Busy with my people’s project, I just wanted to do something different. Something completely free and unrestrained. Taking large formats of paper and canvas, I put down the brushes and used only my hands and rolled towel paper. even though it feels a bit like first grade finger painting, there is a liberating feeling that results from “playful” and experimenting occasions like these.
1.Tilleul tree in gouache on paper. For the first tree, I shaped the thick trunk with a large brush and for the leaves, added gouache pigment with my fingers, sometimes very wet so the color runs and sometimes I dotted only dry splotches. Not a very significant result, but it did loosen me up, like all these free, expressive exercises always do. this one really looks like a first grader “picture”!
1…tilleul tree in gouache on paper, 65x50cm…
2. Prune tree in oil on canvas. For the second tree, I used a large canvas, primed it with a layer of thin gesso, “shaped” the tree trunks and branches with modelling paste and painting knifes, and finished off with a last coat of thinned gesso. After leaving it to dry overnight, I built up the tree trunk with layers of oil pigment, using a rag to wipe and build up up the layers. The leaves were all added with crumpled toweling paper and lastly spatters of oil pigment with a large brush.
2…prune tree in oil on linen, 92x73cm…
3. Apple tree in charcoal: Again on large format and loose application of pressed charcoal, I only made marks and got in there with the fingers to suggest the folage loosely.
3…apple tree in charcoal on paper, 65x50cml…
To do excercises like this:
- Use large sheets of paper or canvas or cartons. Off cuts from boxes can work as well
- Wear old clothes.
- Work where you have enough room/space…even outside on the lawn, or go to the park.
- Choose something around you like large shrubs, trees, flowerbeds.
- Use only big tools…big brushes, pieces of rag, knifes, twigs, and of course, hands(You can treat them afterwards with some good creams!)
- Work on the WHOLE paper, even if you run off the page.
- Stand back, up often and look at your creation from a distance. Don’t consider right or wrong or any painting rules.
- Consider only marks, color, texture, shapes.
- When finished with one, put it aside and immediately start another…with another bush another scene.. don’t go back to a previous painting, rather start another one.
- Don’t think, just do.