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Posts tagged “france

Sketches around a cup of coffee.

Simply sketching in a tea shop in St Céré and having a coffee and croissant. No fanfare. Tout simple.

watercolour and pentel brush pen in Stillman & Birn sketchbook, 14×21.6cm

teashop 1

watercolour and pilot prera pen in Stillman & Birn sketchbook, 14×21.6cm

teashop 20001à bientôt


Beaulieu and people sketches

I am struggling enormously with my sketching lately. The whole process of art doing in my atelier is actually on the struggle. My art has taken a dive for the worse, but hopefully it will resurface with vigor soon. In the meantime I just follow the giant Nike’s advice: “Don’t think, just do it”. All in all, I felt better after doing these sketches.

All sketches done in the Stillman & Birn, Epsilon series, 14×21.6cm with watercolor and pilot prera pen.


I sat in the square in Beaulieu, first doing the Wednesday morning market and afterwards the view down the street.

beaulieu market

I also did some people sketches while having a coffee. I find I have lately been moving into feathering again when drawing and I absolutely hate feathering. It always happens to me when I feel insecure in my art making. What I call feathering : I don’t draw a line in one go, I feather- feather in the direction I want a line to go, a lot of fiddling with shape and line…awful! It was good to get back into one line drawing, or rather sketching, by doing these people. they are wonky, but I feel good about the line work. More and more people don’t want to be the object of observation and I really try to respect that by being so discreet and unobtrusive as possible, making my observation a somewhat off the mark. I have to train my eye again to get to that discreet-drawing-level.

..pantalon rouge..

poeple at Cecil's 20001

..pantalon arc-en-ciel..

poeple at Cecil'sà plus


Splashes, splotches and spatters in aquarelle.

I have been asked so many times how I do my splashes and after another request from Sophia, I thought I could do a pôst to explain how I splash ans splotch. have forever been doing splashes in my watercolor paintings and sketches. I paint and sketch with a big brush and loads of pigment and water and the splashes almost happen all by itself on my page. There are times though that I use splashes to emphasize or create a certain effect or atmosphere. It all depends on the sketch or painting.  I notice that it has become very fashionable in the sketching world to use splashes which is great. But sometimes a sketch can look out of sorts with splashes, which either don’t fit the style of painting or the subject doesn’t ask for splashes, and so it appears on sketches just because it is fashionable. I love my splashes, but I don’t use them every time and with every subject.  I would like to see that watercolor work  show more discretion when using splashes, before it ruins an already perfect watercolour painting or sketch.

Old french bowls 1…without any splashes. This sketch was done using watercolor, watercolorpencils and white gouache. I overworked the sketch somewhat, so the bottom bowl started losing its shape.

Old French bowls 1-001

Old French bowls 2, without any splashes. Mixed media – watercolour, watercolour pencils and white gouache.Old French bowls 2-001

Old french bowls 3, with blue splotches and 1 red splash which I added simply to “accompany” my signing). I used only watercolour and pen for this sketch

Old French bowls 3-001

Old french bowls 4, with brown spatters on the right side, dark red splotches at the bottom and 1 lilac splash(for my name). In my opinion, on this sketch, less spattering or even none would have been fine, I added the spatters etc for demonstration.

Old French bowls 40002-001

When working in watercolor, I use only one brush, usually my Rosemary sable 12. My splashes are done right at the end with the same brush. Depending on the subject and the atmosphere I want to add to my sketch/painting, I choose from 3 different types of splashes. I call them for my own use, splashes, splotches and spatters.

*Splotches are the small, smaller then the splashes, but bigger, but bigger than the small spatters. To get these dropletys, I load my brush a fair amount of water and colour and hold the brush up straight while I shake the brush in quick upward and downward movements to release the droplets.


*Spatters are those tiny droplets that sometime happen a line or a curve. I get them by loading my brush with not too much water and then flick my finger on the brush to spatter the colour, which most of the time, are small droplets which end up in a line on the paper.

SpattersSplashes are the large round drops dropped from a high distance above the paper. I fill the brush with color and water, stand up over the paper to keep my eye on the spot I want to drop a splash and press the brush at the tip to form a drop which splashes on the paper.

SplashesI have chosen some of my sketches to show the effect of leaving out splashes or adding them.

To illustrate some of my splashes and splotches etc, here are some of my previous work.

Two Siberian iris sketches – Left: Only 2 big splashes. The line work and minimalist appearance of the sketch doesn’t welcome tiny spatters of colour, it would only distract. Right: The more loose watery interpretation allows for some large splashes as well as some spattering. It adds to a frivolous interpretation and could suggest  picking of the irises, blowing in the wind, petals falling…movement.

iris reticulata iris reticulata-001

Some more examples of where splashes work and where not:

In the bottom sketch, splashes don’t belong..it is already a very busy sketch with lots of information.

