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waterscenes

Koi fish in watercolor

I have been doing quite a few koi watercolors. Some different styles and techniques and sizes.

Some are more loose than others, which is my usual style of painting. I also tried some watercolour techniques, like using masking fluid, different brush sizes but finally decided it is not my way of painting….I prefer only the brush, water and color. I also tried a more true “watercolour painting” style and not my usual washes or loose line work. Once again, I came to the conclusion that it’s just not me. It just goes to show…one can’t really lie in making art. You can perhaps get away with it for a while, but in the long run, the true you needs to surface. It is quite  freeing  to have finally  come to this conclusion: I don’t want to do true watercolor paintings. I just love line and wash.

..koi 1..

watercolor and dip pen and indigo blue HErbin ink, 24X32cm

Ronelle van wyk- Koi fish in watercolor-005

 

..Koi 2..

in watercolor and lamy safari pen, 24X32cm

Ronelle van wyk- Koi fish in watercolor

..koi 3..

watercolor and dip pen and indigo blue HErbin ink, 24X32cm

Ronelle van wyk- Koi fish in watercolor-007

..Koi 4..

watercolor and lamy safari pen in Stillman and Birn sketchbook, 14X21.6cm

Ronelle van wyk- Koi fish in watercolor-002

..Koi 5..

watercolor and lamy safari pen in Stillman and Birn sketchbook, 14X21.6cm

Ronelle van wyk- Koi fish in watercolor-003

..Koi 6..

watercolor and dip pen and HErbin ink(Café et Gris nuage), 24X32cm

Ronelle van wyk- Koi fish in watercolor-004

..Koi 7..

watercolor and lamy safari pen, 24X32cm

Ronelle van wyk- Koi fish in watercolor-006

..Koi 8..

watercolor and lamy safari pen in Daler Rowney sketchbook, 21X29.7cm

Ronelle van wyk- Koi fish in watercolor-001

à bientôt,

Ronelle


Koi studies and painting in oil.

I finally completed one koi painting in oil. But before that, I did some more studies in different mediums. I didn’t really enjoy these koi studies as I should have. I felt a bit like ” eating strawberries in the mid winter” and so I feel out of season with the koi paintings and it influenced the “taste”. But I’m happy that I stuck to it and completed at least one painting. I definitely plan to go to the koi farm in summer, where I can seat myself for a day and really get to work on some series.

..koi, oil on linen, 61x37cm

In  step 1, using terpentineI put down thin washes of burnt sienna for the fish shapes and a thin wash of paynes gray and french ultramarine for the background/water.

.…step 1…


In step 2 I added some colour to the fish, cadmium red and yellow to the fish in the foreground and prussian blue to the back fish, to form the shadows. I started using liquin as a medium to have the oi dry quicker, but still have  an oil shine.

…step 2…

In step 3 I darkened the water with a mixture of paynes gray and french ultramarine and softened the shadow marks I made on the yellow fish. this was my first mistake, because I made mud. I left it to dry completely, so I could rework it…the oil was still thin enough to redo without removing the paint.

…step 3…

the last stages was all about adding colour and depth to the fish bodies and depth to the water , while using the same colours I’ve used in the previous steps, with the addition of ochre, raw umber and white.

…koi completed…

When doing the studies for this koi project, I worked mostly from photographs, using about 20 different photos, building my own scenes. I really found it difficult to render the koi in an interesting way. I feel I can do better, which is why I will patiently wait for the koi season to open and I can go and study them in real life.

I also felt that they ask for something a little more abstract or expressive than mere realistic rendering. In the following studies I tried to present them on the page in a little more interesting way. I found it quite exciting and I think I can even push the envelope even further in the expressive domain, which makes me more excited about the series of koi than I was when I started out.

In the meantime, I have a lobster and crab and mussels and oysters and several other shellfish in my freezer, waiting to be sketched and painted and studied. Maybe a new series of sea creatures? So hang around if you’re interested in seeing what will surface – it will be a surprise for me too.

…koi study in charcoal on paper, 22x15cm…


…koi study in graphite on paper, 22x15cm…

…koi study in oil pastel on paper, 22x15cm…

Also posted on Watermarks.

