I have a tendency to become tight the more I work. It is just one of those inevitable things. So I often have to change mediums and styles and experiment in other ways to loosen up again. I have notice with my sketching that I have become tight again. Normally I would change to oils and go do some plein air which helps, but with the bad weather, I had to divert to other options. As I was watching the horses walking all over our well the other day, I saw a contrast of grey sky and a line of white lace flowers and the green fields and it stirred the desire to put that onto paper by using the opaque gouache, a medium I quite like, exactly for its “experimental” qualities. It opens up possibilities to take it further into oils.
The following gouache experiments were all done in sketchbooks
After sitting outside, I moved in, bringing in some of the woildflowers now in seaspon and trying to create the broad bands of colour..the greens, the blues and of course the shapes, not worrying too much about authenticity. It was all just about colour and application with a loose wrist and finally some line squiggles, which I always love. For the dark lines I initially used inks, but it didn’t work too well on top of the gouche, so I used a dark mixture(which I alwyas use in oils for black) of Burnt unber, alizarin crimson and french ultramarine which always gives a rich dark black.
with this experiment, I used the gouache much more diluted to get more “wispy” horizons as a back drop for the lace flowers. Well, I don’t know what those funny linework at the bottom is all about, but at the time I felt in the mood for it.
This was a lot of fun and really something I will explore deeper, maybe on much lager scale with oils..and added animals…Many options in fact.