We have more measuring tools in our home than we have food. Fascinating stuff..all these rulers, square edges, the laser beams, the ultrasonic beams, I even have tiny pocket tapes for a handbag. An unending array of measuring tools, never to be found when needed
dip pen and Sennelier ink in S&B sketchbook, 14X21.6 cm
Lipstick. What does your lipstick, or lip balm say about you. Our good friend, Google, says the following:
- sharp angled tip: opinionated, high spirited, hates schedules, outgoing, selective of friends, likes attention, argumentative…
- flat top: high morals, dependable, to the point, quick-minded, loves a challenge, careful about appearances…
- sharp angles on both sides: spiritual, seeks attention, curious, mysterious, loves life, big ego..
- flat top, concave : great detective, make friends easily, inquisitive, adventurous…
- round, smooth tip: easy going, peacemaker, even-tempered, steady, likeable, generous..
..5 lipsticks for 5 personalities..
dip pen and Sennelier ink in S&B sketchbook, 14X21.6 cm
Some time during my school years I read a book on Frans Laarmans, an office clerk who decided to quit his job and start his own company. Full of optimism he started planning; his office equipment, all the tools he needed such as printing paper, letter heads, pens, everything he thought a successful busniness should have in his office. He was so frantically busy setting up all that office, that he never got around to what is really important, his business. This book made such an impression on me. So when I walk into an art store, picking up another watercolour brush or oil brush, or pen, I stop and ask myself…do I need it? Will it really turn me into the legendary artist of the 21st century? Well, you all know THAT answer, because we are all at some time or another a Frans Laarmans, acquiring one art tool after the other.In the end it comes down not to the amount of bristles you have, but to doing what needs to be done. But maybe…just maybe that Kolinksy brush in the art store will make my art soar…
..bristles on an art table..
watercolour and dip pen with ink in Daler rowney skatchbook, 21X29.7 cm
Few things are as comforting and warming as an old woodburning stove, or coalstove as we used to call it. during the day it gets stacked with wood and at night with coals which can simmer all night long with closed vent; Coming down to a kitchen, smelling the heat from the coals and just moving the kettle over for an old fashioned coffee,…it is a joy few people know about today and many might remember it form childhood. In winter this is our chef in the kitchen.. For heat, for comfort, for a homely ambiance, for cooking , for keeping the kettle ready, and warming the hands. Of course this thing can push out some mean kilowatts and I have a few scars as evidence. But boy, a tajine or a boeuf bourguignon or a rosemary leg of lamb coming out of that little oven…it gives total a new meaning to the term oven baked. As the thermostat is long gone, I am obliged to step back in time and test the oven temperature by sticking in my hand in the oven and counting….warm, hot or freakin hot!
..kettle and woodburning stove..
watercolour and pilot prera pen in Stillman & birn Alpha sketchbook, 22.9X15.2 cm
I have been struggling with a fatigue for a few days…it may well be the change of seasons? Just the thought of going out sketching already tires me..so I have been mostly in front of my table, fiddling with small sketches, moistly fruits and veggies, which is usually a good idea when all else fails.
I’ve noticed that I have actually never done red peppers..which is surprising. Et voilà..some red peppers for today.
..red peppers in aquarelle on watercolor block, HP, 18cmx26cm..
à la prochaine!
In summer we don’t eat apples. We munch on peaches and nectarines. Except the horses. They have their apples throughout the year. An apple is one of the most delicious subjects to draw and paint. For the experts it is a challenge to capture its real beauty and succulent appearance and for the beginner it is easy enough to start off with and be inspired to keep going.
pen and aquarelle on watercolor block
..six apples close-up..
Just for some lazy fun, I splashed some greens for a sucrine salad…using blues and yellows, purple and payes gray for darker shadows. Salad is always difficult to draw and paint, so many lines and squigles…definitely not a favorute subkect of mine. The greens are a great challenge though!
pen and aquarelle on waterclor block
..sucrine salad close-up..
Without planning it, these experiments have turned into a series. As it is raining constantly outside, I have to dine my subjects inside. I started off with clementines(see post here) and today I grabbed the bunch of dried Espelette chillies hanging next to the stove.
…Espelette chillies in charcoal and sanguine, 50x 65cm…
The completed drawing. Using white conté stick, I added the last highlights/ details.
…Close- up 1…
Continuing my experimentation with large formats, different mediums and free strokes. Still sticking with charcoal, which is an unforgiving medium, but exactly that fact gives me the freedom to “play” freely. You can”t start over every time you make a mistake; so you are forced to work with the mistakes, which can either lead to great discoveries, or total mess ups – not to be seen as a bad thing. I also prefer working with the dark charcoal, and one can see in the images below the really dark black it gives. I don’t use fixatives.. I have the impression it doesn’t work in any case..
…radishes in charcoal, watercolor and watercolor pencils, 42x60cm..
I chose radishes, cut off most of the leaves to expose mostly the stems, thew them out on the table and chose a composition with only a few radishes.
..the start – in charcoal lines and watercolor washes, using lot of water and allowing it to run…
After finishing, I stood back and the watercolor looked too washed out against the dark charcoal, so I added watercolor pencil, washed it to blend and give darker color, and here and there I left some pencil marks to echo the charcoal lines.
…radishes – close up 1..
Far from being a perfect piece and it won’t end up in an exhibition, this was another good exercise in getting rid of “fear”.
….radishes – close up 2…
…radishes – close up 3…
Onto some some more work!!!