Fall chrysanthemums in oil.
The chrysanthemum is the flower of the moment. all along pathways, in gardens, on balconies, in public parks, they accentuate the splendor of autumn color. The warmth and depth of ochres and siennas.
Fall chrysanthemums
oil on board, 40x40cm
Fall bouquet of chrysanthemums
Preparation for fall chrysanthemums
à bientôt
Ronell
Roses in the garden.
Painting flowers doesn’t come natural to me. But I never realized how much I will enjoy it. Especially when I can do it outside. Painting outside just has some magic to it, which only a plein air artist will understand. My plein air work is always much better than my atelier work, more intuitive, more spontaneous. My biggest problem is leaving the painting as it is AFTER I have returned to the atelier. I forget that I am an artist and I turn into a plastic surgeon. I see a little something that needs “lifting” and so I begin to I nip and tuck this beautiful plein air work up to a point here it becomes totally unrecognizable. I lose that fresh plein air touch and I end up with tired and overbotoxed painting. Sigh…
Generosa carmeline
oil on linen, 33x47cm
This is the completed painting I carried from the garden to the atelier. I was happy.
Roses 1: The first steps – getting in the shapes and the darks for shadows. A white canvas always threatens me, paralyzes me. This is a perfect way for me to lose that fear of the white surface I have to fill.
Roses 2: Almost done
Roses 3: Painting completed.
Roses 4: Back in the studio, the artist got kidnapped by the plastic surgeon and the painting transformed completely. All my hard work in the garden, my lovely strokes, the depth in my blooms…all gone.
And so another painting had been a lesson learnt the hard way. Studio painting is studio painting and plein air painting is plein air painting, basta.
à bientôt.
Ronell
Yellow and red nasturtiums in oil.
My garden is starting to run empty of flowers. A few roses and the nasturtiums are still hanging on though. We had a sudden spurt of cold and rain last week which gave the nasturtiums quite a knock and I hastily had to pick them before I had nothing left. So, painting was done in the atelier…not the same as painting sur le motif in the garden.
Yellow nasturtiums
oil on linen, 30x50cm
Red Nasturtiums
oil on linen, 30x30cm
à bientôt
Ronell
Three white roses and a dahlia in oil.
The Iceberg roses(fee des neiges) are still blooming profusely with a few white button dahlias alongside. Even though I brought A stm or two insife to the atelier to paint, I wanted to portray them as if still in their natural environment…a corner of the rosebush.
Three white roses and a dahlia in oil.
oil on linen, 30x30cm
à bientôt
Ronell
Late season hydrangeas in oil.
It feels so great to work in oils again! It is and will always be my first love. I neglect it far too much. In fact, there a lot of things I neglect too much. Anyway…
My hydrangeas are at the end of their summer colour. they were beautifully white and I had dark pinks. The whites turned to greens and the pinks to this beautifully seductive deep burgundy. Some really suffered from the hat and drought of August and crumpled into brown and black splotches among the greens and magentas. I love these colors…rich and old and weathered.
hydrangeas set-up in atelier
Hydrangeas 1
oil on linen, 55x45cm
halfway through hydrangeas 1
Hydrangeas 2
oil on linen, 45x33cm
halfway through hydrangeas 2
I am more impressed with the halfway through hydrangeas 2 than with the completed painting. At this stage I wanted to stop, but just wanted to do a touch more to the surrounding greens. Before I could stop myself, I added touches all over and the painting completely changed. So much for being happy with the painting before adding touches..
Until next time
Ronell
An orange, a branch of dates and a fennel bulb in oil.
Our weather has suddenly changed from grey and rainy days into explosions of sunshine. Of course it makes me want to go into the fields for plein air painting. But I am restraining myself and keeping to my goal and project for February. Fruit and vegetable practicing in oils. I have had quite a few bloopers, but then there was/is also the successes, however small they may be. And of course, the process. Always the process. I love pushing oils around on the canvas and as it turns out, I even enjoy doing it in still lifes. I love the liveliness of a brush stoke, the vibrancy of contrasting colour, the depth of values, the brilliance of the oils. I love it all.
..orange and leaves..
oil on linen, 26x22cm
..fennel bulb..
oil on linen, 20X20cm
..branch of dates..
oil on linen, 26X22cm
à bientôt with more fruit paintings in oil..
Ronelle
