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Posts tagged “wash

Splashes, splotches and spatters in aquarelle.

I have been asked so many times how I do my splashes and after another request from Sophia, I thought I could do a pôst to explain how I splash ans splotch. have forever been doing splashes in my watercolor paintings and sketches. I paint and sketch with a big brush and loads of pigment and water and the splashes almost happen all by itself on my page. There are times though that I use splashes to emphasize or create a certain effect or atmosphere. It all depends on the sketch or painting.  I notice that it has become very fashionable in the sketching world to use splashes which is great. But sometimes a sketch can look out of sorts with splashes, which either don’t fit the style of painting or the subject doesn’t ask for splashes, and so it appears on sketches just because it is fashionable. I love my splashes, but I don’t use them every time and with every subject.  I would like to see that watercolor work  show more discretion when using splashes, before it ruins an already perfect watercolour painting or sketch.

Old french bowls 1…without any splashes. This sketch was done using watercolor, watercolorpencils and white gouache. I overworked the sketch somewhat, so the bottom bowl started losing its shape.

Old French bowls 1-001

Old French bowls 2, without any splashes. Mixed media – watercolour, watercolour pencils and white gouache.Old French bowls 2-001

Old french bowls 3, with blue splotches and 1 red splash which I added simply to “accompany” my signing). I used only watercolour and pen for this sketch

Old French bowls 3-001

Old french bowls 4, with brown spatters on the right side, dark red splotches at the bottom and 1 lilac splash(for my name). In my opinion, on this sketch, less spattering or even none would have been fine, I added the spatters etc for demonstration.

Old French bowls 40002-001

When working in watercolor, I use only one brush, usually my Rosemary sable 12. My splashes are done right at the end with the same brush. Depending on the subject and the atmosphere I want to add to my sketch/painting, I choose from 3 different types of splashes. I call them for my own use, splashes, splotches and spatters.

*Splotches are the small, smaller then the splashes, but bigger, but bigger than the small spatters. To get these dropletys, I load my brush a fair amount of water and colour and hold the brush up straight while I shake the brush in quick upward and downward movements to release the droplets.


*Spatters are those tiny droplets that sometime happen a line or a curve. I get them by loading my brush with not too much water and then flick my finger on the brush to spatter the colour, which most of the time, are small droplets which end up in a line on the paper.

SpattersSplashes are the large round drops dropped from a high distance above the paper. I fill the brush with color and water, stand up over the paper to keep my eye on the spot I want to drop a splash and press the brush at the tip to form a drop which splashes on the paper.

SplashesI have chosen some of my sketches to show the effect of leaving out splashes or adding them.

To illustrate some of my splashes and splotches etc, here are some of my previous work.

Two Siberian iris sketches – Left: Only 2 big splashes. The line work and minimalist appearance of the sketch doesn’t welcome tiny spatters of colour, it would only distract. Right: The more loose watery interpretation allows for some large splashes as well as some spattering. It adds to a frivolous interpretation and could suggest  picking of the irises, blowing in the wind, petals falling…movement.

iris reticulata iris reticulata-001

Some more examples of where splashes work and where not:

In the bottom sketch, splashes don’t belong..it is already a very busy sketch with lots of information.

Le Pescher Maison 6466x4910

The sunflower just asks for some splattering…suggesting bees working, pollen blowing in the wind, petals falling off… movement.envelope to vivien0001In the sketch below, I used only a green splash and blue splotches to suggest sky and leaves and I like the effect of stark lines with the contrasting wild bursts of colour.

bretnoux la post

I hope this explained a bit my thinking and use of splashes, splotches and spatters.

Until next time


EDM-art 16 & 18: Measuring tools and lipsticks.

We have more measuring tools in our home than we have food.  Fascinating stuff..all these rulers, square edges, the laser beams, the ultrasonic beams, I even have tiny pocket tapes for a handbag. An unending array of measuring tools, never to be found when needed

..measuring tools..

dip pen and Sennelier ink in S&B sketchbook, 14X21.6 cm


Lipstick. What does your lipstick, or lip balm say about you. Our good friend, Google, says the following:

  1. sharp angled tip:  opinionated, high spirited, hates schedules, outgoing, selective of friends, likes attention, argumentative…
  2. flat top: high morals, dependable, to the point, quick-minded, loves a challenge, careful about appearances…
  3. sharp angles on both sides:  spiritual, seeks attention, curious, mysterious, loves life, big ego..
  4. flat top, concave : great detective, make friends easily, inquisitive, adventurous…
  5. round, smooth tip: easy going, peacemaker, even-tempered,  steady, likeable, generous..

..5 lipsticks for 5 personalities..

dip pen and Sennelier ink in S&B sketchbook, 14X21.6 cm

5 lipsticks

à demain


Every day in May – (1)a favorite food and (2)a tree.

“A favorite food,” says the list of the art group EDM for this month of May.. Only one favorite food? That is a huge punishment! I can draw a favorite food for a whole month and even beyond. How then to choose between all my wonderful favorite fruits, the colourful vegetables, the meat…(yes, you Greenies, I love my meat!) And then there are fish and shellfish and how about a slice of cake? Or a cookie. And dessert. I never skip dessert. I won’t even mention chocolate and that first cup of coffee in the morning. Only one favorite food?

