of the same street from opposite directions on different days. One of my goals is to move towards change in my sketching; my subjects, the way I approach it and the way I do it. In a next post I will lay it out in more detail. For the moment then, these 2 sketches: the same street, different angle and different approach.

..Street view 1 south..

watercolour and prera pilot pen in  moleskine aquarelle sketchbook 21x13cm.

Beaulieu house 2

..Street view north..

watercolour and rotring tikka pen(0.1) Daler & Roney sketchook, 21X14.9cm

Beaulieu house 1I tried a different technique for each one. The view north is similar to how I paint in oils .more impressionistic if you will. The view south is more true to my original way of watercolour washes. In both instances I wanted to keep the sketch loose and light. I also tried to complete a sketch under 45 minutes and I succeeded in doing the top sketch in about 30 minutes and the bottom one in about 40 minutes.

..à bientôt

Ronelle


Sketches from Beaulieu and Les Jardins Marquessac.

My artist friend Sarah visited and we visited les jardins Marquessac.I am totally inspired to finish my garden here at Coin Perdu, not to mention painting! I worked in different sketchbooks and I am considering going back to Moleskine, all three sizes.

..a sketch done in Beaulieu while waiting for my physiotherapy appointment..

pencil, pilot prera pen and aquarelle in LANA watercolour sketchbook, 14x22cm(this is a lovely sketchbook with 300g paper, 25 pages and a great size, with the only drawback being the spiral back.)

Beaulieu house0001..a sketch of a street in Beaulieu..

watercolour in Daler & Rowney Ebony sketchbook, 14.9X21 cm(this paper still buckles a lot with washes, but it is not too disturbing. I like the hardback so it makes working across 2 pages quite easy.)

Beaulieu0001..the marketplace in St Céré..

watercolour and prera pen in Daler & Rowney graduate sketchbook,22X14.9cm(this is suitable only for drawing…a nightmare for washes..but it was all I had in my bag.)

St Cere..Jardins Marquessac..

watercolour and prera pen in Daler & Rowney Ebony sketchbook, 14.9X21 cm

jardin Marqueyssac sketchà bientôt

Ronelle


Splashes, splotches and spatters in aquarelle.

I have been asked so many times how I do my splashes and after another request from Sophia, I thought I could do a pôst to explain how I splash ans splotch. have forever been doing splashes in my watercolor paintings and sketches. I paint and sketch with a big brush and loads of pigment and water and the splashes almost happen all by itself on my page. There are times though that I use splashes to emphasize or create a certain effect or atmosphere. It all depends on the sketch or painting.  I notice that it has become very fashionable in the sketching world to use splashes which is great. But sometimes a sketch can look out of sorts with splashes, which either don’t fit the style of painting or the subject doesn’t ask for splashes, and so it appears on sketches just because it is fashionable. I love my splashes, but I don’t use them every time and with every subject.  I would like to see that watercolor work  show more discretion when using splashes, before it ruins an already perfect watercolour painting or sketch.

Old french bowls 1…without any splashes. This sketch was done using watercolor, watercolorpencils and white gouache. I overworked the sketch somewhat, so the bottom bowl started losing its shape.

Old French bowls 1-001

Old French bowls 2, without any splashes. Mixed media – watercolour, watercolour pencils and white gouache.Old French bowls 2-001

Old french bowls 3, with blue splotches and 1 red splash which I added simply to “accompany” my signing). I used only watercolour and pen for this sketch

Old French bowls 3-001

Old french bowls 4, with brown spatters on the right side, dark red splotches at the bottom and 1 lilac splash(for my name). In my opinion, on this sketch, less spattering or even none would have been fine, I added the spatters etc for demonstration.

Old French bowls 40002-001

When working in watercolor, I use only one brush, usually my Rosemary sable 12. My splashes are done right at the end with the same brush. Depending on the subject and the atmosphere I want to add to my sketch/painting, I choose from 3 different types of splashes. I call them for my own use, splashes, splotches and spatters.

*Splotches are the small, smaller then the splashes, but bigger, but bigger than the small spatters. To get these dropletys, I load my brush a fair amount of water and colour and hold the brush up straight while I shake the brush in quick upward and downward movements to release the droplets.

Splotches

*Spatters are those tiny droplets that sometime happen a line or a curve. I get them by loading my brush with not too much water and then flick my finger on the brush to spatter the colour, which most of the time, are small droplets which end up in a line on the paper.

SpattersSplashes are the large round drops dropped from a high distance above the paper. I fill the brush with color and water, stand up over the paper to keep my eye on the spot I want to drop a splash and press the brush at the tip to form a drop which splashes on the paper.

