Sunflowers in France – to sketch and paint

I’m not making the same mistake as with the poppies. The sunflowers are out and I’m ALL over them with eyes brushes and lenses!

I’m posting one or two photo’s here and you can see all the rest of the sunflowers here.

For those who don’t have access to sunflower fields or who are stuck in cities or those who want to work in their atelier, I invite you to download any of these photos and PAINT it, or SKETCH it, or DRAW it. If you want a photo bigger than 500 x 333(what they are posted in here), drop me a note and I can send it to you in bigger format.  BUT PLEASE! these photos are only for those who want to draw or paint it! For any other purposes, feel free to ASK me…I can be a very nice person!

I am off to the sunflower fields myself tomorrow with my easel and paint and will hopefully turn up with something worthy of the sunflower’s exuberance!

Enjoy!!

…sunflowers to paint and sketch…

sunflowers 1sunflowers 2sunflowers 4sunflowers 11sunflowers 19sunflowers 24sunflowers 6sunflowers 17sunflowers 13sunflowers 12sunflowers 9

Painting poppies

When the poppie came into bloom a few weeks ago, I was highly excited. Been counting 365 and a quarter days for them to reappear.

Las year they were spectacular! I spent days with my camera next to these fields, planning to take out the brush and sketchbook next,  but before I knew it, there were only a few late bloomers still standing…

Too late for a painting. Too late for a sketch. Next year is after all, another day.

…poppyfields of Vernou, 2008…

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Next year showed up.

This time I had my act together. My easel was packed. My tubes were sqeezed. The oil was ready to swirl. Until I came to the poppy fields of last year. Not a poppy in sight! Instead, the wheat fields were covering every square inch as far as the eye could see. I drove around a whole morning in search of poppies to paint, heavily disappointed in myself for not taking an opportunity when it blatantly flashed itself to me!

I finally came upon a few poppies here and there, but nothing close to the spectacular drama I had seen last year. It was nonetheless an opportunity and I wasn’t going to make the same mistake twice!

…poppie field in Vernou, 2009…

Among the poppies

I parked myself in the midst of the wheat field, in bright sun and delighted in capturing the even brighter burst of reds at the end of the field. My painting doesn’t really meet my expectations and I can’t even blame the poppies of 2009! Hopefully there is another year of poppies waiting for me; or even better, many years!

Life gave me a last reminder about opportunities and all those life – talking stuff, when I packed up and wanted to leave. I backed up into a ditch on the narrow farm road and it took me some thirty minutes and some broken and bent taillights connections… and wheely skidding… and exciting vocabulary to get the point.

…la matinée rouge…

oil on canvas, 41x33cm (16″x13″)

matinée rouge

…detail: click on image to enlarge

detail - matinée rouge-1

..

Sketches on a perfect Friday.

Today was a productive Friday, artwise. Early this morning I took off to paint the poppies plein air. Took the car to Midas for serice.  While Hartman saw to the oiling and fixing, I had 2 hours on my hand, so I walked to the art store to buy Liquin.

They weren’t open yet, so I continued walking to Biocoop, where I always buy my turps – pressed from orange peel. On my way there, I passed by a farm with some geese and remembered that this WALK could serve as my “Sketchercise” contribution  for this Friday.

…attitude…

geese

I usually carry a rotring pen and moleskine in my bag, as well as my compact watercolour palette and brush.

So. Took out the molekine and pen and asked the geese to hold still. They refused and left. Now my sketches look odd.

Sulking, I continued on to the Biocoop, just to find they were not open yet. Everything closes up between noon and 14:00 and sometimes even up until 14:30. The further south you go, the later the reopening in the afternoon…maybe 15:00, but most likely 16:00.

Anyway! I turned on my heels and walked all the way back to  the art store, passing the geese again. Being a bit more sensitive in my approach, I managed to squiggle a few lines before they noticed me and swaggled off.  I shrugged my houlders and turned to a wild rose/prickly rose.

…a second try…

geese2

With my art and bio stuff heavy on my arm and my feet burning from wearing light sandals not fit for walking, I limped off to the nearest bistro for a coffee and water. After a walk up en down of roughly 4 km, I met up with Hartman, plonked in the car, stopped off at the boucherie for a medium rare steak over hot coals for dinner tonight, and kicked off the sandals to let my sorry blisters breathe.

The sun was still invitingly high in the sky. Along with Hartman on our bikes, we set off in  search of a plein air painting spot by the Loire for tomorrow morning, since the sun had promised to be present this weekend. I stole a quick sketch of a fisherman with his back to me. He smiled at me, thinking I was sketching the Loire.

…an unsuspecting fisherman…

fisherman by Loire

I found my painting spot for tomorrow, we enjoyed our peach and Coke, I gave Liandri a lift home on my bike, we lit up the fire, opened a red wine and scorched our steak. A perfect day.

