Welcome! Hope you see some artwork that pleases you, if not now, maybe next time…

aquarelle

February art: three men.

I had the opportunity to sit down for a coffee today on the terrace and had some men close-by to sketch. Some people don’t mind to be sketched, but the majority feel uncomfortable with being the subject. Fortunately today’s subjects were so busy with their own thing, they didn’t notice me who was hiding behind a big plant…sort of. I am very rusty on sketching people…there was a time I did it almost every day and now it happens once a year, for exactly the reason I mentioned…getting rebuked by people who don’t want the attention. Nonetheless..I present to you…the three men.all done in moleskin book(which is a little too light for my watery brushstrokes and the colour bled through to the back of the page. I don’t mind bucking pages, but I fiercely dislike colour going seeping through the paper.

Three men

pen and watercolour washes in moleskine, 22.5X13.5cm

faces at the cafe 3faces at the cafefaces at the cafe 2

à bientôt

Ronelle


February art: Aquarelle in the coffeeshop.

Still digging deep to jiggle my art back up, I sat in the coffee shop this cold and miserably grey morning, squiggling lines left and right.  After a while I gave up, closed the Stillman & Birn and rove to the garden center, where I loaded my cart with shrubs and trees and perennials. Everybody else was buying forced bulbs for their homes. I was probably the single person in France out in the cold rain, behaving only as one should in the midst of spring…going out on the planting. Well. It helped. I feel I can take on some more sketching this evening…make my hands work while my head is in spring, planting.

chairs and coffee table in coffee shop

pencil in Stillman 1 Birn sketchbook, 14.5X22.5cm

prendre the

Potplants in coffee bar

Watercolour washes and Pentel brush pen in Stillman & birn sketchbook, 14.5X22.5cm

chez cecile


Art in February: Tokala the cat.

Hard to believe that February is here. That actually suits me fne. The worst month, January, is over. Now I can start thinking of spring and the garden and planting…

But first I have to get my dried up art process going. February is a perfect month to do just that. I have done several sketches and these two turned out the best. It is Tokala, one of my two beautiful cats, who always remind me of the heather in Scotland.

Tokala

watercolour pencils and mini TWSBI pen in moleskine, 21X13cm

Tokala WC

Tokala WC 2

à bientôt

Ronell


Root vegetables in watercolor

My mojo has left me since October/November last year with absolutely just no desire to put pen to paper or a brush to the canvas. The intention was there, many a time, but the execution didn’t happen. It was that typical staring at a blank page, at a blank canvas and realizing that even the mind was blank. So what does that say about ignoring inspiration or mood and just get on with it, regarding art as a job that needs to be done. I don’t have the answer. I can only say that if it were my job and I worked for a boss, I would’ve probably been fired.

Rutabagas, turnips and beetroot.

sketches in watercolor and pen in Arches watercolorbook HP, 18x26cm

rutabagas et navet

I even went to see a Picasso exhibit, trying to find the desire to paint, but to no avail. No desire. No wanting it. I had a faint glimpse of my old desire today when I picked up a rutabaga(swede) for dinner tonight. I looked at it and thought by myself that it was a vegetable I haven’t sketched yet and I wondered why… a trigger as simple as that. Not that I am now suddenly overcome with desire to splash the paints, not at all. On the contrary. I wonder what o do tomorrow. But I am grateful for at least having a sketch done today, before January runs out. Tomorrow’s day will have to see to itself.

à bientôt

Ronell


La Dordogne and a walnut grove: catching autumn colours 4.

The Dordogne is such a beautiful river and with the walnut groves just beside it makes for magnificent scenery, especially in October with its multitude of colour.

I am still doing landscapes “the new way”;, although I am beginning to think it isn’t the real me. My sketches are much more loose and more spontaneous, albeit not always pretty and correct. But it is me. The landscape sketches I am doing lately feels more like small paintings done in sketchbooks. They are much more detailed and take much longer than my usual way of sketching. I am still enjoying it though. Maybe I will find that golden median between sketching like this and my usual style..

..la Dordogne in October

watercolour and pencil in A4 sketchbook

la dordogne0001..walnut grove..

watercolour and pencil in A4 sketchbook

Walnut grove..à la prochaine..

Ronelle


Urban sketches in Beaulieu.

Below are two sketches I did from the car. I don’t often sketch from inside the car…somehow I am uncomfortable and the window is in my way. But I suppose everything just need to be done regularly and it will become habit. In bad weather it definitely is an advantage to sketch from inside the car.

..parked cars in Beaulieu sur Dordogne..

pencil and watercolor in Daler & rowney sketchbook, A5

hotel beaulieu voitures

..hotel in Beaulieu sur dordogne..

pencil and watercolour in Sketchbook, A4

hotel beaulieu

à la prochaine

Ronelle


A vinyeard and a valley..catching autumn colours 3.

I am having so much fun with these landscape sketches. Making a lot of mistakes, but every now and then, there is a successful stroke or a colour or a line and then I can burst with excitement. Most of these sketches are greens. Our hills are very green and at the moment, all shades of greens and yellows. the moire I sketch, the moire I experiment with green and the more confident I become in mixing greens. where I have always mixed my greens on the paper, I have now switched to mixing puddles of greens on my palette…as I say…I am just having fun!

..Puy d’Arnac..

watercolour and pencil in sketchbook A4

Puy d'Arnac..vineyard in Nonard..

watercolour and pencil in sketchbook A4

vignobles nonard 2à la prochaine

Ronelle


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