Is it fair to say in April that it is too hot to work? We have a blistering afternoon here at Coin Perdu and it REALLY is hot in the sun. No complaints from me though. I took a break to do some sketches of the olive trees and a few other nick-nacks waiting to be planted in the garden…on a cooler day!
...gardening at Coin Perdu…
watercolor and pen on Fabriano artistico watercolor block HP, 18x26cm.
There is always something to pick up on a walk and take home to sketch, especially on a rainy day like we had today. I picked up a few twigs and leaves..which are always good to sketch. Leaves in winter have fascinating shapes which make up for their overall monotone brown color.
I also sketched some scampi and prawns, which are normally a translucent, greyish color, but turn red after cooking. Unfortunataly I couldn’t put these to mouth after sketching them..it felt a bit too “cannibalistic” to eat them after studying them so up and close…
..all sketches done in Fabriano artisico water color sketchbook, 18x26cm, with inks and watercolor..
…scampi and prawns..
..dry leaves of “Platanes” (Sycamore)tree and moss covered twig..
..a variety of seeds, leaves and twigs..
..bon week-end et à la prochaine fois..
Ronell
Joyeux Noël 2010!
Watercolor and pencil on Fabriano watercolor paper, 31×23 cm.
Painting this “fennel salad” yesterday made me realize how easy it is to lose some skills when they are not constantly excercised. Like our bodies, they become soft and flabby, sluggish and lazy and it takes work and discipline to get them back into shape. Such is the state of my current painting skills.
Painting done in watercolour on Fabriano artistico HP extra white, 30x23cm (11.8″x9″)
…fennel, pear and onions…
Not actively painting or drawing for more of two months had a paralyzing impact on my creativity, self confience and hand-eye coordination. I could clearly feel en see it in this little painting above. My wrist feels stiff and my hand feels disconnected from my brain. Or maybe it is the opposite; my hand being too connected to my brain, restricted by reason and not able to take its free course. I clutch my paintbrush in an iron grip and lock my jaw in frowned concentration. I zoom in on details and am afraid of taking risks. I hesitate on choice of colour and paint hesitantly with the tip instead of the stroking the whole brush.
Trying to do a waterscene painting, resulted in a complete catastrophe. It made me think of my professor years ago, who told me in first year graphichs, I couldn’t draw. So, remembering his “cruel-to-be-kind” teaching, I took some cheap pilot black ink and drawing paper and my chair and took off to the river this morning. It was time to once again, heed the professor’s words of years ago and get back to basics. Here is one of the drawings I did by the river this morning.
If interested, the rest can be read and seen over at Watermarks.
…with sticks and stones…
pilot black ink on drawing paper, with natural materials, found on the ground.
…drawing tools…
I have an exciting event happening in Corréze on Saturday, which I’ll talk about later. And on Monday I’m leaving for Helsinki for 3 days. I’ll be in contact when I’m back end of next week.
I captured (tried to!) a corner of the Loire just after we had floods coming past this way a week ago, sweeping the trees and branches and all kinds of debris across the river, leaving us with gray and turmoil water. This is a corner under the overhanging trees. I never try to catch the realism in a scene, but rather the motion and emotion. The water is much calmer than it is portrayed here and much darker. More sinister. My contrasts could’ve been stronger and my shapes more linear. This was done from a few photos I took. I’ll have another go at it again sometime, probably rather on the spot, which gives a painting so much more spontaneity, and the atmosphere does get carried over onto the paper. Not that it is so much fun sitting there in the mud, in the cold, in the wet next to the water…but I’ve been complaining so much lately about missing nature, being wild and free with the animals, that I should zip my mouth now and sit my sit…
…disquiet…
Done in watercolour and pen lines added afterwards on Fabriano artistico watercolour block HP extra white, 30x23cm(11,8″ x9″)
The hydrangeas in my garden are supposed to be blue, but the soil doesn’t play along. They start out with tints of blue and then turn a dark, bright pink, almost red. It makes for a very pinkish/reddish painting, but at least I had fun doing it.
This was done with watercolour on Fabriano artistico, HP extra white, 23×30,5 cm.
…hydrangeas, red and blue…
I also want to thank Mark from Paper Raven Art, Pamyla from Musings and Maggie from Scquiltaddict, for this award. I really appreciate it.
Like everybody else, I also would like to pass it on to so many people and since I feel I can’t stop at five names, I decided that I would this time like to pass it on to Cathy G at Asketchintime, who does beautiful art, experiments with all kinds of media, who often tries new directions, new techiniques, new approaches. She is an inspiration as well as a supportive friend. No obligations Cathy!
Africantapestry 