Hyacinths in oil.
I don’t have hyacinths in the garden, but I bought some forced bulbs and they ere just beautiful at their peak.I sketched them in watercolor, but struggled. So I left it for a while. Slowly but surely the blooms began to topple over, like hyacinths do and they started turning brownish in their color. no waiting anymore, I had to paint or lose them.
White hyacinth in watercolor
white hyacitnths
oil on board, 33X40 cm
Yellow and red nasturtiums in oil.
My garden is starting to run empty of flowers. A few roses and the nasturtiums are still hanging on though. We had a sudden spurt of cold and rain last week which gave the nasturtiums quite a knock and I hastily had to pick them before I had nothing left. So, painting was done in the atelier…not the same as painting sur le motif in the garden.
Yellow nasturtiums
oil on linen, 30x50cm
Red Nasturtiums
oil on linen, 30x30cm
à bientôt
Ronell
Three white roses and a dahlia in oil.
The Iceberg roses(fee des neiges) are still blooming profusely with a few white button dahlias alongside. Even though I brought A stm or two insife to the atelier to paint, I wanted to portray them as if still in their natural environment…a corner of the rosebush.
Three white roses and a dahlia in oil.
oil on linen, 30x30cm
à bientôt
Ronell
Late season hydrangeas in oil.
It feels so great to work in oils again! It is and will always be my first love. I neglect it far too much. In fact, there a lot of things I neglect too much. Anyway…
My hydrangeas are at the end of their summer colour. they were beautifully white and I had dark pinks. The whites turned to greens and the pinks to this beautifully seductive deep burgundy. Some really suffered from the hat and drought of August and crumpled into brown and black splotches among the greens and magentas. I love these colors…rich and old and weathered.
hydrangeas set-up in atelier
Hydrangeas 1
oil on linen, 55x45cm
halfway through hydrangeas 1
Hydrangeas 2
oil on linen, 45x33cm
halfway through hydrangeas 2
I am more impressed with the halfway through hydrangeas 2 than with the completed painting. At this stage I wanted to stop, but just wanted to do a touch more to the surrounding greens. Before I could stop myself, I added touches all over and the painting completely changed. So much for being happy with the painting before adding touches..
Until next time
Ronell
A tomato, half an orange and a bunch of garlic in oil.
I only realized this morning that February has almost had it. I am still going strong with my little food studies and by now it has become a habit to do a little food study or even 2 a day. It is all still about the brushstroke. The best ones will be put up on my website, Ronelle’s art for sale after February and I will continue doing these studies…great exercise.
..a tomato..
oil on linen, 20x20cm
..half an orange..
oil on linen, 27x19cm
..a bunch of garlic..
oil on linen, 27x22cm
Until next time
Ronelle
A turnip, two spring onions and five gooseberries in oil.
These little studies !i do for February are really testing me. Sometimes I finish a canvas, stand back, look at it and it horrifies me! I then put it way back in the darkand when I come back to it a day or so later, I find it not so bad after all.The painting fairy passed by and touched it with her magic wand.
..turnip..
oil on linen, 20X20cm
..two spring onions..
oil on linen, 33X24cm
I am a little under the weather since last Friday and feel tired, mentally and physically. The gooseberries were a bigger challenge than usual and if the Painting fairy hadn’t stopped by and woven her wand over it, you might not have seen it.
..five goosebrries..
oil on linen, 41X26cm
Until next time
Ronelle
An orange, a branch of dates and a fennel bulb in oil.
Our weather has suddenly changed from grey and rainy days into explosions of sunshine. Of course it makes me want to go into the fields for plein air painting. But I am restraining myself and keeping to my goal and project for February. Fruit and vegetable practicing in oils. I have had quite a few bloopers, but then there was/is also the successes, however small they may be. And of course, the process. Always the process. I love pushing oils around on the canvas and as it turns out, I even enjoy doing it in still lifes. I love the liveliness of a brush stoke, the vibrancy of contrasting colour, the depth of values, the brilliance of the oils. I love it all.
..orange and leaves..
oil on linen, 26x22cm
..fennel bulb..
oil on linen, 20X20cm
..branch of dates..
oil on linen, 26X22cm
à bientôt with more fruit paintings in oil..
Ronelle