SplashesI have chosen some of my sketches to show the effect of leaving out splashes or adding them.

To illustrate some of my splashes and splotches etc, here are some of my previous work.

Two Siberian iris sketches – Left: Only 2 big splashes. The line work and minimalist appearance of the sketch doesn’t welcome tiny spatters of colour, it would only distract. Right: The more loose watery interpretation allows for some large splashes as well as some spattering. It adds to a frivolous interpretation and could suggest  picking of the irises, blowing in the wind, petals falling…movement.

iris reticulata iris reticulata-001

Some more examples of where splashes work and where not:

In the bottom sketch, splashes don’t belong..it is already a very busy sketch with lots of information.

Le Pescher Maison 6466x4910

The sunflower just asks for some splattering…suggesting bees working, pollen blowing in the wind, petals falling off… movement.envelope to vivien0001In the sketch below, I used only a green splash and blue splotches to suggest sky and leaves and I like the effect of stark lines with the contrasting wild bursts of colour.

bretnoux la post

I hope this explained a bit my thinking and use of splashes, splotches and spatters.

Until next time

Ronelle


Resketch the gargoyle and fountain.

I wasn’t satisfied with the gargoyle sketch 2 posts ago and even leaving it to the art fairy didn’t help. In fact the more I looked at it, the worse it got. So today I decided to redo it. I am still not in heaven about the sketch, but at least it is a bit better and I am tired of that spot in the garden. I suppose you can’t win all the time.And now I have to move on.

Gargoyle fountain

watercolour and dip pen with black ink in daler rowney sketchbook, 21X29.7cm

gargoyle and fontain


Two more garden corner sketches in watercolour.

I sat myself in the same  spot outside on the terrace as yesterday and did 2 more sketches . I have now almost made a complete 360 degrees turn and sketched what I saw in front of me. This time I faced the house and sketched one of the two comfy chairs under the kitchen window on the terrace. The chandelier hanging under the grapevine was next with the crystals catching the sunlight and flashing in all the colours..I can’t do it justice, but I remember it.

comfy chair on the terrace

watercolor and nib pen with blck ink in Daler rowney sketchbook, 21X29.7cm

chair on the terrasseChandelier hanging under grapevine

watercolor and nib pen with blck ink in Daler rowney sketchbook, 21X29.7cm

cchandelieron terrasse0001


Aquarelle sketches of garden corners.

I sat out in the garden today and turned my chair 180 degrees to get to 4 sketches. My anduze pot with a young cycad , then the apple tree behind a table, the gagoile fountain next to a potted lemon tree and lastly the old barn door with a lost sunflower beside it. All 4 sketches are somewhat wonky: the cycad in the first sketch is really terrible and the gargoyle is yotally off scale and askew…in reality the gargoyle is beautiuful, orignating from the 13th centurychateau de Chauvigny and it was a birthday giort from mon chéri many years ago.

..anduze pot with a young cycad..

watercolor and pentel brush pen in Daler Rowney sketchbook, 21X29.7 cm

Garden corners..apple tree and table with terracotta pot..

watercolor and pentel brush pen in Daler Rowney sketchbook, 21X29.7 cm

Garden corners-001

..gargoyle fountain beside a potted lemon tree against a stone wall..

watercolor and dip pen with black ink in Daler Rowney sketchbook, 21X29.7 cm

Garden corners-002..old barn door  with wilted sunflower..

watercolor and dip pen with black ink in Daler Rowney sketchbook, 21X29.7 cm

Garden corners-003à bientôt

Ronell


EDM-art 20: A purse/wallet.

I don’t want to sketch my wallet. It is always empty. It depresses me. But I love my bag. If I can’t find money in it, I can find many other cool stuff, like a book to read, painting tools, writing tools, chewing gum, photos, tablet, Swiss army knife, lip balm, measuring tape and other surprising paraphernalia. It hooks over my shoulder like an Indiana Jones and it looks the part too. Like all leather goods, it just gets more beautiful with age and its already 10 years of use clearly shows its road well traveled.  I have NO other bag. This is my bag for going out to dinner, as well as going to the market and everything in between. While wrapping my salmon one day, the fishmonger told me he has a a talent. He can tell people’s profession just by looking at them. “You are an historian“, he grinned after  scanning me, my reading glasses just balancing on my nose, my bag and my baggy clothes. I grinned too, rather sheepishly, hoping fervently it is the bag that resembled antiquity and not me.

..an historian’s bag..

watercolour and dip in Daler rowney sketchbook, 14.9×21 cm

leather bag