The potted bulbs all have some flowers and today the little Iris reticulata had its turn. Some quick line work in inks and blotches of watercolor was all that I was in the mood for.
..Iris reticulata 1..
..watercolor and J. Herbin ink(bleu myosotis and lie de the) on Fabriano HPwatercolor block..
The top sketch was done on Fabriano hot press watercolor paper, my favorite and the inks just work beautifully with the nibs and inks. The bottom sketch on cold press was a different story. The nibs get stuck on the paper with its rough texture and I just don’t like any other paper than hot pressed. you can just look at my signed name to see how I struggled to get a fluid line down.
..Iris reticulata 2..
..watercolor and Sennelier ink(sanguine 270) on Fabriano CP watercolor block..
I love old things. Things worn with time and loaded with stories. Old cups, old jugs, tins, doilies from Maman, teaspoons…And so today I sat by my table and sketched all these old things.
..Watercolor and pen in large Daler and Rowney sketchbook, 21x29cm..
While we are in the barn, I don’t have an art atelier, so in fact the whole barn is my atelier! I have a large table just behind our little sitting corner where I work when doing watercolors or drawings etc. All the brushes and pencils and pens are at hand in copper containers. Behind me(not seen on photo)is the large easel for when I do painting and all the oil pants are stored on a trolley which I store under the table. So, in fact, it works! One doesn’t need a fancy art atelier to do art! A little corner will do. I hope you too have your little corner, even if it is a corner of the kitchen table!
..my art corner..
I am a lazy person. There you have it. My biggest secret revealed. If I don’t have deadlines and projects and goals, I fall in a slumber of doing less and less and less until I start enjoying doing less. In summer that can happen very easily with the holidays and lazy summer days, lingering by the pool…. So I decided to do some regular August sketching and get back to those sketches I haven’t done for months, years even. No summer laziness for me then, but pens and inks and aquarelle en all these new sketchbooks I’ve ordered and papers waiting to be turned into sketchbooks.
I use the rotring art pen quite a bit, and the ink allows me to add a little water(not too much) to bleed the lines. See the little sketch of the ink bottle below which was done with a rotring artpen.
I also love drawing with inks and especially J. Herbin and Sennelier inks. They are good inks, easy to find and much cheaper than ordering inks from other countries, just for the sake of having inks.
…See, the pens are waiting!…pen and J .Herbin ink, “Café des isles”
My palettes are organized and ready in waiting, mostly comprised of Sennelier and Winsor & Newton watercolor in tubes and pans. The palettes still need more cleaning, but you will never see perfectly clean around my art table..it confuses me completely and I can’t work…too afraid I’ll make mess!
Color chart of all the colors in my palettes. Sometimes I get confused and start using one color thinking it is another, especially if they are close in hue, so it is good to arrange and make sure the right colors are in their right places.
I use about 40 – 45 colors in the larger palette. .which stays at home. Not that I use all the colors every time of course. My tiny travel kit, which I have been using for years now, take about 16 colors which is just perfect.
Colors for my smaller palette…still deciding between some blues and yellows, but I’ll get there. I feel like change sometimes..
In a later post I will cover my use of color and palettes, the inks I love, the pens, pencils…all very simple. I am by far not so prolific and efficient as the urban sketchers or other daily sketchers out there. But more later in the month…this is just to get me started for the month of August.
So until tomorrow…sleep well!
I dug this sketch out of the bin. It ended there along with many others I’m lately not happy with. I feel in an awful slump and nothing seems to work..everything is either too “pretty”, or too perfect or it is just plain bad art. I struggle to find that exciting stroke, or that exciting subject, or even the right medium. I work on small tiny papers and do small tiny challenges. I am in need of freedom and uninhibited expression. I know what I want and what I don’t want..or do I?
I wonder if art can go through menopause…in which case, that is where I would say my art is right now. Going through menopause. I hope it passes soon.
the first one is just pencil contour lines and then of course I didn’t like it and thought colour and pen would make it look better…
watercolor, pencil and pen on watercolor block, HP, 18x26cm
My palette has arrived, I have finished making my first sketchbook and I painted my “homepage”.
The brass palette is handmade and engraved by Craig Young in England. Not cheap, so it meant saving seriously for a few months, which I did religiously. It folds open to hold 16 colours, with mixing pans on either side and at the bottom(not seen), is a ring to hook your thumb through. A brass container to hold water hooks onto the side.
My colours I put in there for now are(from left to right) Naples yellow, Cadmium yellow, yellow ochre(apology, I painted raw umber instead of yellow ochre in the picture!), raw umber, alizaron crimson, cadmium red, burnt sienna, burnt umber, olive green, hooker’s green, ceruleam blue, kobalt blue, french ultramarine, prussian blue, payne’s gray, ivory black. I do play with other colours which I’ll just drop onto the mixing pan. I don’t need a big mixing area, since I prefer mixing directly on paper.
My sketchbook is 19x25cm, which I find ideal for me…big enough to do landscape and architectural sketches and I can do a few quick smaller sketches all on one page and it fits perfectly into my bag(see photo above). I also decided not to cut the paper, but to tear them(See photo below) – I like the ruffle edges they make, it resembles watercolour sheets. I love the rustic, handmade look for a sketchbook.
Along with my palette, I have in my sketchbag a pencil, a rotring pen(.25) a tiny spraybottle to wet the paint, and a travel petit gris brush, size 0. I also got a great idea from Mel Stabin(my favourite watercolour artist)..and started using an old kitchen spatula, with the handle broken off to lift out some whites, which works great, along with an exacto knife which does the same thing, just much sharper highlights.
And here is my “homepage”. I covered my hard outcover on the inside with watercolour paper(Arches CP,185g) as well and painted my “homepage” over the whole of the two first pages. The scene is the back of our home and part of the neighbours, painted from the terrace. I thought it would be a fitting opening in my sketchbook. Now off to start making the rest of my books, with an alteration here and there…maybe embossing my name on the cover and adding an elastic that folds over from the back(like the moleskine)