Sketches of old Fench soupiere and plates.

I love my old French tableware…soupiéres, platters, plates, bowls and other dishware. Sketching them is quite challenging though, since they have such nice old patinas that I would love to capture. The only way for me to get that is to use different media. In the 2 sketches below, I used J. Herbin inks, De-Atramentis inks, watercolour, watercolour pencils, nib pen, pilot prera pen and gouache. I think I sort of got some patina on the dishes..

The sketches below are an old French soupiére, a Polish jug with my chickens’ feathers that I stick in at will.The second sketch is an old French platter and oval plate.

French soupiére and Polish jug

mixed media in Stillman & birn sketchbook, epsilon series14X21.6cm

french soupiére

Old French platter and plate

mixed media in Stillman & Birn sketchbook, epsilon series14X21.6cm

old french platesà la prochaine

Ronelle

Oil painting

A few days ago I painted this corner of the Loire in oil.  Unfortunately I fiddled with it afterwards while it was standing on the easel in the atelier to dry, resulting in losing some great first strokes and giving the water this almost “swimming pool” colour. Knowing well I have this addiction, I normally hang a painting immediately on the wall when done and then I don’t touch it…on the easel however, I always see something that needs fixing!

…ombre et lumiére..

ombre-et-lumiere1oil on canvas, 30×30 cm (11.8×11.8 in)

I am leaving for Coin Perdu in Correze for about three weeks, which will be sort of a solitary retreat. And since I’m leaning towards oil painting for now, I’ve decided to pack all my oil stuff for some plein air painting for which the opportunities and subjects there are boundless. So I had a stack of boards, in different sizes, cut at my hardware store, and prepared them at home with  first  a coat of acrylic primer, then a coat of mixed gesso and modeling paste and lastly a coat of gesso. (after the method by David Curtis).

Some years ago I played around with modeling paste on canvases and several other surfaces, as can be seen in the next two paintings. Given a coat of gesso or acrylic primer, it provides a nice textured surface for some expressive work in oil  and other mixed media.

…urn 1, mixed media on canvas…

urn1

…detail of texture(with modeling paste)..

detailurn1

…urn 2, mixed media on paper…

smallurn

…detail of texture(with modeling paste)

smallurn-detail-21

…pineapples…

pineapplesoil-12-13-2008-3-20-52-pm

oil on canvas, 30×30 cm.

…detail of texture(with modeling paste)…

pineapplesoildetail