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Posts tagged “pen

February art: three men.

I had the opportunity to sit down for a coffee today on the terrace and had some men close-by to sketch. Some people don’t mind to be sketched, but the majority feel uncomfortable with being the subject. Fortunately today’s subjects were so busy with their own thing, they didn’t notice me who was hiding behind a big plant…sort of. I am very rusty on sketching people…there was a time I did it almost every day and now it happens once a year, for exactly the reason I mentioned…getting rebuked by people who don’t want the attention. Nonetheless..I present to you…the three men.all done in moleskin book(which is a little too light for my watery brushstrokes and the colour bled through to the back of the page. I don’t mind bucking pages, but I fiercely dislike colour going seeping through the paper.

Three men

pen and watercolour washes in moleskine, 22.5X13.5cm

faces at the cafe 3faces at the cafefaces at the cafe 2

à bientôt

Ronelle


February art: Aquarelle in the coffeeshop.

Still digging deep to jiggle my art back up, I sat in the coffee shop this cold and miserably grey morning, squiggling lines left and right.  After a while I gave up, closed the Stillman & Birn and rove to the garden center, where I loaded my cart with shrubs and trees and perennials. Everybody else was buying forced bulbs for their homes. I was probably the single person in France out in the cold rain, behaving only as one should in the midst of spring…going out on the planting. Well. It helped. I feel I can take on some more sketching this evening…make my hands work while my head is in spring, planting.

chairs and coffee table in coffee shop

pencil in Stillman 1 Birn sketchbook, 14.5X22.5cm

prendre the

Potplants in coffee bar

Watercolour washes and Pentel brush pen in Stillman & birn sketchbook, 14.5X22.5cm

chez cecile


Art in February: Tokala the cat.

Hard to believe that February is here. That actually suits me fne. The worst month, January, is over. Now I can start thinking of spring and the garden and planting…

But first I have to get my dried up art process going. February is a perfect month to do just that. I have done several sketches and these two turned out the best. It is Tokala, one of my two beautiful cats, who always remind me of the heather in Scotland.

Tokala

watercolour pencils and mini TWSBI pen in moleskine, 21X13cm

Tokala WC

Tokala WC 2

à bientôt

Ronell


Root vegetables in watercolor

My mojo has left me since October/November last year with absolutely just no desire to put pen to paper or a brush to the canvas. The intention was there, many a time, but the execution didn’t happen. It was that typical staring at a blank page, at a blank canvas and realizing that even the mind was blank. So what does that say about ignoring inspiration or mood and just get on with it, regarding art as a job that needs to be done. I don’t have the answer. I can only say that if it were my job and I worked for a boss, I would’ve probably been fired.

Rutabagas, turnips and beetroot.

sketches in watercolor and pen in Arches watercolorbook HP, 18x26cm

rutabagas et navet

I even went to see a Picasso exhibit, trying to find the desire to paint, but to no avail. No desire. No wanting it. I had a faint glimpse of my old desire today when I picked up a rutabaga(swede) for dinner tonight. I looked at it and thought by myself that it was a vegetable I haven’t sketched yet and I wondered why… a trigger as simple as that. Not that I am now suddenly overcome with desire to splash the paints, not at all. On the contrary. I wonder what o do tomorrow. But I am grateful for at least having a sketch done today, before January runs out. Tomorrow’s day will have to see to itself.

à bientôt

Ronell


Sketches of old Fench soupiere and plates.

I love my old French tableware…soupiéres, platters, plates, bowls and other dishware. Sketching them is quite challenging though, since they have such nice old patinas that I would love to capture. The only way for me to get that is to use different media. In the 2 sketches below, I used J. Herbin inks, De-Atramentis inks, watercolour, watercolour pencils, nib pen, pilot prera pen and gouache. I think I sort of got some patina on the dishes..

The sketches below are an old French soupiére, a Polish jug with my chickens’ feathers that I stick in at will.The second sketch is an old French platter and oval plate.

French soupiére and Polish jug

mixed media in Stillman & birn sketchbook, epsilon series14X21.6cm

french soupiére

Old French platter and plate

mixed media in Stillman & Birn sketchbook, epsilon series14X21.6cm

old french platesà la prochaine

Ronelle


Beaulieu and people sketches

I am struggling enormously with my sketching lately. The whole process of art doing in my atelier is actually on the struggle. My art has taken a dive for the worse, but hopefully it will resurface with vigor soon. In the meantime I just follow the giant Nike’s advice: “Don’t think, just do it”. All in all, I felt better after doing these sketches.

