Sketching moving people

I have started doing small, really quick capturing of people moving. Putting a pen to paper en sketching them on the move, not lifting the pen and only trying to capture the movement of the body, the suggestion of a movement, no details. I also choose people a little further away in distance, not close to me, so that I don’t get trapped in doing the details. Just by looking at the first and last image, you can already see the improvement – in the first, I still wanted to capture details and even if I couldn’t see it, I somehow sketched what I thought should be there, which turend it all into failures. In the last, I’ve more or less started succeeding in only going for suggestion, with some still not at all recognizable, but much better than the first images.

These sort of figures are very useful in paintings – adding some figures into a beach scene or a landscape, or a street scene. It gives movement and some personality and life to a painting. Not always, but I’ve seen street  and beach scenes come to life with just a few “idling figures” around.

It also helps a lot with concentration and focus and “connecting” the hand with the image you’re trying to capture. When looking at fast moving legs, it is hard to decide where to put which line and this is a great practice for that. I fist started looking at what the arms and shoulders do in movement and then move onwards to the hips and legs.The people sitting next to me on the sidewalk(having coffee) were very impressed by this kind of capturing and thought the little figures were trés mignon…very cute.

I so admire Gabi and José with their ability to quickly capture these little action figures in ink and they inspire me to keep working at these. I might just get better at it the more I do it. And besides, it is really fun!

They are done in moleskine with ink, and are really small and quick. Measure about 5-6 cm (1,9″-2,3″) for a little figure)…and look…NO WASHES!

Ink exercises

I love inkwork and there are some beautiful inks around not to mention the artists that do beautiful inkwork.

I took my summer shoes to do some excercises with the inks and pens I have. Excercise 1: Summer sandals done in Gris nuage ink from J. Herbin, drawing the lines with a stylo à plume d’oie(quill pen) and afterwards I bled the lines and washed with some powerful blue Eclat de sapphire ink and a small brush. I just can’t help myself. I have to do a wash somewhere with a brush. It is an addiction. I would so love to do only beautiful lines and leave it. Maybe next time.

…the blues…

Excercise 2: A second pair of summer sandals, this time using a speedball pen and Cafe des iles from J. Herbin. Once again just dragged a wet brush over the lines to get a wash, and finished off with some black india ink hatches.

…summer swing…

Excercise3: A pair of Sperry’s…and could I explain the difference in size?  Maybe I have one big foot and one small foot…? Or could it simply be bad observation? Done in a reed pen and plume pen with Sanguine 270, from Sennelier. And after dragging a wet brush over the lines to bleed the colour, I decided to add some washes of Lie de the of J. Herbin. Finished off with some scribblings with a rotring pen, 2,5 .

…Bigfoot…

Excercise 4: Since I had now used up all my summer shoes, I had only my shoe blocks left. Linework in rotring artist pen and washed with a wet brush to bleed the lines. Then decided to splash in some colour with Sennelier’s Sanguine 270 and Lie de the, J. Herbin.

 

…in-and-out…

In the past, I have done a lot of calligraphy work, so I have many speedball pens and nibs that work wonderful for drawing. Added to that, are some reed pens(which I don’t like much), plumes/goose quill pen, which I love to work with, rotring artist pen(Fine), and rotring rapidograph pen, size 2.5.

I enjoy the inks of J. Herbin. They are rich, make for nice washes as well as lines and dry with a nice sheen. I have only recently started working with the J. Herbin inks and they are really beautiful! Wonderful for linework as well as doing bleeding with a wet brush and they are lightfast, can be sealed beautifully…in short, I have nothing bad to say about them! I haven’t yet found a nice dark burgundy red, but Sennelier’s Sanguine 270 is a nice dark red which comes close to what I’m looking for.  All the sketches were done in a spiral watercolour pad, 18x26cm (7″x10″) Fabriano Artistico CP. Below you can see part of my “ink workstation”. 

…hailing efforts…

Coffee shop sketches

When I said yesterday I have nothing to post, I lied. I forgot I had these four sketches, which I did in February, just after France became a smokefree public area country. We are  almost 5 months down the road(why does it feel like more?) and it is still going well and the law is pretty much respected by all. Only nick now is that all the smokers stand right outside the entrance and you thus enter through this haze of smoke, holding your breath, closing your eyes and keeping your hand out in front in good hope you’ll somewhere hit the entrance! Ohh, I’m joking, it’s not reallyh that bad…I’m just happy for having a smokefree interior! Which allowed me in February to enjoy coffee at lenght’s desire in my three favourite coffee spots at the time…it’s changed by now, since I can’t stick to one thing for too long.

 le-duclos1.jpg

…Le duclos…

le-pt-gilles.jpg

…le pt gilles…

le-steven1-03-jan-08-8-25-32-am.jpg

…le steven…

twomen.jpg

…les deux hommes, z

All sketches in moleskine, done with pen and monochrome wash.

Sketchbook exchange sketches

Now that our Flying Pictures Project is a little further down the road and everybody involved had already seen my first sketches posted on our blog FPP, AND since I don’t have much in the form of sketches to post here, AND I haven’t been around much, I thought it good to post my first sketches that were sent off in May. With my theme being “rainbow moments”, I took the first subjects that came into my view that gave me joy and this is what shaped the first two and half pages in my book that went off to Lindsay, and has just landed at Robyn.  So, four more stops, before it arrives back home.

Edited: To see Lindsay’s beautiful addition in oil pastel, see our Flying Pictures Project .

All sketches done in our handmade concertina sketchbooks with rotring pen, pencil and watercolour.

Sketches from Dordogne and Perigord, France

We just came back from visiting the Dordogne area in France. The first sketch was done in Brantôme, while we were lunching on a baguette and saucisson among the ducks next to La Dronne.

 

…lunch with the ducks…

There are many “pigeonniers”, circular or square in the Périgord and Quercy. Before 1798 it would be only the owners of plenty of land, who were fortunate enough to own pigeonniers…used for fertilizer. They were elegantly attached to houses or were loose standing and elevated to prevent humidity.

.

…mon pigeonnier à Sarlat

…mon pigeonnier à Rocamadour

..colour in the streets of 8th century, Turenne…

…a monochrome view on the ruines of le chateau de Turenne…

First 4 sketches done in pen and watercolour in sketchbook, and the last sketch is done in rotring art pen and wash.

 

Bill on a bicycle

I’m doing a portrait exchange with Bill. He’s been waiting very patiently for me. Thank you Bill! See how great he did my portraits here!! Not fair that he does so well and I am struggling!

As I say, I’ve been struggling. I started off today with just a contour drawing, which got filled up a bit more than just a simple contour. Then I did another one and another…and then jumped on my bicycle and went for a ride.

contour drawing, rotring pen on paper, 29,5×42 cm

I have new bike, a very cute one. Based on the old “Hollandais city” style. Up until now I’ve used an old bicycle which had me running just as I thought I was pedalling well away. Or I was on Liandri’s mountain bike, with my behind way up in the air and my head almost down between my knees. I sort of feel at this age, I would prefer my “derriere” closer to earth and my face “lifted”. So now I look very elegant, with my back straight and my hair in the wind.

…wizard of oz…

rotring pen and watercolour in Artistico sketchbook, CP, 18x26cm(7″x10″)

When I came back, my head felt clear enough to give Bill another go.  Put in some shadows this time. It doesn’t really look like him. And before I attempt a painting, I have to get the drawing right first. He has very intense eyes and I make him glare from the page. So, I have more work to do. More cycling to do.

inkdrawing, rotring pen on paper, 29.7x42cm(11.7×16.5″)