Six apples and a sucrine in aquarelle.

In summer we don’t eat apples. We munch on peaches and nectarines. Except the horses. They have their apples throughout the year. An apple is one of the most delicious subjects to draw and paint. For the experts it is a challenge to capture its real beauty and succulent appearance and for the beginner it is easy enough to start off with and be inspired to keep going.

…six apples…

pen and aquarelle on watercolor block

apples en aqua

..six apples close-up..

apples en aqua close up 3230x2669

Just for some lazy fun, I splashed some greens for a sucrine salad…using blues and yellows, purple and payes gray for darker shadows. Salad is always difficult to draw and paint, so many lines and squigles…definitely not a favorute subkect of mine. The greens are a great challenge though!

..sucrine salad..

pen and aquarelle on waterclor block

sucrine en aqua 3

..sucrine salad close-up..

sucrine en aqua 3 close-up 3452x3102

Radishes in charcoal and watercolor

Continuing my experimentation with large formats, different mediums and free strokes. Still sticking with charcoal, which is an unforgiving medium, but exactly that fact gives me the freedom to “play” freely. You can”t start over every time you make a mistake; so you  are forced  to work with the mistakes, which can either lead to great discoveries, or total mess ups  – not to be seen as a bad thing. I also prefer working with the dark charcoal, and one can see in the images below the really dark black it gives. I don’t use fixatives.. I have the impression it doesn’t work in any case..

…radishes in charcoal, watercolor and watercolor pencils, 42x60cm..

Radishes in watercolor and charcoal 3251x3976

I chose radishes, cut off most of the leaves  to expose mostly the stems, thew them out on the table and chose a composition with only a few radishes.

..the start – in charcoal lines and watercolor washes, using lot of water and allowing it to run…

Radishes in watercolor and charcoal 3232x4683

After finishing, I stood back and the watercolor looked too washed out against the dark charcoal, so I added watercolor pencil, washed it to blend and give darker color, and here and there I left some pencil marks to echo the charcoal lines.

…radishes – close up 1..

Radishes in watercolor and charcoal 4928x3264-001

Far from being a perfect piece and it won’t end up in an exhibition, this was another good exercise in getting rid of “fear”.

….radishes – close up 2…

Radishes in watercolor and charcoal 4928x3264

…radishes – close up 3…

Radishes in watercolor and charcoal 3264x4928

Onto some some more work!!!

à bientôt

Ronelle

Clementines in charcoal.

Thankfully there is always an end to yesterday. And to whining. Once I got tired of my own whining about this not working and that not good enough(see the previous post), I had the clarity to see that the only way to change what I don’t like in my art, is to work at it.

..Clementines in charcoal on paper, 43X60cm..

Clementines in charcoal 3116x4317

So here is what I went for:

  1. I worked only charcoal and white conté sticks.
  2. Large format. I will go bigger still, bit for the time being 43x60cm is plenty.
  3. I put the drawing on my easel and work with the whole arm and not the wrist, standing back often to get distance.
  4. No details.
  5. Large and free strokes.
  6. No erasing.
  7. No planning ahead, trusting impulse.
  8. Still worked from life..whatever is around, but no photos.
  9. No direct copying, put marks and lines as I felt and wanted, whether it is correct or not.
  10. Stopped early enough, while I still had the urge to continue.

 I enjoyed this process todayeven though it still has my typical mark making, I feel happy about it. Will continue experimenting.

The paper is bending on the easel as I didn’t add a big enough support behind it, so the colour and focus are not perfect all over the paper.

Clementines in charcoal 2672x3629

Some close ups  below to see the marks and smudges.

Close up 1

Clementines in charcoal 4928x3264

Some of the close-ups actuall make for nice pieces on their own..so the piece of work can be torn or cut into sections and reworked..maybe collaged as part of another work…?

Close up 2

Clementines in charcoal 3264x4928-002

Close up 3

Clementines in charcoal 3264x4928-001

Close up 4

Clementines in charcoal 3264x4928

Stay tuned for loads of work in the next few weeks..and if you feel like joining in..please do so.

à bientôt

Ronelle

A rough sketch of some painting tools.

I dug this sketch out of the bin. It ended there along with many others I’m lately not happy with. I feel in an awful slump and nothing seems to work..everything is either too “pretty”, or too perfect or it is just plain bad art. I struggle to find that exciting stroke, or that exciting subject, or even the right medium. I work on small tiny papers and do small tiny challenges. I am in need of freedom and uninhibited expression. I know what I want and what I don’t want..or do I?

I wonder if art can go through menopause…in which case, that is where I would say my art is right now. Going through menopause. I hope it passes soon.

the first one is just pencil contour lines and then of course I didn’t like it and thought colour and pen would make it look better…

painting tools-001…just to realize it doesn’t look better, nor worse.

watercolor, pencil and pen on watercolor block, HP, 18x26cm

painting tools 2-001So. The solution is probably just to carry on and maybe consider not throwing out the awful ones. They should stay with us strive for better, or different, ot both.

à bientôt

Ronelle

September 19: Lipstick seduction.

I don’t wear make-up, except for the occasional mascara. But lipstick, now that I love, so much so that I have quite a few. Some shiny ones, some with real stay-power(so they say), some reds, corals and some neutrals, some fun ones..

lipstick

Seduction often begins with taste. There is no kiss like the first kiss with lipstick..” said John Baxter in his book, The most beautiful walk in the world. I can’t really say if this holds true, since I’m on the giving side of the lipstick kiss, but I can admit that I do feel quite a bit seductive when wearing a touch of lipstick. Unfortunately, it only lasts 10 minutes or so before I’ve licked every bit of seduction from my lips and I’m back to Cinderella form. I know women who daub their gloss in the morning and by lunchtime their lips are still a voluptuous  rosy invitation. Selfishly, they don’t reveal their secret.

Optimistically, I carry some lip color in my bag for those retouch moments, which never happen. My bag lipstick is still as new as the day I bought it, probably about 2 years ago. In addition, I even have an antique little purse mirror from my mother, which finally serves no other purpose than sentiment and adding weight to my bag.

In the end, all is OK actually, because 10 minutes a day is still more than nothing.

à demain

Ronelle

September 7: Favorite Oxfords.

I tend to be very boring when it comes to choosing daily outfits. I have only a few favorite outfits in which I feel comfortable, so comfortable that I tend to wear only those. One such a comfy piece of clothing, is this pair of Oxfords, my favorite winter shoes. I wear them with long skirts, with rolled up pants, with jeans, with woolen slacks..they go with everything and they walk everywhere. But don’t make the mistake thinking that I don’t love shoes..oh, I do, I do! It is a bit like art supplies..I want to have it all, thinking I’ll do better art, but in the end, only the basics can do the job. With shoes the same. I want them all, thinking I’ll look prettier, but in the end, only a few succeed in not making me walk around with a tortured expression on my face..back to basics.

..favorite Oxfords..

Watercolor pencil and watercolor on watercolor block, 18x26cm

winter shoes

 

à demain

Ronelle