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Posts tagged “oil

Hyacinths in oil.

I don’t have hyacinths in the garden, but I bought some forced bulbs and they ere just beautiful at their peak.I sketched them in watercolor, but struggled. So I left it for a while. Slowly but surely the blooms began to topple over, like hyacinths do and they started turning brownish in their color. no waiting anymore, I had to paint or lose them.

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White hyacinth in watercolor

hyacinths-2017

white hyacitnths

oil on board, 33X40 cm

white-hyacinths-in-oil


Fall chrysanthemums in oil.

The chrysanthemum is the flower of the moment. all along pathways, in gardens, on balconies, in public parks, they accentuate the splendor of  autumn color. The warmth and depth of ochres and siennas.

Fall chrysanthemums

oil on board, 40x40cm

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Fall bouquet of chrysanthemums

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Preparation for fall chrysanthemums

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à bientôt

Ronell


Six roses in oil.

OK.  I now creating needs to happen in uneven numbers for optimum composition and harmony…3,5,7, etc. Somehow I didn’t add the 7th rose. So now I only have six.

Six roses in oil

Oil on linen, 45x55cm

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Painting in process

six-roses-in-oil-001

à bientôt

Ronell


Roses in the garden.

Painting flowers doesn’t come natural to me. But I never realized how much I will enjoy it. Especially when I can do it outside. Painting outside just has some magic to it, which only a plein air artist will understand. My plein air work is always much better than my atelier work, more intuitive, more spontaneous. My biggest problem is leaving the painting as it is AFTER I have returned to the atelier. I forget that I am an artist and I turn into a plastic surgeon. I see a little something that needs “lifting” and so I begin to I nip and tuck this beautiful plein air work up to a point here it becomes totally unrecognizable. I lose that fresh plein air touch and I end up with tired and overbotoxed painting. Sigh…

Generosa carmeline

oil on linen, 33x47cm

This is the completed painting I carried from the garden to the atelier. I was happy.

rose-generosa-carmeline-004

Roses 1: The first steps – getting in the shapes and the darks for shadows. A white canvas always threatens me, paralyzes me. This is a perfect way for me to lose that fear of the white surface I have to fill.

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Roses 2: Almost done

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Roses 3: Painting completed.

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Roses 4: Back in the studio, the artist got kidnapped by the plastic surgeon and the painting transformed completely. All my hard work in the garden, my lovely strokes, the depth in my blooms…all gone.

rose-generosa-carmeline

And so another painting had been a lesson learnt the hard way.  Studio painting is studio painting and plein air painting is plein air painting, basta.

à bientôt.

Ronell

 


Yellow and red nasturtiums in oil.

My garden is starting to run empty of flowers. A few roses and the nasturtiums are still hanging on though. We had  a sudden spurt of cold and rain last week which gave the nasturtiums quite a knock and I hastily had to pick them before I had nothing left. So, painting was done in the atelier…not the same as painting sur le motif in the garden.

Yellow nasturtiums

oil on linen, 30x50cm

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nasturtiums-in-yellow-and-red

Red Nasturtiums

oil on linen, 30x30cm

cappuncine-rouges

nasturtiums-in-yellow-and-red-002

à bientôt

Ronell


September 26: Three chickens.

It is very very hot and humid. Everybody is moving around like limp fish. The horses are in permanent rest under the apple tree, the cats don’t lift an eyebrow when I walk past the them and even the chickens lay motionless in the shade of the hibiscus bush. I was busy, or trying to be. I took down washing, hung the next basket full, every time walking past the chickens. When they didn’t move when by the third pass, I thought they might just keep that pose for another 30 minutes. Et voilà, indeed they did, or almost. This was fun.

..Three chickens..

oil on board, 30x30cm

three chickens 25-09-2013 17-06-57 2964x2979

.à demain..

Ronelle


Two new plein air paintings

So two new plein air paintings are almost dry.

I started off with doing paintings just around the house..familiar ground..juts to get my confidence back. I can’t start off new with concentrating on all the aspects of plein air techniques, as well as handling people watching. The most difficult part of getting back into it, was staying with large shapes and not moving into picky painting. To help me with that, I had a limited palette of 6 colours and only two large flat brushes – a large one for getting down the main shapes and a slightly smaller one towards the end, getting down the impressionistic strokes.

…four à pain..

oil on linen, 24X33cm

Four à pain 27-07-2013 12-13-08 2699x3252

I almost gave up halfway through the first painting(seen below), since I couldn’t recognize any thing on the canvas at that stage, but I knew I would sulk for the rest of the month, so I had no choice but finish it. I am fairly happy and I know the process will just get better from now on… given that I continue painting of course!

..la route..

oil on board, 33X42cm

La route 27-07-2013 12-14-54 2535x3509

I just realized once again…it isn’t the completed painting that gives me the biggest kick, but the process that leads up to the end result. Now that I have some two or four paintings finished, busy drying, my biggest excitement is not seeing them in completion on the easels, but feeling the itch to start a new canvas.