Le Pescher Maison 6466x4910

The sunflower just asks for some splattering…suggesting bees working, pollen blowing in the wind, petals falling off… movement.envelope to vivien0001In the sketch below, I used only a green splash and blue splotches to suggest sky and leaves and I like the effect of stark lines with the contrasting wild bursts of colour.

bretnoux la post

I hope this explained a bit my thinking and use of splashes, splotches and spatters.

Until next time


EDM – art 23, 24, 25: Detail of a building, keys, cover for something messy.

Our porcherie(little pighouse) at Coin Perdu. A fairly dilapidated outbuilding here on the farm where the pigs were kept. It will be turned into something, don’t know yet what.


watercolour and dip pen in S&B sketcbook,


We have a magnitude of keys, some from the brocantes, some found in the attic, some dug up, some lost ones, some unknown ones and some…well, just some.


watercolour and Pentel brush pen in S&B sketcbook,


My shoes are covered in oil paints. I wear them when I go plein air painting and when I go to town. I wear them whenever, because they are comfy and being so colourful, they go with everything.

..painting shoes..

watercolour and Pentel brush pen in S&B sketcbook,

painting shoes

EDM-art 16 & 18: Measuring tools and lipsticks.

We have more measuring tools in our home than we have food.  Fascinating stuff..all these rulers, square edges, the laser beams, the ultrasonic beams, I even have tiny pocket tapes for a handbag. An unending array of measuring tools, never to be found when needed

..measuring tools..

dip pen and Sennelier ink in S&B sketchbook, 14X21.6 cm


Lipstick. What does your lipstick, or lip balm say about you. Our good friend, Google, says the following:

  1. sharp angled tip:  opinionated, high spirited, hates schedules, outgoing, selective of friends, likes attention, argumentative…
  2. flat top: high morals, dependable, to the point, quick-minded, loves a challenge, careful about appearances…
  3. sharp angles on both sides:  spiritual, seeks attention, curious, mysterious, loves life, big ego..
  4. flat top, concave : great detective, make friends easily, inquisitive, adventurous…
  5. round, smooth tip: easy going, peacemaker, even-tempered,  steady, likeable, generous..

..5 lipsticks for 5 personalities..

dip pen and Sennelier ink in S&B sketchbook, 14X21.6 cm

5 lipsticks

à demain


Every day in May – (1)a favorite food and (2)a tree.

“A favorite food,” says the list of the art group EDM for this month of May.. Only one favorite food? That is a huge punishment! I can draw a favorite food for a whole month and even beyond. How then to choose between all my wonderful favorite fruits, the colourful vegetables, the meat…(yes, you Greenies, I love my meat!) And then there are fish and shellfish and how about a slice of cake? Or a cookie. And dessert. I never skip dessert. I won’t even mention chocolate and that first cup of coffee in the morning. Only one favorite food?

However, I can sometimes play by the rules and this time seems appropriate enough to do so. So one favorite food it is. I confess my weakness for macarons. Those beautiful, sensual, romantic and utterly delicious delicacies our patisserie in Beaulieu so shamelessly flaunts in the display window.  By just looking in my eyes, they know I am there for a box of macarons. Yellows and purples and pinks and reds which vary between red fruits and blueberry and strawberry and lemon and vanilla, chocolate, coffee, caramel and my big favorite, that green one, the pistache. I love them all. I leave the patisserie on an euphoric cloud and with my precious macarons gently tucked next to each other in a quaint box and artfully tied with a pink ribbon.  All that is left now, is to nail this sketch, so I can retire with my box of macarons to my favorite chair in my favorite corner…..sigh. I rest my case.


watercolor and dip pen with Sennelier indigo ink in S&B alpha sketchbook, 22.9×15.2cm



I can totally understand why there are nutcases walking around hugging each tree they come across. sometimes I am one of them. Cause a tree is not just a tree. It is a friend, it stirs our emotion, it  is a refuge, that safe place under/or in its branches where we hide from all that scorches us..the sun, the world. The olive tree is all of that for me. I do hug my olive trees and talk to them, touch them, stroke them, care for them, love them. They make me think of sunshine and heat. They makes me hear the cigales. They bring me the scent of lavender and wild herbs in the fields and I see colourful vegetables drizzled with the golden oil from its olives, glistening with crystals of fleur de sel. That is my olive tree.

..olive tree..

watercolor and Prera pilot fountain pen in S&B epsilon sketchbook, 14×21.6 cm


à demain


Sketching a streetscene in Beaulieu sur dordogne.

I sat on the terrace of Café Douceur this afternoon and while sipping my coffee, I sketched the street. My pen ran dry on my halfway through the sketch, which resulted in some thin, scratchy lines. I hope the colourful splashes watercolor make up for it..

..street in Beulieu sur dordogne – close up 1..

Pen and watercolor in Stillman & Birn, alpha series sketchbook, 22.9X15.2 cm

street beaulieu &

..street in Beulieu sur dordogne – close up 2..

street beaulieu 2

..street in Beaulieu sur dordogne..

Streetscene from Cafe douceur

And lastly some people sketching..done on Fabriano artistico watercolor block, 27X18cm

two men

à la prochaine.



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