Carnets de voyage

I am a collector of Carnets de voyage (travel sketchbooks).  They are scattered throughout my home, atelier and Coin Perdu in Correze and I enjoy them all over and over again! The problem is that I can get so caught up in them that I stay there and revel in their beauty and travels and strokes and stories and not get onto my own page. Here are a few of my favourites…

At the bottom you can find a list of links to some of the artists.

…carnets de voyage…

sketchbooks

Patrice Hyver, Denis clavreul

…rochefort – denis clavreul…

Rochefort - Denis clavreul

…iles de bretagne – Patrick Camus

Iles de Bretagne - hilde Cayeux, Patrick Camus

…patrick camus…

Patrick camus

…onze peintre de la marine ..

onze peintres de noirmoutier

…ronan olier…

Ronan Olier

…le mexique – didier lisetti…

Le Mexique -Didier Lisetti

…didier lisetti…

Didier Lisetti

…aveyron – alain marc…

Aveyron - Alain Marc

…alain marc…

Alain Marc

…le jardin de l’ile de Batz – denis clavreul…

Le jardin de l'ile de Batz - Denis clavreul

…denis clavreul…

Denis clavreul

…eban…

Eban

…mali secret – stefano faravelli…

Mali secret - stefano faravelli

…stefano faravelli…

Stefano Faravelli 1

…balades a montrichard – yves de st. jean…

Balades a Montrichard - Yves de St Jean

…yves de st. jean…

Yves de St Jean

Available at Edition Equinoxe.

Trying to sketch myself out of a slump

How to sketch/paint/draw/do any kind of art, when you’re in a slump.

I don’t know. I had such good plans when coming back from Hawaii and just suddenly, the pencil or brush refuses to do what I ask it to do. Not to mention the motivation that just disappeared into thin air. Why does this happen. How can it happen almost overnight? Why does it take so long to get back into it? And how to get back on track? Million dollar questions.

Loire sketces 1Oct

I walked up and down the Loire this morning. In the wind. With only a sketchbook and pen. Oh, and a coffee. Stopped at a little bench to finish the coffee and veil myself from the wind. But determined to get at least one or two sketches, I took the wooden steps down to the river.

Loire sketches 2 Oct

I sat on a sand bank  here and there and only scribbled down some small puddles with stones and grass and debris. The wind drove me home earlier than I desired and I gathered  leaves to take along. At home I indulged in a hot chocolate and gave a wash to the ink sketches, which I shouln’t have done. They definitely looked a bit better only in ink. I “overwashed”  them all and now I feel like I’ve been doing colouring in; I couldn’t stop…SIGH…but at least I didn’t scratch them out like I have been doing with all my artwork lately!

Loire sketches 3 Oct

Katherine in Touraine

This past week Katherine was in Touraine with her sister and niece. First stopping off to visit Monet in Rouen and then Paris and then arrived here in Tours, valley of the chateaux…but why am I telling you all when you can go read it on her Travels with a sketchbook and Making a mark.  See links  lower down.

…distracted sketches in Tours…

Tours - street lamp and charis

Tours -hotel de villesketches done with pen and watercolour washes  in aquarelle moleskine

What I can tell you is that it was so great to meet her! Such a fascinating person! With a very real passion for art, for books. A sponge for information. She thrives on researching and gathering information, and sharing it is her way of learning and growing. She confessed that she loves being asked questions, which takes her to digging and researching…so there you go, ask away! She is devoted to sketching which she does with great ease and comfort in remote corners as well as around buzz with lively people and situations. In fact, she thrives on scenes where the challenge to capture people coming and going, results in a scene where the setting is static, but the ambiance is moving and changing. Withing as little as  ten – fifteen minutes she can sketch a restaurant scene with tables and chairs and windows, cake and drinks and a traffic of people arriving and leaving, and they all find a place in her scene, the Katherine way. That becomes her unique view.

She’ll capture the skies in order to define the relief of Mont St Michel.  Or sitting opposite a boring road, where there is nothing but a line of autumn trees with flaming yellows, soft greens and a dark tunnel and it tuns into a gentle  fall scene of serenity. Or how about Chenonceau, where she would seat herself on a corner away from the people traffic, patiently waiting for people, blocking her view,  to take their photo,  and then shows up with a fairy tale chateau, water reflections and all. Or the gesture of two couples on a park bench, worn down from being tourists, perfectly captured to make you almost feel their fatigue!

