I don’t have hyacinths in the garden, but I bought some forced bulbs and they ere just beautiful at their peak.I sketched them in watercolor, but struggled. So I left it for a while. Slowly but surely the blooms began to topple over, like hyacinths do and they started turning brownish in their color. no waiting anymore, I had to paint or lose them.
White hyacinth in watercolor
oil on board, 33X40 cm
My garden is starting to run empty of flowers. A few roses and the nasturtiums are still hanging on though. We had a sudden spurt of cold and rain last week which gave the nasturtiums quite a knock and I hastily had to pick them before I had nothing left. So, painting was done in the atelier…not the same as painting sur le motif in the garden.
oil on linen, 30x50cm
oil on linen, 30x30cm
The Iceberg roses(fee des neiges) are still blooming profusely with a few white button dahlias alongside. Even though I brought A stm or two insife to the atelier to paint, I wanted to portray them as if still in their natural environment…a corner of the rosebush.
Three white roses and a dahlia in oil.
oil on linen, 30x30cm
It feels so great to work in oils again! It is and will always be my first love. I neglect it far too much. In fact, there a lot of things I neglect too much. Anyway…
My hydrangeas are at the end of their summer colour. they were beautifully white and I had dark pinks. The whites turned to greens and the pinks to this beautifully seductive deep burgundy. Some really suffered from the hat and drought of August and crumpled into brown and black splotches among the greens and magentas. I love these colors…rich and old and weathered.
hydrangeas set-up in atelier
oil on linen, 55x45cm
halfway through hydrangeas 1
oil on linen, 45x33cm
halfway through hydrangeas 2
I am more impressed with the halfway through hydrangeas 2 than with the completed painting. At this stage I wanted to stop, but just wanted to do a touch more to the surrounding greens. Before I could stop myself, I added touches all over and the painting completely changed. So much for being happy with the painting before adding touches..
Until next time
Some subject are painted again and again and they never look the same, like sunflowers. I have done sunflowers in 2007, then in 2010, 2011, 2014 and now again. they are just wondeful to paint/sketch…the colour alone gives me huge kick when slapping it onto the paper. Sometimes my painting/sketching didn’t work, but I enjoyed painting sunflowers every time. So, before the season runs out, I need to get some sunflowers done in oil…looking forward to that.
Sunflower 1: Watercolour and pen, watercolour block, 30x30cm
Sunflower 2: Watercolour and pen, watercolour block, 3030cm
The agapanthus in my garden are blooming profusely and beautiful in their blues ad whites. To my amazement I realized yesterday i haven’t painted any agapanthus yet. I gave it three attempts. The first attempt is probably still the best , even though it is not what I am after. Most of the time that I try two or more attempts of the same subject, I find that the first attempt is the best.I have experienced it so many times. I think it is probably an instinctive reaction to what you see for the first time in front of you..in order to capture that is…and as we all know… first, spontaneous reactions are always instinctive.
Agapanthus 1: Not great composition, but the first attempt and probably the best of three.
Agapanthus 2: The values way too dark and the overall effect too messy.
Agapanthus 3: Third attempt and I think it turned out the second best of the three efforts. I quite like the lightness of the blooms, but the overall effect is a bit stiff.
Until next time
When we drove into Paris last week and arrived at Porte d’Italie, I could feel it has been a long time since I have been there. I forgot the traffic, I forgot the speed, I forgot the taxis, the motos…but I haven’t forgotten how much I enjoy going in to Paris. I didn’t do any museums. The weather was perfect and I just wandered the streets, took in the summer ambiance…and I did some sketches of which only one or two were completed, the rest will be finished next time I get to Paris.
Paris 1: The ever recognizable presse kiosks of PAris. this one is in the tree lined Blvd St. Germain.
Paris 2: Resting in the shade by la fontaine Sulpice, just opposite Annick Goutal, where I get my favorite perfume, Eau du sud.
Paris 3: I can’t remember where I did this sketch, since I haven’t noted down anything. I could be somewhere where I stopped for a coffee.