A still life and a plein air in oil;

Yesterday was cold and grey and it was unpleasant being outside, so a still life was my choice of duty. I felt much better after completion of the still life; Not sure whether it is was the fact that I painted, ot the bright yellow of the suflowers. Probably a good mix of both.

Two sunflowers

oil on board, 20X15cm

sunflowers

 °°°°°°°°°°°°°°°°°°°

Two chairs

oil on board, 35X24cm

two chairs

Today was sunny and warm and pleasant. No question. A plein air was on the the to-do-list. The garden is in a state of neglect with us working on the house and the cottage the last few months. I think the painting perfectly reflects the charotic character of my unkempt garden of late.

à bientôt

Ronell

Three still life oil paintings.

Winter is approaching and time will be spent more in the indoor studio than outdoors. It is the perfect time to do still life and interior sketches-and paintings. Neither still life nor interior painting is my strong suit, so my project and goal for this coming winter is including these genres in my everyday painting.

The first little still life I did, wasn’t too bad, even though my strokes were all over the place. But from there on it was downhill all the way, until just suddenly things changed for the better. I started having so muchfun, that I can’t understand why I haven’t done it sooner.

Bowl and eggs.

oil on board, 20×20 cm

bowl with eggs

Bowl and two pears

oil on board, 20×20 cm

bowl with 2 pears

Bowl and black grapes

oil on board, 20×20 cm

bowl with black grapes

à bientôt

Ronell

 

 

 

 

Two chickens and a dog in oil.

We have had rainy weather lately, not to mentions storms causing trees to fall and roofs to fly.I am eager to get outdoors to paint plein air, bu in the meantime I honed my skills a bit with animal painting. My chickens, Omelette and Rembrandt and our German shepherd Lindiwe.

Omelette

oil on board, 30x40cm

Omelette in oil

Blocking in shapes for Rembrandt

Rembrandt inoi

Rembrandt

oil on board, 30x40cm

Rembrandt in oil, 40x30cm

Lindiwe

oil on board, 30x40cm

Lindiwe in oil, 30x40cm

blocking in shapes for Lindiwe in oil

Lindiwe in oil, 30x40cm-001

on the easel

Lindiwe in oil, 30x40cm-002

La Dordogne and a walnut grove: catching autumn colours 4.

The Dordogne is such a beautiful river and with the walnut groves just beside it makes for magnificent scenery, especially in October with its multitude of colour.

I am still doing landscapes “the new way”;, although I am beginning to think it isn’t the real me. My sketches are much more loose and more spontaneous, albeit not always pretty and correct. But it is me. The landscape sketches I am doing lately feels more like small paintings done in sketchbooks. They are much more detailed and take much longer than my usual way of sketching. I am still enjoying it though. Maybe I will find that golden median between sketching like this and my usual style..

..la Dordogne in October

watercolour and pencil in A4 sketchbook

la dordogne0001..walnut grove..

watercolour and pencil in A4 sketchbook

Walnut grove..à la prochaine..

Ronelle

Landscape sketches..catching October colour.

I am in the mood to do landscape paintings in watercolour, which is a challenge for me, because I paint corners of landscapes, not full, wide scapes. so I set off this week with a collection of sketchbooks in different sizes and pages and a whole arm full of mediums and I  went sketching. I just sketched. Again and again. Some little sketches are awful, others not too bad. I do find it difficult, so I still have a lot of sketching landscapes to do. So. Voiilà. A few of my landscape sketches. In a next post I will show some more and embroider with more détail on my experiences.

les fardines

landscape study 1

I did this sketch at the bottom, after I decided that I didn’t like the one I did above. Then I liked this one even less. but by this time I was fairly tired, so I think the mood and energy to do a decent little sketch, left me.

landscape study 2

At home, I just scribbled a few things around me, while we were at the barbecue. they wer done in graphite and a little charcoal here abd tghere.

Graphite, charcoal sketches 2 Graphite, charcoal sketches à bientôt

Ronelle

Two new plein air paintings

So two new plein air paintings are almost dry.

I started off with doing paintings just around the house..familiar ground..juts to get my confidence back. I can’t start off new with concentrating on all the aspects of plein air techniques, as well as handling people watching. The most difficult part of getting back into it, was staying with large shapes and not moving into picky painting. To help me with that, I had a limited palette of 6 colours and only two large flat brushes – a large one for getting down the main shapes and a slightly smaller one towards the end, getting down the impressionistic strokes.

…four à pain..

oil on linen, 24X33cm

Four à pain 27-07-2013 12-13-08 2699x3252

I almost gave up halfway through the first painting(seen below), since I couldn’t recognize any thing on the canvas at that stage, but I knew I would sulk for the rest of the month, so I had no choice but finish it. I am fairly happy and I know the process will just get better from now on… given that I continue painting of course!

..la route..

oil on board, 33X42cm

La route 27-07-2013 12-14-54 2535x3509

I just realized once again…it isn’t the completed painting that gives me the biggest kick, but the process that leads up to the end result. Now that I have some two or four paintings finished, busy drying, my biggest excitement is not seeing them in completion on the easels, but feeling the itch to start a new canvas.

Two..or maybe three eggs in watercolor.

Eggs. Easy to draw. Difficult to paint. but satisfying, because one can play around a lot with painting eggs..or the suggestion of eggs. Sometimes it works.  Sometimes not.

..three eggs 1..

in watercolour and pen on Fabriano watercolour block, HP, 23×30,5cm

..three eggs 2..

in watercolour and pen onArches watercolour block,CP, 18x26cm

..three eggs 3..

in watercolour and pen on Fabriano watercolour block, HP, 23×30,5cm