I still have 2 days left to capture some bulbs. Not that it means we are in spring. On the contrary, with snow forecasts for this weekend en cold to the bone weather and the fire burning high in the fireplace, it is everything but spring. Inside my barn though, I have forced bulbs everywhere and tulips in vases. Nothing can stop me from bringing some spring inside.
I used lots of different mediums and styles, just simply playing around, messing around. I enjoy working with gouache, I don’t do that enough, so it was great to do some sketches with gouache today. the last image is one of the gouache sketches..but I ruined it of course with that enormous name I signed…tried to be too artistic…
..contour lines with black Lamy safari pen on Fabraino watercolor block HP, 18×25.5cm
..watercolor and J. Herbin ink, café des iles in Stillman & Birn sketchbook, Epsilon series, 14×21.6cm
..watercolor and in Stillman & Birn sketchbook, Alpha series, 22.9x15cm
..gouache and black Lamy safari pen on Fabriano watercolor block, HP, 18X25cm
I have a tendency to become tight the more I work. It is just one of those inevitable things. So I often have to change mediums and styles and experiment in other ways to loosen up again. I have notice with my sketching that I have become tight again. Normally I would change to oils and go do some plein air which helps, but with the bad weather, I had to divert to other options. As I was watching the horses walking all over our well the other day, I saw a contrast of grey sky and a line of white lace flowers and the green fields and it stirred the desire to put that onto paper by using the opaque gouache, a medium I quite like, exactly for its “experimental” qualities. It opens up possibilities to take it further into oils.
The following gouache experiments were all done in sketchbooks
After sitting outside, I moved in, bringing in some of the woildflowers now in seaspon and trying to create the broad bands of colour..the greens, the blues and of course the shapes, not worrying too much about authenticity. It was all just about colour and application with a loose wrist and finally some line squiggles, which I always love. For the dark lines I initially used inks, but it didn’t work too well on top of the gouche, so I used a dark mixture(which I alwyas use in oils for black) of Burnt unber, alizarin crimson and french ultramarine which always gives a rich dark black.
with this experiment, I used the gouache much more diluted to get more “wispy” horizons as a back drop for the lace flowers. Well, I don’t know what those funny linework at the bottom is all about, but at the time I felt in the mood for it.
This was a lot of fun and really something I will explore deeper, maybe on much lager scale with oils..and added animals…Many options in fact.
My very late postcard to Bridget consisted of geraniums, done way back when it was still summer.
-pen and watercolour on watercolour paper-
..summer geraniums in gouache and pen, on handmade paper..
Our post card exchange has now come to an end, sadly, but maybe we have something new in the pipeline.
I sent Desiree horse sketches ..she and her family had horses at an earlier stage. Our two Comtois horses were my models and the sketch on the envelope I did from one of those sketches.
gouache and pen on envelope
Gaitchi and Gubi
done with pitt artist pens in sketchbook
For my postcard to Pat, I was in Vayrac, handing in all my old linen to be washed and went for a coffee. Afterwards I looked over the rooftops and realized I haven’t done such a postcard yet. So there. The rooftops of Vayrac for Pat.
..rooftops of Vayrac(envelope)..
done in gouache and pen
..rooftops of Vayrac..
done in pen and watercolor on Daler and Rowney watercolor paper CP, 25,4×17,8cm
My August postcard to Charlene – 1150 words was done on walk around Coin Perdu. At the moment the berries are plentiful and the birds are having a ball.
I chose to do the drawing of berries for Charlene on some papyrus. I love old papers, old scripts, old books, old letters …it has a charm that we don’t find anymore in our contemporary life. The papyrus is definitely not easy to write or draw on and I have a renewed respect for the patience and dedication , not forgetting the love someone puts into a beautiful writing. I’m thinking here of my friend Dana…drop by Ginger parasol to see the beautiful cards she designs and writes!
..watercolor and pen on papyrus…
…some berry sketches of previous posts…