Sketches in January 2011-flora of the Loire

There is always something to pick up on a walk and take home to sketch, especially on a rainy day like we had today. I picked up a few twigs and leaves..which are always good to sketch. Leaves in winter have fascinating shapes which make up for their overall monotone brown color.

I also sketched some scampi and prawns, which are normally a translucent, greyish color, but turn red after cooking. Unfortunataly I couldn’t put these to mouth after sketching them..it felt a bit too “cannibalistic” to eat them after studying them so up and close…

..all sketches done in Fabriano artisico water color sketchbook, 18x26cm, with inks and watercolor..

…scampi and prawns..

..dry leaves of “Platanes” (Sycamore)tree and moss covered twig..

..a variety of seeds, leaves and twigs..

..bon week-end et à la prochaine fois..

Ronell

January plein air by the Loire

I wish you all a wonderful year with all the low points of last year turned into highlights this year!

Happy 2011


I wanted to start this new year off with a plein air painting, no matter what the weather circumstances were. And I did. I took off this morning with my painting stuff and a new pochade I haven’t used before, to the Loire. The temperature read 2 degrees C. I only had running shoes to wear, because my daughter has my hiking boots in the mountains.

It was very difficult…it took me ages to set up my things, I kept on slipping in the mud, my fingers were numb before I even started painting and I struggled to open the caps and squeeze out the oils. I found the little pochade extremely uncomfortable and clumsy and missed my French easel all the time. I couldn’t open the Liquin bottle and had to run back home to fetch another. I found it comlicated to paint with the muffins and the scarf was choking me and I felt thick and uncomfortable  with my sleeves in the way of the paint, constantly knocking over the mediums. I chose a difficult scene and had an uncomfortable spot in the mud and slighty up a hill. My eyes and nose were constant watery  from the cold and I had to fiddle with tissues all the time, resulting in me arriving home with a face looking like my painting. After 2 hours I couldn’t stand on my numb feet any more and I started doing nonsense on the canvas,  getting so frustrated that I slung my brush way into the distance, in the mud! And then I  decided that I should pack it in.

BUT!! I completed the study. Although I don’t like the painting/study, and although it was an enormous struggle, I am very satisfied that I did it. It is one of my plans for the new year – to get out and paint even if the circumstances are challenging – and I WANTED to start today, on January 1st. Now I only need to get out there often to get used to these difficult winter plein air painting. In the end it is really gratifying and I now know I can do it. I can probably save this study in my atelier if I want to but it serves no purpose. I didn’t get out there today to produce a masterpiece, although I would’ve liked it to be a bit better than it turned out…

..winter loire corner study  1..

..oil on linen, 34x23cm..

**Next time I’ll give my opinion about this easel, because I think it is unfair to give it now after only one time of use. I am too used to my old french easel. This smaller one is a lovely hand made pochade from Ben Haggett.

**I will also say more about my art plans for this year.

Until next time… paint away!

 

Sketching troglodytes along the Loire.

In winter the troglodytes all along the Loire are much more visible than in summer when they hide behind lush green vegetation.They are nestled in the cliffs high and low and some are still inhabited, although it is getting less frequent, as circumstances are changing and cliffs get unstable and dangerous.

I went down the road this morning and sketched two spots where the caves/troglodytes are still inhabited and a smoke trail is often seen escaping the hidden chimneys.

…troglodytes in Montlouis sur Loire…

..sketches done in sketchbook, 14 x19cm, pen and watercolor..

My contribution to Sketchercise, where sketching and exercising combine to keep us healthy and creative at the same time!

 

Drawing faces in contour.

I am itching to move outdoors and go paint, sketch, draw. Why? Simple. Because I feel inspired. I can only be on the couch in front of the fireplace for so long and then I tire of having it good. I need some difficulty, like going out and sticking it out in the cold, feeling my fingers go numb, but persevering in finishing a painting or sketch. When surroundings and circumstances are too easy, life becomes difficult too. Luxuries and comfort numbs us – we don’t feel the pulse of life and we don’t hear opportunities knock on our doors.

So. No, not any cold outdoor sketches yet, only some faces done in the comfort of a heated indoor living room! contour drawing is one of my favourite styles of drawing…there are artists out there doing amazing work in contour drawing. I cheated a bit on mine…I lifted my hand now and then and added some more lines, which I probably shouldn’t…the charm of a contour drawing is actually the scarcity in line work. I’m looking forward to so some life drawings in contour.

…drawing faces in contour..

..pen on Canson drawing paper, 13.5 x21 cm..


Amaryllis in watercolor

Joyeux Noël 2010!

Watercolor and pencil on Fabriano watercolor paper, 31×23 cm.

 

A few sketches in December

A few sketches of December…a leisurely walk by the Loire, some faces in a bar and a shed in a friends garden.

…a shed in a friend’s garden…

.. sketchbook 15,3×25 cm, watercolor and pen…

…bare tree at the loire…

..sketchbook 15,3×25 cm, watercolor and pen..

…faces in a bar…

..sketchbook 15.3 x25cm, watercolor and rotring pen..