However, I can sometimes play by the rules and this time seems appropriate enough to do so. So one favorite food it is. I confess my weakness for macarons. Those beautiful, sensual, romantic and utterly delicious delicacies our patisserie in Beaulieu so shamelessly flaunts in the display window.  By just looking in my eyes, they know I am there for a box of macarons. Yellows and purples and pinks and reds which vary between red fruits and blueberry and strawberry and lemon and vanilla, chocolate, coffee, caramel and my big favorite, that green one, the pistache. I love them all. I leave the patisserie on an euphoric cloud and with my precious macarons gently tucked next to each other in a quaint box and artfully tied with a pink ribbon.  All that is left now, is to nail this sketch, so I can retire with my box of macarons to my favorite chair in my favorite corner…..sigh. I rest my case.


watercolor and dip pen with Sennelier indigo ink in S&B alpha sketchbook, 22.9×15.2cm



I can totally understand why there are nutcases walking around hugging each tree they come across. sometimes I am one of them. Cause a tree is not just a tree. It is a friend, it stirs our emotion, it  is a refuge, that safe place under/or in its branches where we hide from all that scorches us..the sun, the world. The olive tree is all of that for me. I do hug my olive trees and talk to them, touch them, stroke them, care for them, love them. They make me think of sunshine and heat. They makes me hear the cigales. They bring me the scent of lavender and wild herbs in the fields and I see colourful vegetables drizzled with the golden oil from its olives, glistening with crystals of fleur de sel. That is my olive tree.

..olive tree..

watercolor and Prera pilot fountain pen in S&B epsilon sketchbook, 14×21.6 cm


à demain


Sketching a streetscene in Beaulieu sur dordogne.

I sat on the terrace of Café Douceur this afternoon and while sipping my coffee, I sketched the street. My pen ran dry on my halfway through the sketch, which resulted in some thin, scratchy lines. I hope the colourful splashes watercolor make up for it..

..street in Beulieu sur dordogne – close up 1..

Pen and watercolor in Stillman & Birn, alpha series sketchbook, 22.9X15.2 cm

street beaulieu &

..street in Beulieu sur dordogne – close up 2..

street beaulieu 2

..street in Beaulieu sur dordogne..

Streetscene from Cafe douceur

And lastly some people sketching..done on Fabriano artistico watercolor block, 27X18cm

two men

à la prochaine.


Koi fish in watercolor

I have been doing quite a few koi watercolors. Some different styles and techniques and sizes.

Some are more loose than others, which is my usual style of painting. I also tried some watercolour techniques, like using masking fluid, different brush sizes but finally decided it is not my way of painting….I prefer only the brush, water and color. I also tried a more true “watercolour painting” style and not my usual washes or loose line work. Once again, I came to the conclusion that it’s just not me. It just goes to show…one can’t really lie in making art. You can perhaps get away with it for a while, but in the long run, the true you needs to surface. It is quite  freeing  to have finally  come to this conclusion: I don’t want to do true watercolor paintings. I just love line and wash.

..koi 1..

watercolor and dip pen and indigo blue HErbin ink, 24X32cm

Ronelle van wyk- Koi fish in watercolor-005


..Koi 2..

in watercolor and lamy safari pen, 24X32cm

Ronelle van wyk- Koi fish in watercolor

..koi 3..

watercolor and dip pen and indigo blue HErbin ink, 24X32cm

Ronelle van wyk- Koi fish in watercolor-007

..Koi 4..

watercolor and lamy safari pen in Stillman and Birn sketchbook, 14X21.6cm

Ronelle van wyk- Koi fish in watercolor-002

..Koi 5..

watercolor and lamy safari pen in Stillman and Birn sketchbook, 14X21.6cm

Ronelle van wyk- Koi fish in watercolor-003

..Koi 6..

watercolor and dip pen and HErbin ink(Café et Gris nuage), 24X32cm

Ronelle van wyk- Koi fish in watercolor-004

..Koi 7..

watercolor and lamy safari pen, 24X32cm

Ronelle van wyk- Koi fish in watercolor-006

..Koi 8..

watercolor and lamy safari pen in Daler Rowney sketchbook, 21X29.7cm

Ronelle van wyk- Koi fish in watercolor-001

à bientôt,


September sketches: la Poste in Bretenoux.

I was enjoying a coffee in medieval Bretenoux with its lovely little cobbled squares and covered alleys. The sun was shining hot and I got tempted into a second coffee and drawing the post office just opposite me. Very lazily of course… as all sun lovers will know…the sun is a happy drug!

I added only a touch of colour, which I quite like, since the linework was very spontaneous and quirky..


pen in Daley and Rowney watercolor sketchbook

bretnoux la post

à bientôt


August sketching 5: more shutters and the barcounter.

Today was a tired day, even though the sky was blue and bright. Can’t explain it. It is just how it is some days.

..Typical houses around here…shops down below and the living is done upstairs, with volets(shutters), not my favorite thing to paint!

les volets 3396x4609

..done with rotring art pen in contour quick lines, while waiting for my lunch of  duck and salad to show up. Added a light wash over some of the  lines, and there you have it. a sketch..

comptoir 3452x4674


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