I have been struggling with a fatigue for a few days…it may well be the change of seasons? Just the thought of going out sketching already tires me..so I have been mostly in front of my table, fiddling with small sketches, moistly fruits and veggies, which is usually a good idea when all else fails.
I’ve noticed that I have actually never done red peppers..which is surprising. Et voilà..some red peppers for today.
..red peppers in aquarelle on watercolor block, HP, 18cmx26cm..
à la prochaine!
Without planning it, these experiments have turned into a series. As it is raining constantly outside, I have to dine my subjects inside. I started off with clementines(see post here) and today I grabbed the bunch of dried Espelette chillies hanging next to the stove.
…Espelette chillies in charcoal and sanguine, 50x 65cm…
The completed drawing. Using white conté stick, I added the last highlights/ details.
…Close- up 1…
Continuing my experimentation with large formats, different mediums and free strokes. Still sticking with charcoal, which is an unforgiving medium, but exactly that fact gives me the freedom to “play” freely. You can”t start over every time you make a mistake; so you are forced to work with the mistakes, which can either lead to great discoveries, or total mess ups – not to be seen as a bad thing. I also prefer working with the dark charcoal, and one can see in the images below the really dark black it gives. I don’t use fixatives.. I have the impression it doesn’t work in any case..
…radishes in charcoal, watercolor and watercolor pencils, 42x60cm..
I chose radishes, cut off most of the leaves to expose mostly the stems, thew them out on the table and chose a composition with only a few radishes.
..the start – in charcoal lines and watercolor washes, using lot of water and allowing it to run…
After finishing, I stood back and the watercolor looked too washed out against the dark charcoal, so I added watercolor pencil, washed it to blend and give darker color, and here and there I left some pencil marks to echo the charcoal lines.
…radishes – close up 1..
Far from being a perfect piece and it won’t end up in an exhibition, this was another good exercise in getting rid of “fear”.
….radishes – close up 2…
…radishes – close up 3…
Onto some some more work!!!
Thankfully there is always an end to yesterday. And to whining. Once I got tired of my own whining about this not working and that not good enough(see the previous post), I had the clarity to see that the only way to change what I don’t like in my art, is to work at it.
..Clementines in charcoal on paper, 43X60cm..
So here is what I went for:
- I worked only charcoal and white conté sticks.
- Large format. I will go bigger still, bit for the time being 43x60cm is plenty.
- I put the drawing on my easel and work with the whole arm and not the wrist, standing back often to get distance.
- No details.
- Large and free strokes.
- No erasing.
- No planning ahead, trusting impulse.
- Still worked from life..whatever is around, but no photos.
- No direct copying, put marks and lines as I felt and wanted, whether it is correct or not.
- Stopped early enough, while I still had the urge to continue.
I enjoyed this process todayeven though it still has my typical mark making, I feel happy about it. Will continue experimenting.
The paper is bending on the easel as I didn’t add a big enough support behind it, so the colour and focus are not perfect all over the paper.
Some close ups below to see the marks and smudges.
Close up 1
Some of the close-ups actuall make for nice pieces on their own..so the piece of work can be torn or cut into sections and reworked..maybe collaged as part of another work…?
Close up 2
Close up 3
Close up 4
Stay tuned for loads of work in the next few weeks..and if you feel like joining in..please do so.
I have lost a week’s posting of sketches which I’ll catch up on later. For now, I am back on track with today’s sketch of corn on the cob from the potager, on which the horses feast every day. Up until a few days ago, they were still sweet and juicy and wonderful on the barbeque, but seeing them with dry husks, is a clear sign that summer is moving on.
..corn on the cob..
Some days are just stubborn. Such a day was today. In spite of all my best intentions, no art attempts worked today. I did charcoal drawings, small and large. I painted in oil. I splashed in watercolor, ink, tried graphite..and they all turned out…well, terrible. If I had to do an exam today, I would probably have handed in a blank paper and walked out.
watercolor and pen in sketchbook, (15,5x25CM)
Apart from all the failed art efforts, I opened the fridge in frustration this afternoon for something cool to drink and an enamel bowl fell out and hit me above the eye. I’ve been stung by a horsefly and the huge bulge on my arm burns like crazy! My coffee spilled all over my working table. That’s when I decided I’ve had it. The spilled coffee would be my sketch for 4 September, a perfect memory of how life sometimes refuses to work with you. Maybe I haven’t been listening all day and life was, or still is, trying to tell me something? Or maybe this is just very normal in ordinary daily life.
Yay..I’m back to plein air painting after a dry spell of two years…..The oil paintings are busy drying, while outside the thunder is rolling and the rain is showering down, bringing welcome relief to a dry garden. The days are wonderfully hot, hot, hot…I love every sweaty minute! Believe it or not, it is in this sweltering heat that I decided to move out to plein air again with my palette and oils. Summer works for me. In the meantime, some peaches in watercolor, done with some big round yellow peaches and juicy flat white ones..which are all devoured by now and the cause of some tummy ache…Summer and its fruit does that to me too..
..trois pêches plates.
watercolor and pen on aquarelle block, 18X26cm
..trois pêches jaunes..
watercolor and pen on aquarelle block, 18X26cm