Welcome! Hope you see some artwork that pleases you, if not now, maybe next time…

sur le motif painting

Three still life oil paintings.

Winter is approaching and time will be spent more in the indoor studio than outdoors. It is the perfect time to do still life and interior sketches-and paintings. Neither still life nor interior painting is my strong suit, so my project and goal for this coming winter is including these genres in my everyday painting.

The first little still life I did, wasn’t too bad, even though my strokes were all over the place. But from there on it was downhill all the way, until just suddenly things changed for the better. I started having so muchfun, that I can’t understand why I haven’t done it sooner.

Bowl and eggs.

oil on board, 20×20 cm

bowl with eggs

Bowl and two pears

oil on board, 20×20 cm

bowl with 2 pears

Bowl and black grapes

oil on board, 20×20 cm

bowl with black grapes

à bientôt

Ronell

 

 

 

 


Plein air painting

Nature is always at its best, but in autumn it is simply majestic.

A hazy day

oil on board, 23x34cm

plein air painting

 

landscape plein air 2-7009

On the hill.

oil on board, 40×31 cm

landscape plein air 4-4403

 


Two chickens and a dog in oil.

We have had rainy weather lately, not to mentions storms causing trees to fall and roofs to fly.I am eager to get outdoors to paint plein air, bu in the meantime I honed my skills a bit with animal painting. My chickens, Omelette and Rembrandt and our German shepherd Lindiwe.

Omelette

oil on board, 30x40cm

Omelette in oil

Blocking in shapes for Rembrandt

Rembrandt inoi

Rembrandt

oil on board, 30x40cm

Rembrandt in oil, 40x30cm

Lindiwe

oil on board, 30x40cm

Lindiwe in oil, 30x40cm

blocking in shapes for Lindiwe in oil

Lindiwe in oil, 30x40cm-001

on the easel

Lindiwe in oil, 30x40cm-002


Fall chrysanthemums in oil.

The chrysanthemum is the flower of the moment. all along pathways, in gardens, on balconies, in public parks, they accentuate the splendor of  autumn color. The warmth and depth of ochres and siennas.

Fall chrysanthemums

oil on board, 40x40cm

chrysanthemes-in-oil-002

Fall bouquet of chrysanthemums

chrysanthemes-in-oil

Preparation for fall chrysanthemums

chrysanthemes-in-oil-001

à bientôt

Ronell


Roses in the garden.

Painting flowers doesn’t come natural to me. But I never realized how much I will enjoy it. Especially when I can do it outside. Painting outside just has some magic to it, which only a plein air artist will understand. My plein air work is always much better than my atelier work, more intuitive, more spontaneous. My biggest problem is leaving the painting as it is AFTER I have returned to the atelier. I forget that I am an artist and I turn into a plastic surgeon. I see a little something that needs “lifting” and so I begin to I nip and tuck this beautiful plein air work up to a point here it becomes totally unrecognizable. I lose that fresh plein air touch and I end up with tired and overbotoxed painting. Sigh…

Generosa carmeline

oil on linen, 33x47cm

This is the completed painting I carried from the garden to the atelier. I was happy.

rose-generosa-carmeline-004

Roses 1: The first steps – getting in the shapes and the darks for shadows. A white canvas always threatens me, paralyzes me. This is a perfect way for me to lose that fear of the white surface I have to fill.

rose-generosa-carmeline-001

Roses 2: Almost done

rose-generosa-carmeline-002

Roses 3: Painting completed.

rose-generosa-carmeline-003

Roses 4: Back in the studio, the artist got kidnapped by the plastic surgeon and the painting transformed completely. All my hard work in the garden, my lovely strokes, the depth in my blooms…all gone.

rose-generosa-carmeline

And so another painting had been a lesson learnt the hard way.  Studio painting is studio painting and plein air painting is plein air painting, basta.

à bientôt.

Ronell

 


Yellow and red nasturtiums in oil.

My garden is starting to run empty of flowers. A few roses and the nasturtiums are still hanging on though. We had  a sudden spurt of cold and rain last week which gave the nasturtiums quite a knock and I hastily had to pick them before I had nothing left. So, painting was done in the atelier…not the same as painting sur le motif in the garden.

Yellow nasturtiums

oil on linen, 30x50cm

nasturtiums-in-yellow-and-red-001

nasturtiums-in-yellow-and-red

Red Nasturtiums

oil on linen, 30x30cm

cappuncine-rouges

nasturtiums-in-yellow-and-red-002

à bientôt

Ronell


Late season hydrangeas in oil.

It feels so great to work in oils again! It is and will always be my first love. I neglect it far too much. In fact, there a lot of things I neglect too much. Anyway…

My hydrangeas are at the end of their summer colour. they were beautifully white and I had dark pinks. The whites turned to greens and the pinks to this beautifully seductive deep burgundy. Some really suffered from the hat and drought of August and crumpled into brown and black splotches among the greens and magentas. I love these colors…rich and old and weathered.

hydrangeas set-up in atelier

hydrangeas-in-oil-004

Hydrangeas 1

oil on linen, 55x45cm

hydrangeas-in-oil-001

 

halfway through hydrangeas 1

hydrangeas-in-oil

Hydrangeas 2

oil on linen, 45x33cm

hydrangeas-in-oil-003

halfway through hydrangeas 2

I am more impressed with the halfway through hydrangeas 2 than with the completed painting. At this stage I wanted to stop, but just wanted to do a touch more to the surrounding greens. Before I could stop myself, I added touches all over and the painting completely changed. So much for being happy with the painting before adding touches..

hydrangeas-in-oil-002

Until next time

Ronell