Welcome! Hope you see some artwork that pleases you, if not now, maybe next time…

sennelier aquarelles

Every day in May – (1)a favorite food and (2)a tree.

“A favorite food,” says the list of the art group EDM for this month of May.. Only one favorite food? That is a huge punishment! I can draw a favorite food for a whole month and even beyond. How then to choose between all my wonderful favorite fruits, the colourful vegetables, the meat…(yes, you Greenies, I love my meat!) And then there are fish and shellfish and how about a slice of cake? Or a cookie. And dessert. I never skip dessert. I won’t even mention chocolate and that first cup of coffee in the morning. Only one favorite food?

However, I can sometimes play by the rules and this time seems appropriate enough to do so. So one favorite food it is. I confess my weakness for macarons. Those beautiful, sensual, romantic and utterly delicious delicacies our patisserie in Beaulieu so shamelessly flaunts in the display window.  By just looking in my eyes, they know I am there for a box of macarons. Yellows and purples and pinks and reds which vary between red fruits and blueberry and strawberry and lemon and vanilla, chocolate, coffee, caramel and my big favorite, that green one, the pistache. I love them all. I leave the patisserie on an euphoric cloud and with my precious macarons gently tucked next to each other in a quaint box and artfully tied with a pink ribbon.  All that is left now, is to nail this sketch, so I can retire with my box of macarons to my favorite chair in my favorite corner…..sigh. I rest my case.

..macarons..

watercolor and dip pen with Sennelier indigo ink in S&B alpha sketchbook, 22.9×15.2cm

macarons0003

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I can totally understand why there are nutcases walking around hugging each tree they come across. sometimes I am one of them. Cause a tree is not just a tree. It is a friend, it stirs our emotion, it  is a refuge, that safe place under/or in its branches where we hide from all that scorches us..the sun, the world. The olive tree is all of that for me. I do hug my olive trees and talk to them, touch them, stroke them, care for them, love them. They make me think of sunshine and heat. They makes me hear the cigales. They bring me the scent of lavender and wild herbs in the fields and I see colourful vegetables drizzled with the golden oil from its olives, glistening with crystals of fleur de sel. That is my olive tree.

..olive tree..

watercolor and Prera pilot fountain pen in S&B epsilon sketchbook, 14×21.6 cm

olivier0001

à demain

Ronelle


Koi fish in watercolor

I have been doing quite a few koi watercolors. Some different styles and techniques and sizes.

Some are more loose than others, which is my usual style of painting. I also tried some watercolour techniques, like using masking fluid, different brush sizes but finally decided it is not my way of painting….I prefer only the brush, water and color. I also tried a more true “watercolour painting” style and not my usual washes or loose line work. Once again, I came to the conclusion that it’s just not me. It just goes to show…one can’t really lie in making art. You can perhaps get away with it for a while, but in the long run, the true you needs to surface. It is quite  freeing  to have finally  come to this conclusion: I don’t want to do true watercolor paintings. I just love line and wash.

..koi 1..

watercolor and dip pen and indigo blue HErbin ink, 24X32cm

Ronelle van wyk- Koi fish in watercolor-005

 

..Koi 2..

in watercolor and lamy safari pen, 24X32cm

Ronelle van wyk- Koi fish in watercolor

..koi 3..

watercolor and dip pen and indigo blue HErbin ink, 24X32cm

Ronelle van wyk- Koi fish in watercolor-007

..Koi 4..

watercolor and lamy safari pen in Stillman and Birn sketchbook, 14X21.6cm

Ronelle van wyk- Koi fish in watercolor-002

..Koi 5..

watercolor and lamy safari pen in Stillman and Birn sketchbook, 14X21.6cm

Ronelle van wyk- Koi fish in watercolor-003

..Koi 6..

watercolor and dip pen and HErbin ink(Café et Gris nuage), 24X32cm

Ronelle van wyk- Koi fish in watercolor-004

..Koi 7..

watercolor and lamy safari pen, 24X32cm

Ronelle van wyk- Koi fish in watercolor-006

..Koi 8..

watercolor and lamy safari pen in Daler Rowney sketchbook, 21X29.7cm

Ronelle van wyk- Koi fish in watercolor-001

à bientôt,

Ronelle


August sketching 2

It is only day 2 but boy, I am having so much fun!  I feel inspired, enthusiastic creative and just in the zone…how many of you can say that this evening? I hope it will last the entire 31 day of August…and beyond. Of course it won’t, but even just a little bit of it will be good enough.

Starting off with my café, which helps get me in the “zone”, I sketches the géraniums just opposite. It was raining, the tourists took up all the other covered spots in our small village, so I didn’t have much choice of going out. In the end I am happy I stayed, it turned out not too bad, after initially starting off a bit slow…

 

géraniums à Beaulieu 3395x4817Once again, a lot of conversation around me, but it is good in teaching me to focus and listen at the same time.

  • I used yellow on the walls with touches of burnt sienna.
  • The roofs were done with ivory black and raw umber and blue.
  • The shadows on the canopies were done with a light wash of cerulean blue.
  • The geraniums done in cadmuim red and the greens in golden green, darkened with phtalo blue.
  • In the shade of the canopy in the background, behind the people dining in the foreground, a touch of light black ivory was applied for shadows.
  • In the foreground the people and tables  just behind the stone wall, closest to me were  done in bright burnt umber.
  • And lastly some yellow ochre touches here and there when the sun came out…

yelows, ocres.. 5494x3461.0001

It is a good idea to test the same colour of different brands, because they do sometimes differ. In the above sample at the bottom left I have compared the raw umber of W&N with that of Sennelier. I prefer the Sennelier raw umber which is cooler than that of the W&N.

