Welcome! Hope you see some artwork that pleases you, if not now, maybe next time…

animals

EDM – art 26 & 27: A sign & something furry.

Two things I always have to do when I go up to Paris. I have to say hi to the Eiffel tower and I have to go visit the jardin de Luxembourg. It has become my two love affairs over the years. So what could be more appropriate than showing off the signs everywhere to be found in le jardin de Luxembourg.

..signs in le jardin de Luxembourg..

Pentel brush pen and watercolour in S&B sqketchbook, 14X21.6 cm

signs luxembourgCats have more than six senses, I am sure. As soon as I start sketching them, they become uncomfortable and move away. Just sometimes I can catch enough on paper to present a recognizable sketch.

..a sleeping Tokala..

coloured pilot pens in S&B sketchbook, 22.9×15.2 cm

tokala0001


EDM art 8: Handles.

I first considered sketching my seductive love handles in a mirror and I even started, but in fear of having my grotesque image become viral on internet, I thought the better of it. So I stuck to an ordinary door handle. On the stable door. Our 2 year old filly loves this handle and discovered that it is a great scratching tool for her nozzle and head and everything which can reach so far. She also discovered that she can open it. She fits her nose right under the latch and with a quick swift she lifts and pushes at the same time, making the door swing backwards. And then of course she just casually steps out as if this is normal everyday routine and hits the road. Fortunately the door has swollen now from all the rain and gets stuck at the bottom. She couldn’t yet figure that one out. To her utter dismay, I might add.

..Dumêla and the stable door handle..

watercolour and nib pen and J. Herbin inks in Stillman and Birn Alpha sketchbook, 22.9×15.2 cm

Dumela and the stable door handle

à demain avec “something with an interesting label”.

Ronelle


Koi fish in watercolor

I have been doing quite a few koi watercolors. Some different styles and techniques and sizes.

Some are more loose than others, which is my usual style of painting. I also tried some watercolour techniques, like using masking fluid, different brush sizes but finally decided it is not my way of painting….I prefer only the brush, water and color. I also tried a more true “watercolour painting” style and not my usual washes or loose line work. Once again, I came to the conclusion that it’s just not me. It just goes to show…one can’t really lie in making art. You can perhaps get away with it for a while, but in the long run, the true you needs to surface. It is quite  freeing  to have finally  come to this conclusion: I don’t want to do true watercolor paintings. I just love line and wash.

..koi 1..

watercolor and dip pen and indigo blue HErbin ink, 24X32cm

Ronelle van wyk- Koi fish in watercolor-005

 

..Koi 2..

in watercolor and lamy safari pen, 24X32cm

Ronelle van wyk- Koi fish in watercolor

..koi 3..

watercolor and dip pen and indigo blue HErbin ink, 24X32cm

Ronelle van wyk- Koi fish in watercolor-007

..Koi 4..

watercolor and lamy safari pen in Stillman and Birn sketchbook, 14X21.6cm

Ronelle van wyk- Koi fish in watercolor-002

..Koi 5..

watercolor and lamy safari pen in Stillman and Birn sketchbook, 14X21.6cm

Ronelle van wyk- Koi fish in watercolor-003

..Koi 6..

watercolor and dip pen and HErbin ink(Café et Gris nuage), 24X32cm

Ronelle van wyk- Koi fish in watercolor-004

..Koi 7..

watercolor and lamy safari pen, 24X32cm

Ronelle van wyk- Koi fish in watercolor-006

..Koi 8..

watercolor and lamy safari pen in Daler Rowney sketchbook, 21X29.7cm

Ronelle van wyk- Koi fish in watercolor-001

à bientôt,

Ronelle


Sketching Tokala, the cat.

It’s been a while since I’ve done sketches of my cats. high time to do it again.

Tokala was chosen as the model, because she has a lot of finicky tricks when grooming herself. A good thing she isn’t a human, she would be unbearable! I caught some quick movements which are actually more gestures than anything else and one or two poses that she was willing to keep for longer. Good exercise to focus and concentrate. the colour was added later after all the sketches were done.

..Tokala the cat..

All sketches in watercolor and Prera pilot pen in Stillman & Birn sketchbook, alpha series.

Cats 1 Cats 2 Cats 4 Cats3

à bientôt

Ronelle


September 26: Three chickens.