Promenade a Vernou

In April we joined a promenade with friends in Vernou, a quaint little town across the river. It was all about music and poetry and wine. An enthusiastic french crowd showed up – the French love their music and poetry, not to mention their wine;  poems and chorals were orchestrated by our own Mozart on corners of streets, a court jester with his wonky wheelbarrow made fools of life and himself all afternoon, we learnt about bio winemaking in the vineyards, and ended the day with food and wine… how else.

With us leaving for Coin Perdu soon after this promenade, I didn’t have time to post it. Now is as good a time as any.

I’m contributing it to Sketchercise… A Ning group started by Katherine, dedicated to walking/running/cycling, rowing outdoors and sketching!

I can now file this post for futur generations under “A memory of Gramma sketching and walking herself fit…ah, don’t forget the red wine !”

sketches done in moleskine with pen and wash

…le bouffon

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…on y va…

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…notre propre Mozart…

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…dans les vignobles…

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Plein air paintings 1.

We arrived back from a six week stay at Coin perdu, Puy d’Arnac, where we worked a lot, hiked a lot, painted a lot, had friends visiting, so we wined and dined a lot and we experienced a lot.

…la frontiére, oil on board, 30x40cm…

la frontiére

…detail…

la frontiere detail

With no Internet available or rather, we do sort of have Internet, but we are only provided with 56 kb/s by France Telecom which means that we have almost more ancient connection than the old modem system. So forget Internet, we don’t even try. Mobile phones only work on extremely bad mood days. We didn’t experience those. Fixed lines don’t exist, not yet anyway.  No room for television in our barn where we are living for the next few months. Civilized? I don’t know. What does civilized mean after all?  Any way, the only means of communication that exists at Coin perdu are the echoes of our voices across the valleys and woods. Echoes would thus be my means of “phoning” Hartman at the homestead where he’s ripping out walls and floors, to come help me carry my painting stuff from where I’m splashing and splattering  in the woods, or in the hills or by the rivers. He has a fancy manner of whistling that is very distinct in its echo, I can only shout which breaks up towards the end in some sort of falsetto shriek, but it has its echo anyway. Or at least, it has Hartman showing up soon and that’s what counts. May I never have to show off my shriek. We had a friend visiting us who entertained us on his famous Tarzan cry. The echo had all the animals in the forest answering.  And fleeing. A Welsh Tarzan.  How about that. He still has to work a bit on his Tarzan outfit though…

I reveled in plein air painting and sketching, sometimes even completed three a day and I loved every single minute. My wardrobe can testify to that. I have to invest in a completely new wardrobe, but at least I can now stand in front of the mirror and choose my oil stained outfit for the day. Even our steering wheel is a colourful caleidoscope, an original abstract creation of expressionistic finger painting.

More on plein air painting and my personal views on it later. For now, two of my pieces. It took me about two hours each and I had the company of a free spirited dog who we named Scruffy, who goes in search of a willing promeneur on Sundays to walk him, a distinguished monsieur who was walking Scruffy, un pêcheur, who gave up on fishing after a short while and a toad, who looked as if he had just woken up from hibernation.

…l’arbre solitaire, oil on canvas, 20.5x35cm…

collines lointaines

…detail…

ccollines- detail

Oil painting

A few days ago I painted this corner of the Loire in oil.  Unfortunately I fiddled with it afterwards while it was standing on the easel in the atelier to dry, resulting in losing some great first strokes and giving the water this almost “swimming pool” colour. Knowing well I have this addiction, I normally hang a painting immediately on the wall when done and then I don’t touch it…on the easel however, I always see something that needs fixing!

…ombre et lumiére..

ombre-et-lumiere1oil on canvas, 30×30 cm (11.8×11.8 in)

I am leaving for Coin Perdu in Correze for about three weeks, which will be sort of a solitary retreat. And since I’m leaning towards oil painting for now, I’ve decided to pack all my oil stuff for some plein air painting for which the opportunities and subjects there are boundless. So I had a stack of boards, in different sizes, cut at my hardware store, and prepared them at home with  first  a coat of acrylic primer, then a coat of mixed gesso and modeling paste and lastly a coat of gesso. (after the method by David Curtis).

Some years ago I played around with modeling paste on canvases and several other surfaces, as can be seen in the next two paintings. Given a coat of gesso or acrylic primer, it provides a nice textured surface for some expressive work in oil  and other mixed media.

…urn 1, mixed media on canvas…

urn1

…detail of texture(with modeling paste)..

detailurn1

…urn 2, mixed media on paper…

smallurn

…detail of texture(with modeling paste)

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…pineapples…

pineapplesoil-12-13-2008-3-20-52-pm

oil on canvas, 30×30 cm.

…detail of texture(with modeling paste)…

pineapplesoildetail