From top left anticlockwise to bottom: warm grey, naples yellow, burnt umber, raw umber, burnt sienna, raw sienna, yellow ochre, cadmium yellow, cadmium yellow deep, lemon yellow.

My little pocket brushes are one from Arches…le petit gris nr 6, which broke at some time and I fixed it with tape and now it still works perfectly. The other is a Kolinsky that I have no idea where it is from. all I know is that I have used it for years, so much so that I have lost its cover and now use a piece of plastic that I found which fits over the brush. (See photos down below). So you can see, I am a bit like the mechanic whose car is always in pieces…But look ate those lovely brush points…hold as much or as little water as I want them to!

A new sketchbook from Daler & Rowney which I just discovered and am quite impressed with. The paper is not that heavy, only 160g, but it takes watercolor quite well and I don’t mind a little buckling in a sketchbook. The pocket brushes from top my precious Kolinsky nr 8 with its “unbecoming” plastic cover and the “repaired”petit gris nr 6 below.

pocket brushes 2511x3239

..Kolinsky pocket brush 8..

pocket brushes 3235x2590

 

..”taped” petit gris pocket brush 6

  pocket brushes 3330x2715

à bientôt

Ronelle

 

 


August sketching 1

I am a lazy person. There you have it. My biggest secret revealed. If I don’t have deadlines and projects and goals, I fall in a slumber of doing less and less and less until I start enjoying doing less. In summer that can happen very easily with the holidays and lazy summer days, lingering by the pool…. So I decided to do some regular August sketching and get back to those sketches I haven’t done for months, years even.  No summer laziness for me then, but pens and inks and aquarelle en all these new sketchbooks I’ve ordered and papers waiting to be turned into sketchbooks.

I use the rotring art pen quite a bit, and the ink allows me to add a little water(not too much) to bleed the lines. See the little sketch of the ink bottle below which was done with a rotring artpen.

ink bottle artist pen

I also love drawing with inks and especially J. Herbin and Sennelier inks. They are good inks, easy to find and much cheaper than ordering inks from other countries, just for the sake of having inks.

…See, the pens are waiting!…pen and J .Herbin ink, “Café des isles”

copper pen holder

My palettes are organized and ready in waiting, mostly comprised of Sennelier and Winsor & Newton watercolor in tubes and pans. The palettes still need more cleaning, but you will never see perfectly clean around my art table..it confuses me completely and I can’t work…too afraid I’ll make mess!

bitg and small pallette 2315x1888

Color chart of all the colors in my palettes. Sometimes I get confused and start using one color thinking it is another, especially if they  are close in hue, so it is good to arrange and make sure the right colors are in their right places.

I use about 40 – 45 colors in the larger palette. .which stays at home. Not that I use all the colors every time of course. My tiny travel kit, which I have been using for years now, take about 16 colors which is just perfect.

paletete in aquarelle 1

Colors for my smaller palette…still deciding between some blues and yellows, but I’ll get there. I feel like change sometimes..

paletete in aquarelle 2

 

In a later post I will cover my use of color and palettes, the inks I love, the pens, pencils…all very simple. I am by far not so prolific and efficient as the urban sketchers or other daily sketchers out there. But more later in the month…this is just to get me started for the month of August.

So until tomorrow…sleep well!

Ronelle

 


September art – 1(the last artichoke)

With all this beauty in September, shouldn’t I be out there..sketching and painting? Of course. And that is the plan.

Today delivered this artichoke. The last one which were left to flower. The others have already gone completely dry, but that reminds me too much of endings, which I don’t want yet, so let’s stick with the flowery one.

..The last artichoke..

Watercolour and pen on watercolor block, HP, 18X26 cm.

artichaut en aquarelle

If I can keep it up..my self discipline I mean, I’ll produce a painting and sketch every day for this September, starting today. Even though it is still summer, there are already trees in the forest which are turning slightly yellow and the all greens with the touches of yellow are quite spectacular. The ferns in the forest are also turning into magnificent yellows, while they are still beautiful strong plants, not wilted or dead. The fields have been cut for hay and are pushing the last stretch of greens,which turn them into patches of greens and beiges, with the cattle still grazing…beautiful views.

à demain(until tomorrow)

Ronelle

 


Two favorite Sennelier colours

I am rather boring when it comes to using new colours. Once i find my niche, I am happy for a long time. Probably not the way to be an artist.  But I want to believe that it is me, the artist and not the tools that produces the masterpiece (which I’m still working on!!). And so my palette is always very limited to only a few well used colours.

This past week I cleaned out my palette, boutght a new Sennelier palette box and impulsively added some new colours.  I am in love, but totally in love, head over heels! Two new colours on my palette..Sennelier grey and warm grey, both from Sennelier.. Absolutely beautiful and perfect for my new search of more faded colours. They will work great this winter…they have mystery, are cool to push you bit back, but then exposes a warmth which draw you closer. I use them clean and pure to have them shine their own star..I think they deserve it. Well,  they definitely deserve a permanent place in my palette.

I worked on a thick pad of Canson mixed media paper, which is only meant for exercises, since it doesn’t allow for very wet work and the paper is rather fragile, even though it is 300g.


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