It is very very hot and humid. Everybody is moving around like limp fish. The horses are in permanent rest under the apple tree, the cats don’t lift an eyebrow when I walk past the them and even the chickens lay motionless in the shade of the hibiscus bush. I was busy, or trying to be. I took down washing, hung the next basket full, every time walking past the chickens. When they didn’t move when by the third pass, I thought they might just keep that pose for another 30 minutes. Et voilà, indeed they did, or almost. This was fun.

..Three chickens..

oil on board, 30x30cm

three chickens 25-09-2013 17-06-57 2964x2979

.à demain..

Ronelle


Birds and chickens sketches.

With this very first post of 2013, I wish you all a very good new year..may it be all you wish it to be!

I have gotten myself back to the easel and sketchbook..a great achievement here in January. For myself, I hope that 2013 will be a better year than the previous, especially on the art front. But of course, that only depends on one person..me.

Of all the sketches I did today, the following ones are the most successful. The three chickens kept still long enough with their backsides to me, so I could practice my observation skills which got lost during the past year.

..three chickens in a row..

done in watercolor on Aquarelle block, HP, 18x26cm

poulets aquarelles

It is a different story with the birds. The mésanges(tits) are way too quick for me and I could only succeed in blobs of colour which looked more like flying saucers and even that would be an insult to the Martians. So I took closeups and put my own sketch together. According to my own rule, it is then not by definition a sketch, but more of a drawing, using sketching techniques. That is a mouthful! By my definition a sketch is only a sketch when done right in front of the live subject, “sur le motif”, we call it in French. when using the help of otter media..magazines, photos, it becomes drawing. The observation and rendering become totally different. By saying I used “some sketching technique”, I suggest that I used about 4 different photos, composed 2 birds on my paper, referred to the photo’s for colour and lastly added some branches and seeds from direct observation from the tree. So, finally, the whole sketch is my own composition with my branches and seed block being a true sketch with birds drawn onto it…

..Feeding two mésanges..

done in watercolor in Hahnemuhle watercolour sketchbook, 15.3x25cm.

mésanges aquarelle


Sketching two geese in action.

My two geese Aglaé et Sidonie, provide me with hours of fun and pleasure..watching them is better than owning a home cinema! I sketched them this weekend, the first time since I got them earlier this year. I thought it was going to be easy..sketching them. I know them by heart, seeing them every day and watching them, feeding the, following them,  being followed by them. When I close my eyes, I can so clearly see them  and I can so easily tell them apart. But sitting with the pen in my hand, brought forward all kinds of problems. Even when after changing to a pencil, I couldn’t escape the problems.

..Two adorable geese, Aglaé et Sidonie..

(watercolour and pen in Hahnemuhle watercolor sketchbook, 19x20cm)

I jumped in and tried to capture them while they floated in their fountain(actually MY fountain they took over!). That’s when I realized how little I understood of  their morphology! I had trouble sketching their wings and the build of their lower bodies, the length of their necks in relation to their bodies, their typical thoraxes…they are so different from ducks and mine looked like some mongrels of geesed ducks.. so much for thinking I know my geese! So it was back to doing some real studying.

..Two geese in (my) fountain..

(watercolour and pen in Hahnemuhle watercolor sketchbook, 26x18cm)

From a distance, it was fairly easy  getting hold of just the shapes and suggesting their actions. They are ideal for studying, because they move slowly(and funny) and rhythmic, with an elegance that originate in their long necks and sideways glances.

..two geese from a distance..

(watercolour and pen in Hahnemuhle watercolor sketchbook, 26x18cm)

Their backsides are quite interesting with their wings crossing one over the other and lying on top of a cute, quirky fantail.

..Two geese’s cute swaying backsides..

(watercolour and pen in Hahnemuhle watercolor sketchbook, 19x20cm)

They have such beautiful character, aren’t mean at all. It seems they love company, so they love lying by my feet or anywhere close by our activities, and they love being by the horses. Only with the chickens do they have a love/hate relationship.

..Two geese watching me as intensely as I did them..

(watercolour and pen in Hahnemuhle watercolor sketchbook, 19x20cm)

The top sketches are the best of all those I did the weekend, trying to understand these two ladies. When I close my eyes now, I actually see them much better! so doing all of this work was really wroth it. Capturing animals is not only about the perfect technique, but also about their character, which to me is more important than the perfect rendition of their morphology. I a feel quite chuffed with the expression in Aglaé in the above sketch..the typical tilt of her head and watchful sideways glance she throws me. Man, I just adore these mesdemoiselles!

à bientôt

Ronelle


Follow

Get every new post delivered to your Inbox.

Join 1,464 other followers