All sketches done in the Stillman & Birn, Epsilon series, 14×21.6cm with watercolor and pilot prera pen.

beaulieu

I sat in the square in Beaulieu, first doing the Wednesday morning market and afterwards the view down the street.

beaulieu market

I also did some people sketches while having a coffee. I find I have lately been moving into feathering again when drawing and I absolutely hate feathering. It always happens to me when I feel insecure in my art making. What I call feathering : I don’t draw a line in one go, I feather- feather in the direction I want a line to go, a lot of fiddling with shape and line…awful! It was good to get back into one line drawing, or rather sketching, by doing these people. they are wonky, but I feel good about the line work. More and more people don’t want to be the object of observation and I really try to respect that by being so discreet and unobtrusive as possible, making my observation a somewhat off the mark. I have to train my eye again to get to that discreet-drawing-level.

..pantalon rouge..

poeple at Cecil's 20001

..pantalon arc-en-ciel..

poeple at Cecil'sà plus

Ronelle


Splashes, splotches and spatters in aquarelle.

I have been asked so many times how I do my splashes and after another request from Sophia, I thought I could do a pôst to explain how I splash ans splotch. have forever been doing splashes in my watercolor paintings and sketches. I paint and sketch with a big brush and loads of pigment and water and the splashes almost happen all by itself on my page. There are times though that I use splashes to emphasize or create a certain effect or atmosphere. It all depends on the sketch or painting.  I notice that it has become very fashionable in the sketching world to use splashes which is great. But sometimes a sketch can look out of sorts with splashes, which either don’t fit the style of painting or the subject doesn’t ask for splashes, and so it appears on sketches just because it is fashionable. I love my splashes, but I don’t use them every time and with every subject.  I would like to see that watercolor work  show more discretion when using splashes, before it ruins an already perfect watercolour painting or sketch.

Old french bowls 1…without any splashes. This sketch was done using watercolor, watercolorpencils and white gouache. I overworked the sketch somewhat, so the bottom bowl started losing its shape.

Old French bowls 1-001

Old French bowls 2, without any splashes. Mixed media – watercolour, watercolour pencils and white gouache.Old French bowls 2-001

Old french bowls 3, with blue splotches and 1 red splash which I added simply to “accompany” my signing). I used only watercolour and pen for this sketch

Old French bowls 3-001

Old french bowls 4, with brown spatters on the right side, dark red splotches at the bottom and 1 lilac splash(for my name). In my opinion, on this sketch, less spattering or even none would have been fine, I added the spatters etc for demonstration.

Old French bowls 40002-001

When working in watercolor, I use only one brush, usually my Rosemary sable 12. My splashes are done right at the end with the same brush. Depending on the subject and the atmosphere I want to add to my sketch/painting, I choose from 3 different types of splashes. I call them for my own use, splashes, splotches and spatters.

*Splotches are the small, smaller then the splashes, but bigger, but bigger than the small spatters. To get these dropletys, I load my brush a fair amount of water and colour and hold the brush up straight while I shake the brush in quick upward and downward movements to release the droplets.

Splotches

*Spatters are those tiny droplets that sometime happen a line or a curve. I get them by loading my brush with not too much water and then flick my finger on the brush to spatter the colour, which most of the time, are small droplets which end up in a line on the paper.

SpattersSplashes are the large round drops dropped from a high distance above the paper. I fill the brush with color and water, stand up over the paper to keep my eye on the spot I want to drop a splash and press the brush at the tip to form a drop which splashes on the paper.

SplashesI have chosen some of my sketches to show the effect of leaving out splashes or adding them.

To illustrate some of my splashes and splotches etc, here are some of my previous work.

Two Siberian iris sketches – Left: Only 2 big splashes. The line work and minimalist appearance of the sketch doesn’t welcome tiny spatters of colour, it would only distract. Right: The more loose watery interpretation allows for some large splashes as well as some spattering. It adds to a frivolous interpretation and could suggest  picking of the irises, blowing in the wind, petals falling…movement.

iris reticulata iris reticulata-001

Some more examples of where splashes work and where not:

In the bottom sketch, splashes don’t belong..it is already a very busy sketch with lots of information.

Le Pescher Maison 6466x4910

The sunflower just asks for some splattering…suggesting bees working, pollen blowing in the wind, petals falling off… movement.envelope to vivien0001In the sketch below, I used only a green splash and blue splotches to suggest sky and leaves and I like the effect of stark lines with the contrasting wild bursts of colour.

bretnoux la post

I hope this explained a bit my thinking and use of splashes, splotches and spatters.

Until next time

Ronelle


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