..à bientôt…

Ronelle


Koi studies in watercolor

When we went to Hawaii last year, I took hundreds of photos of the koi ponds. It is one of the MOST relaxing pastimes…just sitting and watching those koi’s play. I did only one sketch of them in the time we were there, but I took  hundreds of photos and for the rest of the time, I just stared at them.

I’m on the “search” lately, not knowing exactly where I should go art wise. There so many different directions that give me joy and I’d like to continue doing them all, but I would also like to accelerate in a specific field…not be so all over the place as I am currently. As the weather is a bit bad lately and it is raining a lot, chances to go and do plein air are scarce.  I was looking through my Hawaii albummorning and came across these koi photos and the joy of sitting there and watching them(in the SUN!!) had me take them all to the atelier. This is my latest. I want to do some koi paintings, eventually in oil, but first some studies in watercolor, which to me is a far more difficult medium than oil.

Also posted on Watermarks.

All these studies done in pen and watercolor on Fabriano Artistico watercolor paper, CP, 18x26cm.

…koi study in watercolor 7…

A prerequisite for the koi paintings, is that I want movement in the paintings. So I tried in all of the watercolor studies to get movement. These studies are of course done from photographs, something I strurggle with doing, because I get caught up in a tight clenching mode and lose all spontaneity. So I decided to put my earphones on and I listened to Beethovens piano concerto nos 4 and 5 and Piano a la Roque d’Antheron with works by Lizt, Chopin Rachmaninoffto keep me “allegretto and crecsendo“. I think it did work, because looking at these studies, they almost come across as messy and I certainly hope not “tight”, except maybe for number three(koi watercolor 2) which was before I started listening to the music. You’ll clearly see that I still drew and painted “fishy by fishy”.  I did 7 studies, and like with everything else…I started getting better. but now I’m tired of watercolor and going to start doing the koi in oil…let’s say a little serie of koi in oils.

…koi study in watercolor 4…

…koi study in watercolor 2…

 

Now I also need to find a place where I can really study them…their movements( a year ago is too long to remember those kinds of details), their behavior, their mischief and play and capture that onto live sketches. then come back to the studio and NOT procrastinate again, like I’m SO famous for, but paint them immediately.

So, if you’re interested in seeing these koi develop..remember to stop by again!

..à bientôt..

Ronell


January plein air by the Loire

I wish you all a wonderful year with all the low points of last year turned into highlights this year!

Happy 2011


I wanted to start this new year off with a plein air painting, no matter what the weather circumstances were. And I did. I took off this morning with my painting stuff and a new pochade I haven’t used before, to the Loire. The temperature read 2 degrees C. I only had running shoes to wear, because my daughter has my hiking boots in the mountains.

It was very difficult…it took me ages to set up my things, I kept on slipping in the mud, my fingers were numb before I even started painting and I struggled to open the caps and squeeze out the oils. I found the little pochade extremely uncomfortable and clumsy and missed my French easel all the time. I couldn’t open the Liquin bottle and had to run back home to fetch another. I found it comlicated to paint with the muffins and the scarf was choking me and I felt thick and uncomfortable  with my sleeves in the way of the paint, constantly knocking over the mediums. I chose a difficult scene and had an uncomfortable spot in the mud and slighty up a hill. My eyes and nose were constant watery  from the cold and I had to fiddle with tissues all the time, resulting in me arriving home with a face looking like my painting. After 2 hours I couldn’t stand on my numb feet any more and I started doing nonsense on the canvas,  getting so frustrated that I slung my brush way into the distance, in the mud! And then I  decided that I should pack it in.

BUT!! I completed the study. Although I don’t like the painting/study, and although it was an enormous struggle, I am very satisfied that I did it. It is one of my plans for the new year – to get out and paint even if the circumstances are challenging – and I WANTED to start today, on January 1st. Now I only need to get out there often to get used to these difficult winter plein air painting. In the end it is really gratifying and I now know I can do it. I can probably save this study in my atelier if I want to but it serves no purpose. I didn’t get out there today to produce a masterpiece, although I would’ve liked it to be a bit better than it turned out…

..winter loire corner study  1..

..oil on linen, 34x23cm..

**Next time I’ll give my opinion about this easel, because I think it is unfair to give it now after only one time of use. I am too used to my old french easel. This smaller one is a lovely hand made pochade from Ben Haggett.

**I will also say more about my art plans for this year.

Until next time… paint away!