By telling you this, it may sound that we did a lot of sketching together, but unfortunately we didn’t even do a single one together! Time passed too fast and too stuffed with things to do.  However, I saw her sketchbooks, paged through them again and again and only really saw her art for the first time. The computer screen doesn’t do her sketches justice and seeing her sketch books, was like opening story books! We also did indulge in eating a deliciously light French chocolate mousse cake.   We made up for that little sin by lunching on light salads and last night said goodbye over candles with champagne and boeuf bourguignon! I was fortunate to enjoy her sketching the restaurant scene during lunch, while her sister and niece and I saw to the conversation and entertaining side of the meal.

But before you think I’m completely worthless, I can show two  quick and distracted sketches I did while waiting to meet up with them in Tours. Part of our hotel de ville, typical French streetlamp and a few chaotic brasserie chairs! I can also show you Katherine’s creative hands and part of her sketchbook. To full enjoy this trip of hers, you’ll have to visit her sketchblog Travels with a sketchbook, where a wealth of French sketches will await you, probably as from Monday, when she’ll be back home and start telling and showing. And with all the books she took back home, Making a mark will surely be filled with loads of information, perfumed with a little French panache. Don’t miss out!

And I’m leaving you with a little personal glimpse of her…She has a laugh that can be tickled easily, with eyes that join in, crinkling with delight. She can talk and chat as easily and entertainingly as her writing is. She has an enthusiastic YES! when fascinated by something, she adores her two cats, she can lose herself in travel…and oh yes, she loves a cup of tea!!

…Katherine’s lunch sketch…

Katherine's sketch 10-7-2009 12-39-17 PM

…her book and her tools…

Katherine working 10-7-2009 12-49-52 PM

To Hawaii

I am joining Hartman on a trip to Hawai, leaving tomorrow morning. Except for the looong flight, I’m looking forward to it. I am bit tired…could it be that summer was too much fun?

I don’t have anyhting to really post on Africantapestry. Apart from being tired and fatigued , I’m in a creative slump. The last thing I did, was the sketches in the previous post. Since then I scribbled a little bit for my recipes on Myfrenchkitchen, but they are nothing more than doodles. I hope to revive some creative energy in Hawai, so the sketching palette will travel along.

the packing and cleaning up and dinner are awaiting me, so I’m leaving you with a sketch I did for a friend a while back, and now it also serves as my greetings here – until October: Stay well, keep creating and make the most of the season you’re in!

…trying to get to Hawaii…

trying to get to Hawai

Sketching with greens

A post for Sketchercise:

This morning’s walk provided me with greens.I have to admit that I don’t enjoy drawing/painting/rendering leaves. Maybe it is the greens in them I shy away from. I find green a difficult colour to paint in watercolour as well as oil, or any other medium. Beautiful in nautre, difficult to render. Too much green can make me feel quite ill. The wrong greens can look very artificial. Green can easily look flat and lifeless. Like white, green isn’t just ..green. It absorbs and reflects its environment and by looking closer you’ll see browns and reds, yellows and blues…a whole spectrum of colour. And then we get transparent greens and saturated greens, which you can’t paint with only green from a tube or pan. Even oils are difficult and mix differently than watercolour, for one – we have a white which can be added to green in oils, then making it less transparent of course.  Which explains why I rarely paint with green, but prefer mixing a green. And I love to mix it directly it on my paper or canvas to have the colours flow into one another, giving dimension and vibrancy and life, even if the green isn’t the “perfect” green. I sometimes add olive green(Schmincke) and the very different olive green(W&N).

Please do tell how you paint greens?!

…apple branch…

branch with apples

In these three sketches, I have used more or less the same palette:

Cobalt yellow pale(W&N), cobalt yellow deep(W&N), yellow ochre light(Schmincke), lemon yellow(W&N),french ultramarine(Sennelier), cobalt blue(Sennelier), Prussian blue(Sennelier), Cerulean blue(W&N), Paynes gray(W&N), burnt sienna(W&N), raw umber(Sennelier), olive green(Scmincke).

…walnut branch…

branch with walnut

…acorn branch…

branch with acorns

All sketchesdone with  rotring pen and watercolour in watercolour moleskine

Le Boss is in Paris – sketches

le Boss is away!!

le boss is away 1le boss is away!

It has been quite a while that I held a sketch pen and book in my hand, but now that le Boss is in Paris for the week and I am alone at Coin Perdu, I took my chance to go from …

…this…

wheelbarrow

…and this…

cement mixer

…to this…

thistle and rosehipsAll sketches in rotring pen and watercolour in moleskine.