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Posts tagged “ronell van wyk

Sketching a streetscene in Beaulieu sur dordogne.

I sat on the terrace of Café Douceur this afternoon and while sipping my coffee, I sketched the street. My pen ran dry on my halfway through the sketch, which resulted in some thin, scratchy lines. I hope the colourful splashes watercolor make up for it..

..street in Beulieu sur dordogne – close up 1..

Pen and watercolor in Stillman & Birn, alpha series sketchbook, 22.9X15.2 cm

street beaulieu &

..street in Beulieu sur dordogne – close up 2..

street beaulieu 2

..street in Beaulieu sur dordogne..

Streetscene from Cafe douceur

And lastly some people sketching..done on Fabriano artistico watercolor block, 27X18cm

two men

à la prochaine.

Ronelle


Koi fish in watercolor

I have been doing quite a few koi watercolors. Some different styles and techniques and sizes.

Some are more loose than others, which is my usual style of painting. I also tried some watercolour techniques, like using masking fluid, different brush sizes but finally decided it is not my way of painting….I prefer only the brush, water and color. I also tried a more true “watercolour painting” style and not my usual washes or loose line work. Once again, I came to the conclusion that it’s just not me. It just goes to show…one can’t really lie in making art. You can perhaps get away with it for a while, but in the long run, the true you needs to surface. It is quite  freeing  to have finally  come to this conclusion: I don’t want to do true watercolor paintings. I just love line and wash.

..koi 1..

watercolor and dip pen and indigo blue HErbin ink, 24X32cm

Ronelle van wyk- Koi fish in watercolor-005

 

..Koi 2..

in watercolor and lamy safari pen, 24X32cm

Ronelle van wyk- Koi fish in watercolor

..koi 3..

watercolor and dip pen and indigo blue HErbin ink, 24X32cm

Ronelle van wyk- Koi fish in watercolor-007

..Koi 4..

watercolor and lamy safari pen in Stillman and Birn sketchbook, 14X21.6cm

Ronelle van wyk- Koi fish in watercolor-002

..Koi 5..

watercolor and lamy safari pen in Stillman and Birn sketchbook, 14X21.6cm

Ronelle van wyk- Koi fish in watercolor-003

..Koi 6..

watercolor and dip pen and HErbin ink(Café et Gris nuage), 24X32cm

Ronelle van wyk- Koi fish in watercolor-004

..Koi 7..

watercolor and lamy safari pen, 24X32cm

Ronelle van wyk- Koi fish in watercolor-006

..Koi 8..

watercolor and lamy safari pen in Daler Rowney sketchbook, 21X29.7cm

Ronelle van wyk- Koi fish in watercolor-001

à bientôt,

Ronelle


November yellows

There are colours to wear and colours for the home and colours to just admire. I don’t wear yellow and I don’t decorate my home with yellow, but I love yellow in nature, especially all the autumn shades.

sketches-autumn leaves

I played around with lines and brushes, brush strokes, splotches and of course colour.

sketches-autumn leaves-001

sketching -Autumn leaves 5

sketching yellow autumn leavesSketching autumn leaves

November yellows


Red peppers in aquarelle

I have been struggling with a fatigue for a few days…it may well be the change of seasons? Just the thought of going out sketching already tires me..so I have been mostly in front of my table, fiddling with small sketches, moistly fruits and veggies, which is usually a good idea when all else fails.

I’ve noticed that I have actually never done red peppers..which is surprising. Et voilà..some red peppers for today.

..red peppers in aquarelle on watercolor block, HP, 18cmx26cm..

Red peppers Aqua

à la prochaine!

Ronelle


This and that in Bretenoux

I try to sketch every time I sit down for a coffee somewhere in a village. Not all my sketches are worth showing. Sometimes my people look like godzillas and my buildings look like mudhuts and sometimes I just sit and mess around with colour, because I simply love color. But, in the end they all serve one purpose. To sharpen the saw.

The sketch below is from different buildings; the top one just being a little pigeonnier that serves as the entrance to a park and the other a door of the church further away.

bretenoux this and that-001

One of the things I adore about our old Europe, is the church bells. Even here at Coin Perdu I can hear the church bells ring. Sitting in the old town centres sipping a modern Perrier, while hearing the church belles right next to me, sometimes feel completely surreal. Below is the old church in the center of Brive la Gaillarde, la collégiale St MArtin, dating from the XII th century.

bretenoux this and that  3372x5341

Some  of this and that in the street of Brive la Gaillade.

bretenoux this and that  5122x3436


August sketching 18: Birthday sunflowers.

Is there any gift bigger for a birthday than a sunny day in august and a large bunch of bright yellow sunflowers? so was my birthday yesterday.

And as sketches…my sunflowers captured lazily today as I think I had too much birthday yesterday…

birthday sunflowers 1

watercolor and pen in Daler and rowney sketchbook

 

birthday sunflowers 1

birthday sunflowers 2

watercolor and pen in Daler and rowney sketchbook

birthday sunflowers 2

à demain

Ronelle


August sketching 16: Messy experiments in gouache.

I have a tendency to become tight the more I work. It is just one of those inevitable things. So I often have to change mediums and styles and experiment in other ways to loosen up again. I have notice with my sketching that I have become tight again. Normally I would change to oils and go do some plein air which helps, but with the bad weather, I had to divert to other options. As I was watching the horses walking all over our well the other day, I saw a contrast of grey sky and a line of white lace flowers and the green fields and it stirred the desire to put that onto paper by using the opaque gouache, a medium I quite like, exactly for its “experimental” qualities. It opens up possibilities to take it further into oils.

The following gouache experiments were all done in sketchbooks

messy in gouache 4106x2960

After sitting outside, I moved in, bringing in some of the woildflowers now in seaspon and trying to create the broad bands of colour..the greens, the blues and of course the shapes, not worrying too much about authenticity. It was all just about colour and application with a loose wrist and finally some line squiggles, which I always love. For the dark lines I initially used inks, but it didn’t work too well on top of the gouche, so I used a dark mixture(which I alwyas use in oils for black) of Burnt unber, alizarin crimson and french ultramarine which always gives a rich dark black.

gouche 1 gouche 2 gouche 3 gouche 4

 

with this experiment, I used the gouache much more diluted to get more “wispy” horizons as a back drop for the lace flowers. Well, I don’t know what those funny linework at the bottom is all about, but at the time I felt in the mood for it.gouche 5

This was a lot of fun and really something I will explore deeper, maybe on much lager scale with oils..and added animals…Many options in fact.

à demain

Ronelle


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